"Night Moves" | ||||
---|---|---|---|---|
Single by Marilyn Martin | ||||
from the album Marilyn Martin | ||||
B-side | "Wildest Dreams" | |||
Released | January 1986 | |||
Length |
| |||
Label | Atlantic | |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Marilyn Martin singles chronology | ||||
|
"Night Moves" is a song by American singer Marilyn Martin, which was released in 1986 as the lead single from her debut studio album Marilyn Martin . The song was written by Martin, John Parr and Jon Astley and produced by Astley and Phil Chapman. "Night Moves" peaked at No. 28 on the US Billboard Hot 100. [1]
"Night Moves" followed the success of "Separate Lives", a duet Martin recorded with Phil Collins in 1985 for the soundtrack of the film White Nights . "Separate Lives" peaked at No. 1 on the US Billboard Hot 100 and Canada RPM 100, and reached the top 5 in the UK Singles Chart. "Night Moves" continued Martin's commercial success, reaching No. 28 on the Billboard Hot 100 in March 1986, but was her last entry in the chart. [2]
In 1986, Martin revealed to Cash Box of the decision to release "Night Moves" as the first single from her debut album, "I think aggressive is the best word to describe my style. Aggressive music with a rock edge is what I tend to like most. That's primarily the reason we came out with a rock-oriented cut like 'Night Moves' as the first single, because it's exactly the sort of song I like recording most at this point." [3]
Speaking to Songfacts in 2016, co-writer John Parr recalled of the song, "We were working on another track and during the break we were just running a few ideas and out came that song. Jon Astley later came aboard as producer and gave it a far more generic '80s vibe. Jon's a great producer but personally I think it dates the song when you listen now." [4]
The song's music video was directed by Jim Yukich and produced by Paul Flattery, both of whom had previously worked with Martin on the video for "Separate Lives". [5] The video for "Night Moves" received heavy rotation on MTV, [6] and peaked at No. 9 on the Cash Box Top 30 Music Videos chart in April 1986. [7]
Martin said of the video in a 1986 interview with the New York Daily News , "I love the video. It's based on one of my favorite movies, The Hunger . I've always loved scary movies... and it's tough for a girl to be shocking in videos. Michael Jackson can become a werewolf, but girls don't. I even got to put in a few suggestions of my own, like the scene where I tilt a head so I can bite the neck. I thought that was necessary to show I was just a vampire, not a mass murderer." [8]
In addition to the video, Martin performed "Night Moves" on American Bandstand , which was broadcast on March 29, 1986. [9] She also performed the song on the Dutch TopPop . [10]
On its release, Billboard described the song as a "two-fisted rocker" which "could easily pass for a leaf from the Benatar songbook". [11] Jan DeKnock of the Chicago Tribune wrote, "On 'Night Moves', Martin displays another side to her voice, showing enough rock power to rival Pat Benatar (their high notes sound eerily alike)." [12] Music & Media picked the song as one of their "records of the week" during February 1986 and described it as "a very strong AOR-based song that could do very well in Europe". They added, "The single is definitely not a continuation of the sound on 'Separate Lives'. [It] features a vocal cross section between Pat Benatar and Olivia Newton-John". [13]
Paul Henderson of Kerrang! praised it as a "well-written song", noting the "great chord changes", "powerful raunchy vocal" and "guitar playing that will set a few heads nodding their appreciation". He considered it to be "much more inspiring" than 'Separate Lives', adding "you'd be hard-pushed to recognise it as the same voice", and concluded that it's "a forceful invitation to take a listen to the album". [14] Jim Schembri of The Age described it as "a prim, catchy atmosphere piece about sex". He added, "The slightly bizarre bent of the lyrics are given free reign[sic] in the terrific [video] which is an economy sized thriller with a wonderfully gruesome surprise ending." [15]
Production
Other
Chart (1986) | Peak position |
---|---|
Canada Top Singles ( RPM ) [20] | 72 |
UK Singles Chart [21] | 154 |
US Billboard Hot 100 [22] | 28 |
US Mainstream Rock ( Billboard ) [23] | 18 |
US Cash Box Top 100 Singles [24] | 27 |
"What Have You Done for Me Lately" is a song by American singer Janet Jackson from her third studio album, Control (1986). It was released as the album's lead single on January 13, 1986, by A&M Records. Jackson co-wrote the song with its producers Jimmy Jam and Terry Lewis. After two unsuccessful albums and a management change, Jackson began developing a new album. "What Have You Done for Me Lately" was penned for one of Jam and Lewis's own records, but the lyrics were rewritten to convey Jackson's feelings about her recent separation from James DeBarge in January 1985. The song revolves around a woman's frustration with her partner in a relationship. Musically, it is a dance-pop, funk and R&B song.
"When I Fall in Love" is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in Howard Hughes' last film One Minute to Zero as the instrumental titled "Theme from One Minute to Zero". Jeri Southern sang on the first vocal recording released in April 1952 with the song's composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it; the first hit version was sung by Doris Day released in July 1952.
"Personal Jesus" is a song by English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100. The single was their first to enter the US top 40 since 1984's "People Are People" and was their first gold-certified single in the US. In Germany, "Personal Jesus" is one of the band's longest-charting songs, staying on the West German Singles Chart for 23 weeks.
