 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Niels "Shoe" Meulman | |
|---|---|
| Born | 25 September 1967 Amsterdam, Netherlands |
| Style | |
| Website | nielsshoemeulman |
Niels "Shoe" Meulman (born 25 September 1967) is a Dutch visual artist, graffiti writer, graphic designer, and art director.
Meulman was born and raised in Amsterdam, Netherlands. In 1979, he began his career as a graffiti artist under the tag name "Shoe." During the 1980s, Shoe met New York artists like DONDI, Rammellzee, and Haze in Amsterdam. Inspired by their New York style graffiti, he joined the graffiti crew Crime Time Kings with French artist Bando and British artist Mode2. He also met Keith Haring in 1986, while Haring was staring at the wall piece "Better Times" that Meulman painted in Amsterdam. Meulman recalls, "Keith drew something in my black book. Which ended up stolen, but I managed to get it back a couple of years later – but without his drawing for me. That drawing turned up at a Christie's auction in 1994 and was bought by a French collector." [1]
From 1989 to 1992, Meulman advanced his technique by apprenticing under the Dutch graphic design master Anthon Beeke. From 1992 to 1999, he started his own design company, Caulfield & Tensing, with Michael Schaeffer, enabled by start up funds from internet entrepreneur Walter De Brouwer. In 1999, the advertising agency FHV BBDO took over the company and employed Meulman as senior art director. Upon leaving the agency in 2001, he was partnered with Dennis Polak at the advertising agency Unruly.[ citation needed ]
Meulman's notable commercial works include a signature sneaker shoe design for the British sports brand Umbro, the creative direction of the magazine WAVE , the re-styling of the Dutch television channel TMF, and packaging calligraphy for Bols genever beverages. In 2012, he was commissioned by Louis Vuitton to feature alongside the spoken word artist Yasiin Bey, formerly known as Mos Def, in the tribute video series Muhammad Ali—The Greatest Words. [2] In this video series, Bey recites Ali's poetic speeches while Meulman elaborates with painted calligraphy on the platform of a boxing ring. Bey commented, "When we were asked to pose as boxers in the ring for the Louis Vuitton videos, [Meulman] uttered the words 'strike a poser.' Shoe is a painter of words." [3]
With the help of shoe design company United Nude, the "Unruly Shoe" was designed, which "measures in at five inches tall and features details like laser-cut leather (which spells the words 'unruly shoe'), a back zipper, and a spiked stiletto heel." [4]
Shoe calls his art of writing calligraffiti, an art form that fuses calligraphy and graffiti. He launched this movement in 2007 with a solo exhibition in Amsterdam under the same name as, in his words, "a personal way to translate street work to gallery work". [5] Since then, his calligraffiti pieces (signed NSM) have been displayed in various international exhibitions across Europe and North America. In March 2010, his book Calligraffiti—the Graphic Art of Niels Shoe Meulman was published by From Here To Fame Publishing in Berlin. John Langdon, the ambigram artist who wrote the preface, discusses in the book the first time he met Shoe and saw his work: "You are as good as me. Only I did more." [6]
Eye Magazine , the international review of graphic design, reviewed the book in their Summer 2010 issue. They wrote: "As journalist and editor Adam Eeuwens explains in his introduction, calligraffiti is a 'curious amalgam of an ancient, refined art form fused with the raw force of modern street art ... a synthesis of opposites.' The book explores Meulman's capacity to express written comparisons in a viscerally understandable form. Pairings range from love / money to strict / loose to rural / urban – all bearing additional dimensions of visual irony and depth ... The illustrative nature of Meulman's words makes their apprehension feel less like reading than hearing: understood so quickly that they are impossible to ignore or shut out. Beyond the cacophony is a reserve of pent-up energy, an abhorrence of complacency, and a crisp exploration of contrast mediated by masterful craft.” [7]
In 2015, Meulman decided to emancipate the art form of calligraffiti. In a statement released by Galerie Gabriel Rolt, he stated, "There are people all over the world who write/paint in a similar way, and so the art form can now flourish without me. Besides, my own painting style is getting more abstract, and the term "Calligraffiti" no longer suits it. For the Calligraffiti Facebook page — with over half a million likes—twenty-five ambassadors will be selected to manage its online community. Together they can determine the future of the art form." [8]
The Museum of Graffiti commented on Meulman's work: "Experimenting within the traditional medium of paint-on-canvas, but also venturing into other domains like conceptual installations and poetry, Niels Shoe Meulman keeps pushing the limits of the global urban contemporary art movement." [9] The museum holds his artwork into their permanent collection, as do the Stedelijk Museum in Amsterdam and the San Francisco Museum of Modern Art, along with some private collectors.[ citation needed ]
In 2011 Meulman founded Unruly Gallery with Adele Renault, in Staatsliedenbuurt, Amsterdam. Since 2014, the gallery has held online exhibitions only. [10]
In 1986, the Dutch daily newspaper NRC Handelsblad ran a full-page interview with Meulman with the headline "Ik ben een vandaal" ('I am a vandal').[ citation needed ]
In 2012, Berlin publishing house From Here to Fame published Niels Shoe Meulman: Painter, describing his work "an avalanche of visual poetry and poetic visuals. A story about an artist who rejected being called an artist, but [...] became a globetrotting painter after all… where street art meets abstract expressionism. Messing up book sections. Again." [ citation needed ]
Design professor and fellow lettering artist Peter Gilderdale wrote in the introduction of the book, "In his art, the graphic designer, the calligrapher, and the tagger blend into a single entity. […] Artists from Kandinsky through Jackson Pollock have played with this synesthetic overlap of sound and vision, and Shoe's pieces similarly juxtapose multiple fields and connect multiple spheres of practice. Here gesture, culture, and concept coalesce in a complex contemporary mix that signals it as art for today."[ citation needed ]
"When I was younger I wanted to design typefaces. But when I realised how much work that entailed, I became a calligrapher. And when I realised how much work that entailed, I became a painter. Now I realise that abstract painting is the hardest work of all. I am a painter who uses the skills of type design, lettering, and calligraphy." [11]
In 2015, Galerie Gabriel Rolt presented the group exhibition Abstract Vandalism, curated by Meulman and with new works by Egs, Nug, and Shoe. The show is accompanied by a catalogue of the same name, published by Unruly Publishing. It also includes a manifesto by Meulman: "It's my uneducated guess that half of all emerging visual artists have – at some point – used the street as a medium. To group all these artists as one movement is nonsense. True, graffiti/street art is the only undeniable art movement since pop art, but where urban attitude was once a unifier, now ideas and styles are very divided. It's time for a separate direction we call Abstract Vandalism." [12]
| International | |
|---|---|
| National | |
