| Convergence | |
|---|---|
 | |
| Artist | Jackson Pollock |
| Year | 1952 |
| Type | Abstract expressionism |
| Medium | Oil on canvas |
| Dimensions | 237 cm× 390 cm(93.5 in× 155 in) |
| Location | Buffalo AKG Art Museum, Buffalo |
Convergence is an oil painting by Jackson Pollock, from 1952. It is held at the Buffalo AKG Art Museum, in Buffalo.
The composition was created on con, measuring 93.05 inches by 155 inches. Are is an oil painting in a wide range of colors, lines and shapes, made by the method of dripping and pouring paint onto a canvas.
These lines, spots, circles splattered on a canvas unintentionally convey the artist's emotions. The painting was made during the Cold War with Soviet Union, and it is considered that the painting represents the idea of freedom of speech. [1] [2]
Other scholars, including Yve-Alain Bois, have posited that this type of individualistic interpretation fails to account for how Pollock allowed the forces of gravity and fluidity to direct the pooling and mixing of the paint. [3]
Springbok Editions made the jigsaw puzzle called Convergence in 1964 based on the Pollock's painting. The puzzle consisted of 340 pieces and it was claimed as the most difficult puzzle in the world. The puzzle gained popularity in 1965 when hundreds of thousands of Americans acquired it. [1]
Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects.
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.
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Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
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Drip painting is a form of art, often abstract art, in which paint is dripped or poured on to the canvas. This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia, André Masson and Max Ernst, who employed drip painting in his works The Bewildered Planet, and Young Man Intrigued by the Flight of a Non-Euclidean Fly (1942). Ernst used the novel means of painting Lissajous figures by swinging a punctured bucket of paint over a horizontal canvas.
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The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.
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One: Number 31, 1950 is a painting by American painter Jackson Pollock, from 1950. It is one of the largest and most prominent examples of the artist's Abstract Expressionist drip-style works. The work was owned by a private collector until 1968 when it was purchased by the Museum of Modern Art, in New York, where it has been displayed since then.