"True Colors" is a number one hit song written by American songwriters Billy Steinberg and Tom Kelly. It was both the title track and the first single released from American singer Cyndi Lauper's second studio album of the same name (1986). Released in mid-1986, the song spent two weeks at number one on the US Billboard Hot 100, being Lauper's second and last single to occupy the top of the chart. It received a Grammy Award nomination for Best Female Pop Vocal Performance.
"Two of Hearts" is a song by American singer Stacey Q, first issued as an independent 12-inch dance club single by On the Spot Records, then picked up by Atlantic after achieving regional sales. Written by John Mitchell, the song was Stacey Q's biggest hit; its global sales success fueled the recording of her debut album Better Than Heaven (1986), which included the song.
"Domino Dancing" is a song by English synth-pop duo Pet Shop Boys, released in September 1988 by Parlophone as the lead single from their third studio album, Introspective (1988). The song reached number seven on the UK Singles Chart and topped the charts in Finland and Spain. Its music video was directed by Eric Watson and filmed in Puerto Rico.
"I Get Weak" is a song by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Diane Warren and produced by Rick Nowels, the song was released as the second single from Heaven on Earth in January 1988. "I Get Weak" reached number two on the US Billboard Hot 100, number four on Canada's RPM 100 Singles chart, and number 10 on the UK Singles Chart.
"Stuck with You" is a song by American rock band Huey Lewis and the News, written by guitarist Chris Hayes and lead singer Huey Lewis. Released in 1986, it was the first single from the band's fourth album, Fore!. The song spent three weeks at number one on the US Billboard Hot 100, becoming the band's second number-one hit on the chart. Internationally, the song became the band's second top-20 hit in the United Kingdom, reaching number 12 on the UK Singles Chart, and peaked within the top 10 in Australia, Canada, Iceland, South Africa, and New Zealand.
"Sowing the Seeds of Love" is a song by English pop rock band Tears for Fears. It was released in August 1989 as the first single from their third studio album, The Seeds of Love (1989).
"No More 'I Love You's'" is a song written by British musicians David Freeman and Joseph Hughes and recorded by them as the Lover Speaks. It was released in June 1986 as the lead single from their self-titled debut album. The song was covered by the Scottish singer Annie Lennox and became a commercial success for her in 1995, reaching number two on the UK Singles Chart.
"French Kissin" is a song by American singer Debbie Harry from her second solo studio album, Rockbird (1986). It is a cover version of the 1985 song originally recorded by Carol Chapman, written by Chuck Lorre before he started creating sitcoms. Harry's version was released on November 3, 1986, as the lead single from Rockbird and became a top-10 hit in Australia, Ireland, New Zealand, South Africa, and the United Kingdom.
"When the Going Gets Tough, the Tough Get Going" is a 1985 song co-written and originally recorded by English singer Billy Ocean in 1985.
"Possessive Love" is a song by American singer Marilyn Martin, released by Atlantic in February 1988 as the lead single from her second studio album, This Is Serious. The song was written by Patrick Leonard, Madonna and Jai Winding, and was produced by Leonard and Michael Verdick.
"Friday Night" is a song by English band Floy Joy, which was released in 1986 as the second and final single from their second studio album Weak in the Presence of Beauty. It was written by Michael Ward and Robert E. Clarke, and produced by Don Was.
"Don't Walk Away" is a song by American singer Pat Benatar, which was released in 1988 as the second single from her eighth studio album Wide Awake in Dreamland. The song was written by Nick Gilder and Duane Hitchings, and produced by Peter Coleman and Neil Giraldo.
"Everybody Lay Down" is a song by American singer Pat Benatar, which was released in 1993 as the lead single from her ninth studio album Gravity's Rainbow. The song was written by Neil Giraldo and Benatar, and produced by Don Gehman and Giraldo. "Everybody Lay Down" reached No. 3 on the Billboard Album Rock Tracks chart in June 1993.
"With All My Might" is a song by American pop and rock duo Sparks, which was released in 1984 as the lead single from their thirteenth studio album Pulling Rabbits Out of a Hat (1984). The song was written by Ron Mael and Russell Mael, and produced by Ian Little. "With All My Might" failed to enter the Billboard Hot 100 but reached No. 4 on the Bubbling Under the Hot 100 chart.
"My Obsession" is a song by Australian rock band Icehouse, which was released in 1987 as the third single from their sixth studio album Man of Colours. The song was written by Iva Davies and Robert Kretschmer, and produced by David Lord. "My Obsession" peaked at No. 12 on Australia's Kent Music Report chart and No. 88 on the US Billboard Hot 100.
"Halleluiah Man" is a song by Scottish band Love and Money, which was released in 1988 as the lead single from their second studio album Strange Kind of Love. The song was written by James Grant and produced by Gary Katz. "Halleluiah Man" reached No. 63 in the UK Singles Chart and No. 75 on the US Billboard Hot 100.
"The Word Is Out" is a song by American singer Jermaine Stewart, which was released in 1984 as the lead single from his debut studio album The Word Is Out. The song was written by Stewart, Julian Lindsay and Greg Craig, and produced by Peter Collins. "The Word Is Out" peaked at No. 41 on the US Billboard Hot 100 in March 1985.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)