Nicole Hollander

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Nicole Hollander
BornNicole Hollander
(1939-04-25) April 25, 1939 (age 85)
Chicago, Illinois
NationalityAmerican
Area(s)Cartoonist
Notable works
We Ate Wonder Bread: A Memoir of Growing Up on the West Side of Chicago and The Sylvia Chronicles: 30 Years of Graphic Misbehavior from Reagan to Obama

Nicole Hollander (born April 25, 1939) is an American cartoonist and writer. Her daily comic strip Sylvia was syndicated to newspapers nationally by Tribune Media Services.

Contents

Biography

Nicole Hollander's Sylvia from The Whole Enchilada (1982) Sylvia lots of happy fat women.jpeg
Nicole Hollander's Sylvia from The Whole Enchilada (1982)

Born in Chicago, Illinois, Hollander is the daughter of Shirley Mazur Garrison and Henry Garrison, a labor activist and member of the carpenters union. Growing up in a working-class Chicago neighborhood, she was educated in Chicago public schools. She earned a B.F.A. from the University of Illinois at Urbana-Champaign in 1960 and an M.F.A. from Boston University in 1966. Her marriage to Hungarian sociologist Paul Hollander ended in a 1962 divorce. [1] [2] [3] [4]

During the 1970s, she was the graphic designer of a feminist publication, The Spokeswoman, where she had the opportunity to transform the newsletter into a monthly magazine. While designing pages, she occasionally added her own political illustrations. "Around 1978," [5] she created a comic strip, The Feminist Funnies, later introducing the character who became Sylvia. Selections from The Feminist Funnies appeared as a calendar, Witches, Pigs and Fairy Godmothers: The 1978 Feminist Funnies Appointment Calendar, and in her 1979 book, I'm in Training to Be Tall and Blonde. The book's success led Field Newspaper Syndicate to distribute Sylvia to newspapers as a daily comic strip starting in 1981. [6] [7] [8] In the late 1980s and early 1990s, Hollander drew comics for Mother Jones magazine. Many of these did not include the Sylvia character. [9]

Hollander has donated the archive of her work to the Billy Ireland Cartoon Library & Museum at Ohio State University. [10] A number of her drawings are in the collection of the Library of Congress. She is a faculty member at the School of the Art Institute of Chicago, in 2011 offering a course in writing the graphic novel. She has led workshops and taught at Ohio State University, Columbia College Chicago, the Ox-Bow School of Art, Chicago's Printers Row Lit Fest, and for the Chicago Arts Partnership in Education. Her frequent appearances as a public speaker since 2001 have occurred at The New School, Loyola University Chicago, DePaul University, the Art Institute of Chicago, Enoch Pratt Free Library, the Library of Congress, Stagebridge, and elsewhere. [11] In 2009, Hollander curated a show of women's humor, And You Think This Is Funny?, for Chicago's Woman Made Gallery; the show included the work of some 50 women artists. The gallery's simultaneous ten-year retrospective exhibit of Hollander's work was titled It's Enough to Make a Cat Laugh. [12] [13] In 2012, Nicole Hollander's "unique collection of condom packages and sex toys" entered the collection of the Kinsey Institute for Research in Sex, Gender, and Reproduction. [14]

In 2005, Hollander appeared in a one-woman show, Return to Lust, at Pegasus Players in Chicago. A second show, Plastic Surgery or a Real Good Haircut, opened in 2008 at Chicago's Live Bait Theatre. In these performances, she described her experiences as an aging woman dealing with physical vanity, sexual desire and an overlong birthday-party guest list. [15] [16] In 2013, the Lillstreet Gallery replicated Hollander's living room for an exhibit they called "Will You Step Into My Parlour?" [17]

Retirement

On March 26. 2012, Hollander announced that she was retiring her Sylvia strip from newspaper syndication. [18] She plans to continue posting archival strips on her blog—"many of them, unfortunately, are as relevant now as they were then"—with occasional new strips. [19]

Books

Hollander has published 19 Sylvia collections, including The Whole Enchilada (1982), Tales from the Planet Sylvia (1990), with an introduction by Barbara Ehrenreich, and The Sylvia Chronicles: 30 Years of Graphic Misbehavior from Reagan to Obama (2010), with an introduction by Jules Feiffer. She is the author of Tales of Graceful Aging from the Planet Denial (2007) and the illustrator of many books by other writers, including children's books by Robie Harris and books in praise of cats by Allia Zobel.

With Skip Morrow and Ron Wolin, Hollander edited Drawn Together: Relationships Lampooned, Harpooned, & Cartooned (Crown, 1983) for the Cartoonists Guild. Her work was included in the satirical pro-choice comic book Choices (Angry Isis Press, 1990) alongside such fellow contributors as Howard Cruse, Jules Feiffer, Bill Griffith, Cathy Guisewite, Bill Koeb, Lee Marrs, Nina Paley and Garry Trudeau. Gina Barreca and Nicole Hollander collaborated on An ABC of Vice: An Insatiable Woman's Guide (Bibliopola Press, 2003), which combines Barreca's text and Hollander's cartoons. Hollander's cartoons are featured on the covers and in the text of Getting in Touch with Your Inner Bitch (Hysteria, 1994) and The Inner Bitch: Guide to Men, Relationships, Dating, Etc. (Hysteria, 1999), by Elizabeth Hilts.

