Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
The Soft Parade is the fourth studio album by American rock band the Doors, released on July 18, 1969, by Elektra Records. Most of the album was recorded following a grueling tour during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output.
Want One is the third studio album by the Canadian-American singer-songwriter Rufus Wainwright, released through DreamWorks Records on September 23, 2003. The album was produced by Marius de Vries and mixed by Andy Bradfield, with Lenny Waronker as the executive in charge of production. Want One spawned two singles: "I Don't Know What It Is", which peaked at number 74 on the UK Singles Chart, and "Oh What a World". The album charted in three countries, reaching number 60 on the Billboard 200, number 130 in France, and number 77 in the Netherlands.
One Man Dog is the fourth studio album by singer-songwriter James Taylor. Released on November 1, 1972, it features the hit "Don't Let Me Be Lonely Tonight", which peaked at number 14 on the Billboard charts on January 13, 1973. The follow-up single, "One Man Parade", also charted but less successfully, peaking at number 67 in the US and reaching number 55 on the Canadian Adult Contemporary chart. The basic tracks were primarily recorded in Taylor's home studio.
White Heat is the twelfth studio album recorded by singer Dusty Springfield, and eleventh released. It was only released in the United States and Canada.
"Have a Cigar" is the third track on Pink Floyd's 1975 album Wish You Were Here. It follows "Welcome to the Machine" and on the original LP opened side two. In some markets, the song was issued as a single. English folk-rock singer Roy Harper provided lead vocals on the song. It is one of only three Pink Floyd recordings with a guest singer on lead vocals, the others being "The Great Gig in the Sky" (1973) with Clare Torry and "Hey Hey Rise Up" (2022) with Andriy Khlyvnyuk. The song, written by Waters, is his critique of the rampant greed and cynicism so prevalent in the management of rock groups of that era.
The Electric Soft Parade are an English psychedelic pop band from Brighton, comprising brothers Alex and Thomas White, the creative core of the band, as well as a number of other musicians with whom they record and perform live, most recently including Andrew Mitchell and Damo Waters, as well as long-standing bass/keyboard player, Matthew Twaites.
Relient K is an American rock band formed in 1998 in Canton, Ohio, by Matt Thiessen, Matt Hoopes, and Brian Pittman during their third year in high school and time at Malone University. The band is named after guitarist Hoopes' automobile, a Plymouth Reliant K car, with the spelling intentionally altered to avoid trademark infringement over the Reliant name.
The Kennedys are an American folk-rock band, consisting of husband and wife Pete and Maura Kennedy. They are recognized for their harmonies and instrumental prowess, blending elements of country music, bluegrass, Western swing and janglepop.
Come My Fanatics… is the second studio album by English heavy metal band Electric Wizard. The album was released in January 1997 on Rise Above Records and was produced by Rolf Startin, Mike Hurst and band member Jus Oborn. It was the group's follow-up to their eponymous album Electric Wizard. Oborn described the release as a reaction to the music on the earlier album, which he had felt was not as heavy as he wanted the group to sound. The songs on Come My Fanatics… were described by Lee Dorrian, Rise Above Records owner, as breaking from the traditional doom metal style, with an unpolished and chaotic approach.
"I Know There's an Answer" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson, Terry Sachen, and Mike Love, the song was inspired by Wilson's experience with the drug LSD and his struggle with ego death. Musically, it is distinguished for its colorful arrangement, unorthodox structure, and bass harmonica solo. The instrumentation also includes guitars, tambourine, tack piano, banjo, clarinets, flutes, electric keyboards, and timpani. Wilson, Love, and Al Jardine trade the lead vocal, for which the melody spans two octaves.
"Here Today" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically, the song features an uncommon formal structure, the use of electric bass guitar as a lead instrument, and a 20-bar length instrumental break.
"Throwing It All Away" is the seventh track on the 1986 album Invisible Touch by Genesis. It was the second single taken from the album in the United States, reaching No. 4 on the Billboard Hot 100 in October 1986, as well as No. 1 on Billboard's Adult Contemporary chart and the Album Rock Tracks chart. It was the last single released from the album in the UK in June 1987, reaching No. 22. The song was also a top 40 hit on the Irish Singles Chart, peaking at No. 24. The working title was "Zephyr and Zeppo".
An electric sitar is a type of electric string instrument designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditional sitar. Most resemble the electric guitar in the style of the body and headstock, though some have a body shaped to resemble that of the sitar.
"The Soft Parade" is a song composed by the American rock group the Doors, though credited to lead singer Jim Morrison only. It was recorded for their fourth studio album, also titled The Soft Parade (1969), appearing as the closing track. It has been considered as one of the most musically diverse compositions by the band.
Thomas White is an English, Brighton-based musician. Along with their brother, Alex, they form the nucleus of psych-pop band The Electric Soft Parade.
"Reckless" (aka "Reckless (Don't Be So)", "Reckless (Don't You Be So)", "She Don't Like That") is a 1983 song from the EP Semantics by Australian band Australian Crawl. The song showed a change in the line up of the band as drummer Bill McDonough was temporarily replaced by Graham Bidstrup (also on keyboards). After the EP was released, Bidstrup was replaced by John Watson (drums).
"I Don't Want to Know" is a song written by Stevie Nicks which was first released by the British-American rock band Fleetwood Mac on their 1977 album Rumours.
The Devil Don't Sleep is the fourth studio album by American country rock singer Brantley Gilbert. It was released on January 27, 2017, via Valory Music Group. The album includes the singles "The Weekend" and "The Ones That Like Me". Gilbert wrote or co-wrote all sixteen tracks.
A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun is the fourth studio album by American duo Aly & AJ, released on May 7, 2021. The release marks their first studio album in 14 years, following Insomniatic in 2007. The album was produced by Yves Rothman, and each track holds writing credits from both Michalka sisters. Aly & AJ stated that despite the COVID-19 pandemic, it did not hinder their writing process, as they felt that they were "born to make" this album. They stated that while making the album, they were influenced by 1960s and 1970s music, and that it would differ from their two previous projects, Ten Years (2017) and Sanctuary (2019), which were influenced by 1980s music. The duo also wanted to capture the music of their home state California, and create a body of work that felt "timeless" to listeners. The result was a pop and pop rock record that draws musical influence from disco, soft rock, and country.
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