Related Research Articles
Edward "Ned" Corvan was a Tyneside concert hall songwriter and performer, and a contemporary of George "Geordie" Ridley. His songs were printed in a modified English orthography designed to represent the traditional dialect of Tyneside in the middle of the 19th century, and are examples of Dialect Literature.
William Purvis, probably better known as "Blind Willie", was a Tyneside concert hall song writer and performer in England at the end of the 18th and start of the 19th century. His most famous song is "Broom Buzzems". He became known later as the "ancient laureate of the Tyne" and was remembered in the songs of Robert Gilchrist (1797–1844) and Thomas Thompson (1773–1816).
"Swalwell Hopping" is a Geordie folk song written in the 19th century by John Selkirk, in a style deriving from music hall.
The Pitman's Courtship is a famous Geordie folk song written in the 19th century by William Mitford, in a style deriving from music hall. This piece takes a humorous look at the courtship of a Pitman and his lass where the discussion forms the proposal of marriage and the couple's plans for a life together. This song was generally considered to be one of the region's finest 'traditional' songs, one of only a handful of Tyneside songs to be appreciated outside the region in its day.
The Newcassel Worthies is a famous Geordie folk song written in the 19th century by William "Willie" Armstrong, in a style deriving from music hall.
"Wor Peg's Trip te Tynemouth" is a Geordie folk song written in the 19th century by Joe Wilson, in a style deriving from music hall.
Jemmy Joneson's Whurry is a traditional Geordie folk song in Geordie dialect written circa 1815, by Thomas Thompson, in a style deriving from music hall.
Rowland "Rowley" Harrison (1841–1897) was a Tyneside poet and singer/songwriter, from Gateshead in County Durham. Possibly his best known work is "Geordy Black", an example of Geordie dialect.
Hydrophobie is a Geordie folk song written in the 19th century by Robert Emery, in a style deriving from music hall.
The Pitman's Revenge is a traditional Geordie folk song, written circa 1804, by George Cameron in the Geordie dialect. The song is about the threat of invasion posed by Napoleon Bonaparte.
"The Skipper’s Dream" is a Geordie folk song written in the 19th century by T. Moor, in a style deriving from music hall.
Robert Nunn, better known as Bobby Nunn, was an English concert-hall songwriter and performer in the 19th century. His most famous song is possibly "The Fiery Clock Fyece". A roof slater by trade, after suffering a serious injury that cost him his vision, he was unable to continue employment, taking up music to support his wife and three children.
Joshua L Bagnall was a Tyneside composer of the early and mid-19th century.
The Newcastle Eccentrics were a group of unrelated people who lived in and around the centre of Newcastle and its Quayside between the end of the 18th and early/mid 19th century.
Hell's Kitchen is one of the names of a famous painting showing many of the eccentrics living in the Newcastle area in the early 19th century.
Many Geordie songwriters used aliases, for whatever reason. This article lists many of these aliases, giving in some cases, where known, the real name, and in others, some of the songs or poems attributed to them.
William Dunbar was a Gateshead songwriting collier who died at the age of 21.
James Anderson was an English, Tyneside miner/songwriter of the late 19th century. He was quite famous locally at the time, and his most popular song is probably "Aw wish Pay Friday wad cum".
References
- ↑ "Farne Folk Archives – Newcassel Worthies". Archived from the original on 5 October 2013.