For a complete list with details, see List of works by Nicole Hollander

We Ate Wonder Bread

In 2018, Hollander published her graphic memoir, We Ate Wonder Bread: Growing Up on Chicago's West Side (Fantagraphics Books). This project began during a residency at artist colony Ragdale. "At Ragdale, I was in a very big studio on the prairie. I got some really beautiful paper that was rough and huge, and I just it stapled to the wall and started drawing with charcoal. It was really a wonderful way to do it, because you’re drawing a story, you’re illustrating your childhood, but you have no idea if it’s ever going to get published. So you just keep drawing and it just flows." [20]

Cartoonist and memoirist Alison Bechdel describes We Ate Wonder Bread as "a superhero origin story," noting that the title character of Sylvia "certainly possesses powers far beyond those of mere mortals" and tracing Hollander's humor to "the raucous banter of . . . mesmerizing women." [21] Hollander explains that "if women hadn't taken their daughters with them everywhere, I would never have heard their stories and made their language my own." [22] Hollander has performed on stage as a memoirist, [23] and videos of her performances appear on YouTube channel Louder Than a Mom.

Awards

Hollander's work has formed the basis for several theatrical musicals, including Female Problems and Sylvia's Real Good Advice, winner of a Joseph Jefferson Award in 1991. [24] [25] [26] Other awards include the Wonder Woman Foundation Award for Women of Achievement over 40 (1983) and Yale's Chubb Fellowship for Public Service (1985). [27]

Critical reception

Bibliography

See also

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References

  1. Beyer, Janet M. Jiffy Notes: Nicole Hollander, 2000. Archived 2016-03-04 at the Wayback Machine
  2. Ivry, Benjamin. "Who Is Sylvia? What Is She?" The Arty Semite, July 8, 2010.
  3. Hollander, Nicole. "The Very Long Dinner" Archived 2012-03-26 at the Wayback Machine
  4. Hollander, Nicole. "What Was I Thinking? Oddly Unhappy Bride"
  5. Hollander, Nicole. The Whole Enchilada, p. 8.
  6. Power, Amy. "'Sylvia' makes an exclusive stop at OSU", The Lantern, August 3, 1998.
  7. Cantarow, Ellen. "Don't Throw That Old Diaphragm Away!" Mother Jones, June–July 1987:22-26.
  8. Beyer, Janet M. Jiffy Notes: Nicole Hollander, 2000. Archived 2016-03-04 at the Wayback Machine
  9. Hollander, Nicole. "A Blast from Mother Jones Magazine's Past"
  10. McGirk, Caitlin (1 August 2018). "Spotlight on the Nicole Hollander Collection". Billy Ireland Cartoon Library & Museum Blog. Retrieved 10 August 2018.
  11. Hollander, Nicole. Professional résumé.
  12. "An Interview with Nicole Hollander", Chicagoist, January 23, 2009. Archived February 3, 2010, at the Wayback Machine
  13. Woman Made Gallery
  14. Hollander, Nicole. "The Condom Collection" Archived 2016-03-04 at the Wayback Machine
  15. Reid, Kerry. "Return to Lust," Chicago Reader, December 8, 2005.
  16. Hayford, Justin. "Plastic Surgery or a Real Good Haircut?" Chicago Reader, July 13, 2006.
  17. "Lillstreet Gallery presents Nicole Hollander - Windy City Times News". Windy City Times. 2013-08-09. Retrieved 2024-04-24.
  18. "Sylvia Has an Announcement - Bad Girl Chats". Archived from the original on 2016-03-04. Retrieved 2012-03-28.
  19. Miner, Michael. "Nicole Hollander eases up a little," Chicago Reader , March 28, 2012
  20. Morgan, Adam. "Q&A: Nicole Hollander on Her Graphic Memoir About Growing Up in Garfield Park", Chicago (magazine) , April 3, 2018
  21. Hollander, Nicole. We Ate Wonder Bread, p. 7
  22. Hollander, Nicole. We Ate Wonder Bread, p. 18
  23. Liebenson, Donald. "Louder Than a Mom takes the live lit stage", Chicago Tribune , February 4, 2016
  24. Nicole Hollander at IMDB
  25. NPR story on 'Sylvia,' the Musical
  26. Bullock, Ken. "'Sylvia' the Musical at Stagebridge," Berkeley Daily Planet, January 28, 2010.
  27. Cantarow, Ellen. "Don't Throw That Old Diaphragm Away!" Mother Jones, June-July 1987:22-26.
  28. Ivry, Benjamin. "Who Is Sylvia? What Is She?" The Arty Semite, July 8, 2010.
  29. "The Big News About the Comics Page," Providence Journal, December 17, 1990.
  30. "Nicole Hollander is a National Treasure: Thirty Years of Sylvia," The Nation, July 10, 2010.
  31. "Sylvia Says What Nicole Hollander Can't," MS. blog, July 9, 2010.
  32. "Sylvia Character All Dolled Up; Now You Can Buy a Best Friend," The Palm Beach Post, November 26, 1988.
  33. "Bring Back the Fuscos," Pittsburgh Post-Gazette, April 25, 1994.
  34. Conversations: Nicole Hollander; A Valentine's Greeting from Sylvia: Find a Lover From Another Planet," The New York Times, February 14, 1993.
  35. "Pegasus' `Sylvia' is a high-spirited, professional romp," Chicago Sun-Times, March 28, 1991.
  36. "Sylvia's Secret Self," People, April 19, 1993.
  37. "Favorite funnies Calvin & Hobbes and Peanuts are big winners in reader poll," Providence Journal, May 7, 1990. [ dead link ]