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Niels Shoe Meulman | |
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Born | Amsterdam | September 25, 1967
Website | nielsshoemeulman |
Niels Shoe Meulman is a visual artist, graffiti writer, graphic designer and art director, born and raised in Amsterdam, Netherlands. "Experimenting within the traditional medium of paint-on-canvas, but also venturing into other domains like conceptual installations and poetry, Niels Shoe Meulman keeps pushing the limits of the global urban contemporary art movement," [1] writes the Museum of Graffiiti, who collected his artwork into their permanent collection, as has the Stedelijk Museum in Amsterdam and The San Francisco Museum of Modern Art, and private collectors.
Meulman was born in Amsterdam. He began tagging as Shoe in 1979 and was a graffiti artist. In the eighties Shoe met New York artists like DONDI, Rammellzee, Haze and Quik in Amsterdam. Inspired by their New York Graffiti style he joined the graffiti crew Crime Time Kings with Bando from Paris and Mode2 from London. Together they gave a distinctive style to graffiti in Europe. He also meets Keith Haring in 1986, while Haring is staring at the wall piece "Better Times" Meulman painted on an insane asylum in Amsterdam. They hung out. Meulman recalls: “Keith drew something in my black book. Which ended up stolen, but I managed to get it back a couple of years later – but without his drawing for me. That drawing turned up at a Christie’s auction in 1994 and was bought by a French collector.” [2]
In the 1990s, Meulman advanced his technique by apprenticing under the Dutch graphic design master Anthon Beeke (1989–1992). He ran his own design company, Caulfield & Tensing (1992–1999), with Michael Schaeffer, enabled by start up funds from Internet entrepreneur Walter de Brouwer. The advertising agency FHV BBDO took over the company, and employed Meulman as senior art director (1999–2001). Upon leaving the agency he was partner with Dennis Polak in the advertising agency Unruly.
Commercial works of note include a signature shoe (sneaker) design for the British sports brand Umbro, the creative direction of the magazine WAVE, the re-styling of the Dutch television channel TMF, and packaging calligraphy for Bols Genever. In 2012 Meulman was commissioned by Louis Vuitton to feature alongside the spoken word artist yasiin bey aka Mos Def in the tribute video series Muhammad Ali – The Greatest Words. Mos Def recites Ali's poetic speeches while Meulman elaborates with painted calligraphy on the platform of a boxing ring. “When we were asked to pose as boxers in the ring for the Louis Vuitton videos, he uttered the words ‘strike a poser.’ Shoe is a painter of words.” [3] —yasiin bey aka Mos Def.
With the avant-garde shoe design company United Nude the "Unruly Shoe" was designed, which "measures in at five inches tall and features details like laser-cut leather (which spells the words "unruly shoe"), a back zipper, and a spiked stiletto heel." [4]
Shoe calls his art of writing Calligraffiti, an art form that fuses calligraphy and graffiti. He launched this movement in 2007 with a solo exhibition in Amsterdam under the same name. It was “a personal way to translate street work to gallery work.” [5] Since then, his Calligraffiti pieces (signed NSM) have been seen in various international exhibitions in Europe and North America. In March, 2010 the book 'Calligraffiti - the Graphic Art of Niels Shoe Meulman' was published by From Here To Fame Publishing in Berlin. John Langdon, the ambigram artist who wrote the preface, is quoted in the book about the first time he met Shoe and saw his work: 'You are as good as me. Only I did more." [6]
Eye Magazine, the international review of graphic design, reviewed the book in their Summer 2010 issue: “As journalist and editor Adam Eeuwens explains in his introduction, calligraffiti is a ‘curious amalgam of an ancient, refined art form fused with the raw force of modern street art … a synthesis of opposites.’ The book explores Meulman's capacity to express written comparisons in a viscerally understandable form. Pairings range from love / money to strict / loose to rural / urban – all bearing additional dimensions of visual irony and depth ... The illustrative nature of Meulman's words makes their apprehension feel less like reading than hearing: understood so quickly that they are impossible to ignore or shut out. Beyond the cacophony is a reserve of pent-up energy, an abhorrence of complacency, and a crisp exploration of contrast mediated by masterful craft.” [7]
