Nikolaas van Hoy, known in Austria as Nikolaus van Hoy (alternative spellings of family name: 'van Hoey' and 'van Hoj') (b. Antwerp, 1631 - d. Vienna, 25 June 1679) was a Flemish Baroque painter, draughtsman and etcher.
Nikolaas van Hoy, known in Austria as Nikolaus van Hoy (alternative spellings of family name: 'van Hoey' and 'van Hoj') (b. Antwerp, 1631 - d. Vienna, 25 June 1679) was a Flemish Baroque painter, draughtsman and etcher.
He was born in Antwerp. [1] He likely trained in Antwerp. He worked in Brussels between 1647 - 1655. He is also reported to have spent some time in Rome. He went to Vienna in 1657, possibly with the Dutch painter Jan van Ossenbeeck whom he would have met in Rome and had later joined him in Brussels. [2] [3]
At about 1667 he became the court painter of Leopold I, Holy Roman Emperor and the Archduke Leopold Wilhelm of Austria. He retained this post until his death in Vienna in 1679. [1]
He was succeeded at the court by his son Nickolaus Van Hoy the Younger (Antwerp 1660- Vienna ca. 1710).
He made landscapes and portraits. [1]
He engraved religious scenes and mythological figures adapted from originals of Veronese, Barocci and Raphael. He was one of the artists and engravers who collaborated with David Teniers the Younger on the publication entitled "Theatrum Pictorium", a catalogue of the picture gallery of Archduke Leopold Wilhelm. Abraham Teniers published the first edition in 1658 as loose leaves and unnumbered. [4] The first part with 244 etchings of Italian pictures was published in Brussels in 1660, while the gallery was already in Vienna. The publication ends with an engraving by Frans van der Steen after a drawing by Nicolaus van Hoy of a view of the Stallburg gallery of the Archduke. Van Hoy was also responsible for individual engravings in the publication. [5]
He made a series of 13 engravings of cavalcades or equestrian ballets, which were later remade by Jan van Ossenbeeck. The prints of cavalcades by Nicolaus van Hoy were published in Francesco Sbarra's 'La Contessa dell' Aria e dell' Aqua festa a cavallo rappresentata nell' augustissime nozze dell M.M. dell'Imperatore Leopold e dell' Infante Margherita della Spagne' in 1667. [6]
He collaborated with other painters in the production of garland paintings. Garland paintings are a special type of still life developed in Antwerp by artists such as Jan Brueghel the Elder, Hendrick van Balen, Andries Daniels, Frans Francken the Younger, Peter Paul Rubens and Daniel Seghers. They typically show a flower garland around a devotional image or portrait. Garland paintings were usually collaborations between a still life and a figure painter. [7] Van Hoy made garland paintings with other painters, such as the Flemish émigré painter Jan Anton van der Baren, who painted the flowers while Van Hoy painted the devotional image. An example is the Garland of Flowers Surrounding the Holy Family in the Museum of Fine Arts (Budapest). [8]
Some of his works can be seen at :
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
The Stallburg is a renaissance-style building in the Vienna city center located between Josefsplatz and Michaelerplatz. It is part of the Hofburg Palace.
Jan van den Hoecke was a Flemish painter, draughtsman and designer of wall tapestries. He was one of the principal assistants in Rubens' studio in the 1630s. He later traveled to Italy where he resided for a decade in Rome. He subsequently worked as a court painter in Vienna and Brussels. Jan van den Hoecke was a versatile artist who created portraits as well as history and allegorical paintings.
Jan van den Hecke or Jan van den Hecke the Elder (1620–1684) was a Flemish Baroque painter, draughtsman, printmaker and engraver, mainly known for his still lifes, landscapes and battle scenes. After training in Antwerp, he spent time in Rome, where he had important patrons. After his return to Flanders, he worked for a while in Brussels, probably painting flower still lifes for Archduke Leopold Wilhelm of Austria, the Austrian governor of the Spanish Netherlands, before returning to work in Antwerp.
The Portrait of Jacopo Strada is a 1567-68 portrait of the court librarian Jacopo Strada by Titian, now held in the Kunsthistorisches Museum in Vienna.
Jan Anton van der Baren was a Flemish painter, draughtsman, priest and museum curator active in Brussels and Vienna. He specialised in still lifes of flowers and vegetables, some of which include an architectural background. He held the offices of court chaplain and director of the picture gallery of Archduke Leopold Wilhelm and Emperor Leopold I.
Abraham Teniers was a Flemish painter and engraver who specialized in genre paintings of villages, inns and monkey scenes. He was a member of artist family Teniers which came to prominence in the 17th century. He was also active as a publisher.
The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum in Vienna.
Theatrum Pictorium, or Theatre of Painting, is a short-hand name of a book published in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It catalogs 243 Italian paintings in the Archduke's collection of over 1300 paintings. The paintings are reproduced by engravings made by various engravers after reduced-size copies (modelli) created by Teniers. David Teniers' brother Abraham Teniers was involved in organizing the publication of the work. A second edition with page numbers was published in 1673.
Jan van Troyen was a Flemish engraver and etcher. He is mainly known for the work he did for David Teniers the Younger on the illustrations for the Theatrum Pictorium, an publication which gave an overview of the paintings in the collection of the Archduke Leopold Wilhelm.
Judith with the head of Holofernes is a 1610–1615 painting by the painter Carlo Saraceni, now held in the Kunsthistorisches Museum in Vienna.
Saint Margaret and the Dragon is the title shared by two paintings of Saint Margaret by the Renaissance painter Raphael, both executed in about 1518. One is held in the Kunsthistorisches Museum in Vienna, the other in the Louvre in Paris.
Gallery of Archduke Leopold Wilhelm in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in Petworth House in England.
The Archduke Leopold Wilhelm in his Painting Gallery in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Prado in Madrid.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Kunsthistorisches Museum in Vienna.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1653 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger. It is now held in a private collection, but it was previously owned by the Rothschild family, from whom it was taken in World War II and placed in the Kunsthistorisches Museum where it stayed for 50 years until restitution in 1999.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1653 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the collection of Museo Lázaro Galdiano in Madrid.
Gallery of Archduke Leopold Wilhelm in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now in the Royal Museums of Fine Arts of Belgium.
Franciscus van der Steen was a Flemish painter and engraver who was active in Vienna. He is now mainly known for his reproductive prints after master paintings and various publications containing portraits of prominent persons. No known paintings are currently attributed to him.
Gallery of Archduke Leopold Wilhelm in Brussels is a painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Schleissheim Palace. It dates to the 1650s.
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