 |
 First program, October 1984 | |
| Location | New York City, United States |
|---|---|
| Established | October 1984 |
| Founded by | Tessa Hughes-Freeland, Ela Troyano |
| Disestablished | 1988 |
New York Film Festival Downtown was a New York-based film festival founded by Tessa Hughes-Freeland and Ela Troyano in 1984. [1] With independent and "positively avante-garde" programming, [2] it came to prominence in the East Village art scene and ran for five years, ending in 1988.
Lionel Bart was an English writer and composer of pop music and musicals. He wrote Tommy Steele's "Rock with the Caveman" and was the sole creator of the musical Oliver! (1960). With Oliver! and his work alongside theatre director Joan Littlewood at Theatre Royal, Stratford East, he played an instrumental role in the 1960s birth of the British musical theatre scene after an era when American musicals had dominated the West End.
Richard Kern is an American underground filmmaker, writer and photographer. He first came to prominence as part of the cultural explosion in the East Village of New York City in the 1980s, with erotic and experimental films like The Right Side of My Brain and Fingered, which featured personalities of the time such as Lydia Lunch, David Wojnarowicz, Sonic Youth, Kembra Pfahler, Karen Finley and Henry Rollins. Like many of the musicians around him, Kern had a deep interest in the aesthetics of extreme sex, violence and perversion and was involved in the Cinema of Transgression movement, a term coined by Nick Zedd.
Blankety Blank is a British comedy game show which first aired in 1979. The show is based on the American game show Match Game, with contestants trying to match answers given by celebrity panellists to fill-in-the-blank questions.
David Michael Wojnarowicz was an American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist, and AIDS activist prominent in the East Village art scene. He incorporated personal narratives influenced by his struggle with AIDS as well as his political activism in his art until his death from the disease in 1992.
Nick Zedd was an American filmmaker, author, and painter based in Mexico City. He coined the term Cinema of Transgression in 1985 to describe a loose-knit group of like-minded filmmakers and artists using shock value and black humor in their work. These filmmakers and artistic collaborators included Richard Kern, Tessa Hughes Freeland, Lung Leg, Kembra Pfahler, Jack Smith and Lydia Lunch. Under numerous pen names, Zedd edited and wrote the Underground Film Bulletin (1984–1990) which publicized the work of these filmmakers. The Cinema of Transgression was explored in Jack Sargeant's book Deathtripping.
Ron Athey is an American performance artist associated with body art and with extreme performance art. He has performed in the U.S. and internationally. Athey's work explores challenging subjects like the relationships between desire, sexuality and traumatic experience. Many of his works include aspects of S&M in order to confront preconceived ideas about the body in relation to masculinity and religious iconography.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films. Key players in this movement were Zedd, Kembra Pfahler, Tessa Hughes-Freeland, Casandra Stark, Beth B, Tommy Turner, Jon Moritsugu, Manuel DeLanda, David Wojnarowicz, Richard Kern, and Lydia Lunch, who in the late 1970s and mid-1980s began to make very low-budget films using cheap 8 mm cameras.
Kembra Pfahler is an American performance artist and rock musician.
"Voices That Care" is a 1991 song written by David Foster, Linda Thompson, and Peter Cetera and recorded by a supergroup of popular musicians, entertainers and athletes. The song was released as a single on March 13, 1991 by Giant Records. The song was produced by Foster. The group of people involved was also collectively known as Voices That Care and was shown as such on the single release and marketing materials. The charity single and supporting documentary music video were intended to help boost the morale of U.S. troops involved in Operation Desert Storm, as well as supporting the International Red Cross organization. The documentary, which followed the recording of the single to the music video's presentation to the troops in the Middle East, aired on Fox on February 28, 1991, coincidentally the day fighting in Desert Storm ended.
This is a list of artists who have played at the various Fairport Convention Fairport's Cropredy Convention over the years.
Ana María Simo is a New York playwright, essayist and novelist. Born in Cuba, educated in France, and writing in English, she has collaborated with such experimental artists as composer Zeena Parkins, choreographer Stephanie Skura and filmmakers Ela Troyano and Abigail Child.
This list comprises all players who have participated in at least one league match for Penn FC since the team's first season in USL in 2004. Players who were on the roster but never played a first team game are not listed; players who appeared for the team in other competitions but never actually made an USL appearance are noted at the bottom of the page where appropriate.
Alina Troyano, more commonly known as Carmelita Tropicana, is a Cuban-American stage and film lesbian actress who lives and works in New York City.
Marguerite Van Cook is an English artist, writer, musician/singer and filmmaker. She was born in Portsmouth, England and now resides in New York City on the Lower East Side, in the East Village. She attended Portsmouth College of Art and Design, Northumbria University Graphic and Fine Arts programs, BMCC, and Columbia University for English (BA) and Modern European Studies (MA). She holds a PH.D in French on eighteenth century political economics in the work of women writers from CUNY Graduate Center. She has also served as an adjunct professor at Columbia University and currently at the Fashion Institute of Technology (FIT) in New York.
First published as Deathtripping: The Cinema of Transgression by Creation Books in 1995 and subsequently republished as Deathtripping: The Extreme Underground by Soft Skull Press, Deathtripping is a book by Jack Sargeant which examines the New York based, post-punk underground film movement known as the Cinema of Transgression that formed around the manifesto written by underground filmmaker Nick Zedd. The loose-knit group of underground filmmakers included Richard Kern, Tommy Turner, Lydia Lunch, Beth B, Cassandra Stark, Joe Coleman and David Wojnarowicz, amongst others.
Gordon Stokes Kurtti was an American artist, writer, illustrator and performer. He was a seminal figure in the early East Village art scene of New York City's Lower East Side.
Tessa Hughes-Freeland is a British-born experimental film maker, writer living in New York City. Her films have screened internationally in North America, Europe and Australia and in prominent museums and galleries, including the Museum of Modern Art (MOMA); the Museum of Contemporary Art, Los Angeles; the Whitney Museum of American Art; the New Museum of Contemporary Art in New York; and the KW Institute of Contemporary Art in Berlin. She has collaborated on live multi-media projects with musicians like John Zorn and J. G. Thirlwell. She and Ela Troyano co-founded the New York Film Festival Downtown in 1984 and served as its co-directors until 1990. Hughes-Freeland later served as President of the Board of Directors of the Film-Makers Co-Operative in New York City from 1998-2001. She has published articles in numerous books, including “Naked Lens: Beat Cinema” and “No Focus: Punk Film,” and in periodicals including PAPER Magazine, Filmmaker magazine, GQ, the East Village Eye, and Film Threat.