On the Spanish blog Hidden People Meulman explains what makes a good calligraffiti: “Directness in the whole, finesse in the details. An even balance between seeing and reading, word and image. I like it when letters, writing and language itself becomes an image or an abstraction. On the other hand, basic shapes and splats can become language. This is what my painting is about.” [8]
In 2015 Meulman decided to emancipate the art form of Calligraffiti. In a statement released by Galerie Gabriel Rolt, the artist stated: “There are people all over the world who write/paint in a similar way, and so the art form can now flourish without me. Besides, my own painting style is getting more abstract and the term Calligraffiti no longer suits it. For the Calligraffiti Facebook page—with over half a million likes—twenty-five ambassadors will be selected to manage its online community. Together they can determine the future of the art form.” [9]
“It cannot be said enough, but, had it not been for Shoe and the Calligraffiti that he set into motion, there would not have been such a resurgence of lettering in the wider field of “urban art...reigniting the pursuit of style where it had been on the wane. ” writes Mode2 in 2017 on his blog.
In 2011 Meulman founded Unruly Gallery with Adele Renault, in Staatsliedenbuurt. Since 2014 the gallery has held online exhibitions only.[ citation needed ]
In 1986 the Dutch daily newspaper NRC Handelsblad run a full-page interview with Meulman with the headline “Ik ben een vandaal.” (I am a vandal).
In 2012 Berlin publishing house From Here to Fame published "Niels Shoe Meulman: Painter;" “an avalanche of visual poetry and poetic visuals. A story about an artist who rejected being called an artist, but (...) became a globetrotting painter after all… where street art meets abstract expressionism. Messing up book sections. Again.” It is a style he calls Abstract Vandalism.
Design professor and fellow lettering artist Peter Gilderdale writes in the introduction of the book: “In his art, the graphic designer, the calligrapher, and the tagger blend into a single entity. … Artists from Kandinsky through Jackson Pollock have played with this synesthetic overlap of sound and vision, and Shoe’s pieces similarly juxtapose multiple fields and connect multiple spheres of practice. Here gesture, culture, and concept coalesce in a complex contemporary mix that signals it as art for today.”
“When I was younger I wanted to design typefaces. But when I realised how much work that entailed, I became a calligrapher. And when I realised how much work that entailed, I became a painter. Now I realise that abstract painting is the hardest work of all. I am a painter who uses the skills of type design, lettering and calligraphy.” [10]
In 2015 Galerie Gabriel Rolt presents the group exhibition Abstract Vandalism, curated by Meulman and with new works by Egs, Nug and Shoe. The show is accompanied by a catalogue with the same name, published by Unruly Publishing, and includes a manifesto by Meulman: “It’s my uneducated guess that half of all emerging visual artists have –at some point- used the street as a medium. To group all these artists as one movement is nonsense. True, graffiti/street art is the only undeniable art movement since pop art, but where urban attitude was once a unifier, now ideas and styles are very divided. It’s time for a separate direction we call Abstract Vandalism.” [11]
Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt, derived from the words 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.
Hassan Massoudy, born in 1944, is an Iraqi painter and calligrapher, considered by the French writer Michel Tournier as the "greatest living calligrapher", who currently lives in Paris. His work has influenced a generation of calligraffiti artists.
Painting – artwork in which paint or other medium has been applied to a surface, and in which area and composition are two primary considerations.
