| No. 5, 1948 | |
|---|---|
 | |
| Artist | Jackson Pollock |
| Year | 1948 |
| Type | Oil on fiberboard |
| Dimensions | 2.4 m× 1.2 m(8 ft× 4 ft) |
| Location | Private collection, New York |
No. 5, 1948 is a 1948 painting by Jackson Pollock, an American painter known for his contributions to the abstract expressionist movement. It was sold on 22 May 2006 for $140 million, a new mark for highest ever price for a painting, not surpassed until April 2011.
The painting was created on fibreboard, also known as composition board, measuring 8’ x 4’. For the paint, Pollock chose to use liquid paints. [1] More specifically, they were synthetic resin paints (gloss enamel) [2] but are referred to as oil paints for classification of the work. On inspection it was grey, brown, white and yellow paint drizzled in a way that many people still perceive as a "dense bird’s nest". [3] Initial reactions to the work were underwhelming:
"You spent money on 'that'?" The initial reaction of Ted Dragon, Ossorio's partner. [4]
The painting was modified by Pollock after it was originally created. During January 1949, it was being shown in a solo Pollock show at the Betty Parsons gallery. It was from here that Alfonso A. Ossorio decided to purchase a "paint drip" composition; he chose No. 5, 1948 and paid $1,500. It was the only canvas sold from the show. [4] At some point, presumably during the moving process, the painting became damaged, according to Grace Hartigan. [5] "Home Sweet Home [the shipping company] came in with a painting in one hand and a lump of paint from the center of the painting in the other hand." Hartigan gave Pollock some paint and he patched the painting before it went to Ossorio, saying "He’ll never know, never know." When the painting was subsequently delivered to Ossorio, he claimed that he noticed "a portion of the paint - actually the skin from the top of an opened paint can - had slid" [6] leaving a "nondescript smear amidst the surrounding linear clarity," as he explained in a 1978 lecture at Yale. Pollock offered to rework the painting but, according to Hartigan, he "repainted the whole thing again" and stated that "He'll never know. No one knows how to look at my paintings, he won’t know the difference." After three weeks, Ossorio visited Pollock's studio to inspect the painting. Ossorio was confronted with an artwork which was repainted onto fiberboard, with "new qualities of richness and depth" as a result of Pollock's "thorough but subtle repainting." It was clear that Ossorio still liked the painting despite the rework, and continued to attest that the "original concept remained unmistakably present, but affirmed and fulfilled by a new complexity and depth of linear interplay. It was, and still is a masterful display of control and disciplined vision." Pollock repaired the damage to the painting by completely repainting the original, in contrast to how other artworks are repaired. The reconstruction had not only retained but reinforced the metaphysical concept of the painting, and has become what Ossorio calls "a wonderful example of an artist having a second chance".
According to a report in The New York Times on November 2, 2006, the painting was sold by David Geffen, founder of Geffen Records and co-founder of DreamWorks SKG, to David Martinez, managing partner of Fintech Advisory Ltd, in a private sale for a record inflation-adjusted price of $140 million. [7] It is speculated that Geffen sold the painting, along with two others, to raise enough funds to bid for the Los Angeles Times . The sale was reportedly brokered by Sotheby's auctioneer Tobias Meyer, [8] however, the law firm of Shearman & Sterling, LLP, issued a press release on behalf of its client, David Martinez, to announce that contrary to recent articles in the press, Martinez did not own the painting or any rights to acquire it. [9] In addition to the refutation issued by Shearman & Sterling, the auction expert Josh Baer indicated that Martinez was not the buyer of the painting. [10]
The lyrics of The Stone Roses song "Going Down" include a reference to the painting: "(There) she looks like a painting - Jackson Pollock's Number 5..." The Stone Roses' guitarist John Squire created cover artwork for many of the band's releases on Silvertone Records in a style similar to that of Jackson Pollock.
The painting played a central role in the film Ex Machina (2015), in which billionaire tech firm CEO Nathan Bateman (Oscar Isaac) owns the painting and uses it as an object lesson for the protagonist Caleb Smith (Domhnall Gleeson), noting that No. 5, 1948 would never have come into existence if Jackson Pollock only painted what he already knew. This is contrasted to the way an AI comes to know, thus emphasizing the problem of consciousness and epistemology.[ citation needed ]
Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled Number 17A was reported to have fetched US$200 million in a private purchase.
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Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
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Who the #$&% Is Jackson Pollock? is a 2006 documentary following Teri Horton, a 73-year-old former long-haul truck driver from California, who purchased a painting from a thrift shop for $5, only to find out later that it may be a Jackson Pollock painting. She had no clue at the time who Jackson Pollock was, hence the name of the film.
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Alfonso Angel Yangco Ossorio was a Filipino American abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental. His heritage was Hispanic, Filipino, and Chinese. Between the ages of eight and thirteen, he attended school in England. At age fourteen, he moved to the United States. Ossorio attended Portsmouth Priory in Rhode Island, graduating in 1934. From 1934 to 1938, he studied fine art at Harvard University and then continued his studies at the Rhode Island School of Design. He became an American citizen in 1933 and served as a medical illustrator in the United States Army during World War II.
Grace Hartigan was an American Abstract Expressionist painter and a significant member of the vibrant New York School of the 1950s and 1960s. Her circle of friends, who frequently inspired one another in their artistic endeavors, included Jackson Pollock, Larry Rivers, Helen Frankenthaler, Willem and Elaine de Kooning and Frank O'Hara. Her paintings are held by numerous major institutions, including the Museum of Modern Art in New York City. As director of the Maryland Institute College of Art's Hoffberger School of Painting, she influenced numerous young artists.
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Painting is an 1948 artwork painted by Jackson Pollock in 1948. He painted it by dripping small dots and pouring thin lines of paint over a dyed red piece of fabric.
You spent money on 'that'?
