Devil in the Flesh is a 1947 French romantic drama film directed by Claude Autant-Lara, based on the 1923 novel of the same name by Raymond Radiguet. The film stars Micheline Presle and Gérard Philipe, with Palau, Jean Varas, Jacques Tati, Denise Grey and Jean Debucourt in supporting roles.
The Arab is a 1924 American silent drama film starring Ramon Novarro and Alice Terry, written and directed by Rex Ingram, based on a 1911 play by Edgar Selwyn.
Max Algop Maxudian was a French stage and film actor.
Venus (French:Vénus) is a 1929 French sound drama film directed by Louis Mercanton, and starring Constance Talmadge, André Roanne, and Jean Murat. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It is based on a story by Jean Vignaud. An English version was distributed by United Artists in the United States.
Cargaison blanche or Le Chemin de Rio is a 1937 French crime film directed by Robert Siodmak and starring Käthe von Nagy, Jules Berry and Suzy Prim. in which two journalists go on the trail of gangsters who are kidnapping women to sell in South America. The film was made by Nero Film, with sets designed by the art director Lucien Aguettand. It was remade in 1958 directed by Georges Lacombe.
Dark Eyes is a 1935 French drama film directed by Viktor Tourjansky and starring Harry Baur, Simone Simon and Jean-Pierre Aumont. The film's sets were designed by the art director Eugène Lourié.
The Faceless Voice is a 1933 French drama film directed by Leo Mittler and starring Lucien Muratore, Véra Korène and Jean Servais.
The Promised Land is a 1925 French silent film directed by Henry Roussel and starring Pierre Blanchar, Raquel Meller and André Roanne.
Three Waltzes is a 1938 French historical musical film directed by Ludwig Berger and starring Yvonne Printemps, Pierre Fresnay and Henri Guisol. It is an operetta film, based on music by Oscar Straus. The film's sets were designed by the art directors Jean d'Eaubonne, Raymond Gabutti and Jacques Gut.
The Last Blow is a 1932 French drama film directed by Jacques de Baroncelli and starring Jean Murat, Danièle Parola and Robert Ancelin. A separate Spanish-language version Fog was also made.
Shadows of Paris is a 1932 French film directed by Maurice Sollin.
The Night Is Ours is a 1930 German drama film directed by Roger Lion, Carl Froelich and Henry Roussel and starring Marie Bell, Henry Roussel and Jean Murat. It was made in Berlin as the French-language version of the 1929 German film The Night Belongs to Us. It was shot at the Tempelhof Studios of UFA.
Possession or Phroso is a 1922 British-French silent drama film directed by Louis Mercanton and starring Malvina Longfellow, Reginald Owen and Max Maxudian. It is based on the 1897 novel Phroso: A Romance by Anthony Hope.
The Loves of Rocambole is a 1924 French silent film directed by Charles Maudru and starring Maurice Thorèze, Claude Mérelle and Albert Decoeur.
The Decoy or A Mirror for Skylarks is a 1935 adventure film directed by Roger Le Bon and Hans Steinhoff and starring Edwige Feuillère, Pierre Brasseur and Jessie Vihrog.
I Was an Adventuress is a 1938 French comedy drama film directed by Raymond Bernard and starring Edwige Feuillère, Jean Murat and Jean-Max. It was remade in 1940 as an American film of the same title. It was part of a growing trend of English-language remakes of major French films.
The Crew is a 1935 French war drama film directed by Anatole Litvak and starring Annabella, Charles Vanel, Jean Murat and Jean-Pierre Aumont. It was shot at the Joinville Studios in Paris and on location at an airfield in Mourmelon-le-Petit. The film's sets were designed by the art directors Lucien Aguettand and Lucien Carré. It is also known by the alternative title Flight Into Darkness.
The Foreigner is a 1931 French drama film directed by Gaston Ravel and starring Fernand Fabre, Elvire Popesco and Henri Debain. It is based on the 1876 play of the same title by Alexandre Dumas fils. It was shot at the Epinay Studios in Paris. The film's sets were designed by the art directors Lazare Meerson, Jacques Colombier and Tony Lekain. Separate German and Italian-language versions were also produced.
A Man to Kill is a 1937 French spy thriller film directed by Léon Mathot and starring Jean Murat, Jules Berry and Viviane Romance. It was based on a novel of the same title by Charles Robert-Dumas. The film's sets were designed by the art director Jacques Colombier. It was the third in a series of four films, followed by Captain Benoît in 1938.
Bux the Clown is a 1935 French drama film directed by Jacques Natanson and starring Henri Rollan, Pierre Larquey and Suzy Vernon. It was based on the novel Bux by Hans Mahner-Mons, later adapted for the 1937 British film Make-Up. The film's sets were designed by the art director Jean d'Eaubonne.