Asemic writing is a wordless open semantic form of writing. The word asemic means "having no specific semantic content", or "without the smallest unit of meaning". With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion regardless of the reader's natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
Tavar Zawacki formerly known as 'ABOVE' is an American abstract artist living and working between Berlin, Germany and Lisbon, Portugal. For twenty years (1996–2016) Tavar Zawacki created and signed all of his artworks with his street artist pseudonym, 'ABOVE'. Tavar was born and raised in California until the age of 19, at which time, Zawacki bought a one-way flight from California to Paris, France, bringing with him a backpack full of art supplies, all the money in his bank account (US$1,500), and a 'rise above your fears' approach to starting his art career. Starting in Paris in 2000, Tavar transitioned from painting traditional letter style graffiti of A-B-O-V-E, to his 'Above arrow' icon that represented his optimistic mentality to 'rise above fears, challenges, and anything holding you back from your goals.' During a 20-year period, the artworks of ABOVE could be seen in over 80 cities spanning 35 countries around the world.
John Langdon is an American graphic designer, ambigram artist, painter, and writer. Langdon has been a freelance artist specializing in logos, type, and lettering since 1977. He retired from teaching in Drexel University's graphic design program in November 2015 after 27 years of service.
Abdullah Ahmed Khan professionally known as Sanki or Sanki King is a Pakistani graffiti, calligraffiti and street artist, occasionally painting live as part of his exhibits, and collaborating with fashion designers featuring his artwork. He has also works in sneaker art, sticker art, b-boying and parkour in Pakistan.
Islamic graffiti is a genre of graffiti created by people who usually relate to the Middle East or North Africa, using Arabic or other languages for social or political messages. It is a popular art genre created by "artists, graffiti writers, designers and typographers from the Middle East and around the world who merge Arabic calligraphy with the art of graffiti writing, street art and urban culture."
The Denots Crew (TDC) is a group of international Street artists, musicians and dancer. Their artwork and music productions pushed Berlin Hip-Hop- and Graffiti History since 1982 to europes main cities of today.
eL Seed, is a French Tunisian calligraphy artist and muralist, whose work feature the Arabic language through graffiti.
Meuleman is a Dutch surname meaning "mill man". It originally could have referred to a miller or to someone who lived near a wind or water mill. Among variant forms are Meulemans, Meulman(s) and Moleman(s). People with this name include:
Meulman is a surname. Notable people with the surname include:
Yazan Halwani is a Lebanese artist from Beirut. Yazan is best known for his public art displays, including graffiti, murals, and sculptures. His murals can be found on buildings across Beirut, and often depict portraits of important Lebanese and Middle Eastern figures.
Calligraffiti is an art form that combines calligraphy, typography, and graffiti. It can be classified as either abstract expressionism or abstract vandalism. It is defined as a visual art that integrates letters into compositions that attempt to communicate a broader message through writing that has been aesthetically altered to move beyond the literal meaning. Simply put, it is the conscious effort of making a word or group of words into a visual composition. As such it is meant to be both an aesthetic experience and provocative art—mixing tradition and precision with modern unbridled self-expression.
Bisco Smith is a New York-based contemporary artist with roots in music and graffiti. Bisco works in a variety of formats, including canvas and large outdoor murals, and is recognized for his lyrical approach to deconstructed expressionism characterized by gestural marks and abstracted text that embody the energy of a moment. Using music as his muse, he approaches each canvas as unique opportunity to channel the expression of his inspiration by stripping his compositions to their fundamental essence of motion and rhythm. Bisco's works, painted predominantly in black and white, embody the creative spontaneity that exists at the intersection of music and paint.
Gen Atem is a visual and performance artist, musician, writer, and Zen-master. He lives and works in Zurich, Switzerland.
Charles "Chaz" Bojórquez is a Mexican-American Chicano graffiti artist and painter from Los Angeles who is known for his work in Cholo-style calligraphy. He is credited with bringing the Chicano and Cholo graffiti style into the established art scene.
Phillip Lehman is a Franco-American artist, music producer, and cave diver best known as Bando, the graffiti pioneer of France who helped popularize the medium in Europe throughout the 1980s. Following this period, Lehman co-founded a string of funk labels in Paris and New York including Desco Records, the precursor to Daptone Records and his Truth & Soul Records. Since the 2000s, he has worked as a cave diver and speleologist in the Dominican Republic.