In classical antiquity, the cornucopia, also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts.
The Palais Bourbon is the meeting place of the National Assembly, the lower legislative chamber of the French Parliament. It is in the 7th arrondissement of Paris, on the Rive Gauche of the Seine across from the Place de la Concorde.
Van Blarenberghe was the name of a dynasty of painters, originally from French Flanders (Lille), but some of the most famous descendants also lived in Paris, France. They were all descendants from Joris van Blarenberghe (1612–1670).
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also, according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
French art consists of the visual and plastic arts originating from the geographical area of France. Modern France was the main centre for the European art of the Upper Paleolithic, then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art. The Gallo-Roman period left a distinctive provincial style of sculpture, and the region around the modern Franco-German border led the empire in the mass production of finely decorated Ancient Roman pottery, which was exported to Italy and elsewhere on a large scale. With Merovingian art the story of French styles as a distinct and influential element in the wider development of the art of Christian Europe begins.
Louis Gallait was a Belgian painter. He lay at the basis of a revival of history painting in Belgium. He earned his reputation especially with the large painting of Charles V's abdication. Gallait's works were esteemed because of their realism, faithfulness of the costumes and color composition of his paintings. He was also a distinguished portrait painter.
Lambert Sustris was a Dutch painter active mainly in Venice. The works Sustris completed in Italy exhibit either a Mannerist style or qualities that may be deemed proto-Baroque. He is also referred to as Alberto de Olanda. He was born in Amsterdam, and only came to Venice when over 40 years old. His training is unknown, but he was utilized by the studio of Titian for the depiction of landscapes. He accompanied Titian on his trips to Augsburg in 1548 and 1550–1551, and there executed portraits. Returning to Venice, he was influenced by Parmigianino and Andrea Meldolla.
Giampietrino, probably Giovanni Pietro Rizzoli, was a north Italian painter of the Lombard school and Leonardo's circle, succinctly characterized by S. J. Freedberg as an "exploiter of Leonardo's repertory."
The appartement du roi or King's Apartment is the suite of rooms in the Palace of Versailles that served as the living quarters of Louis XIV. Overlooking the Marble Court, these rooms are situated in the oldest part of the chateau in rooms originally designated for use by the queen in Louis XIII's chateau. Owing largely to the discomfort of the grand appartement du roi and to the construction of the Hall of Mirrors, Louis XIV began to remodel these rooms for his use shortly after the death of Maria Theresa in 1684. The appartement du roi evolved to become the everyday working quarters for Louis XV and Louis XVI.
The Palais des Beaux-Arts de Lille is a municipal museum dedicated to fine arts, modern art, and antiquities located in Lille. It is one of the largest art museums in France.
Arnould de Vuez was a painter of Flemish origin active in Lille from 1680 to 1720.
Belisarius Begging for Alms is a large-format history painting in oil on canvas by the French artist Jacques-Louis David. It depicts the Byzantine general Belisarius, who heroically defeated the Vandals in North Africa in AD 533–534 on behalf of Justinian I, and was later blinded by the emperor and reduced to begging for alms on the street. David exhibited the work at the Salon of 1781 after returning from Italy and it proved a great success.
Pieter van Mol or Peter van Mol was a Flemish painter known for his history paintings of religious subject matter, and to a lesser extent for his allegorical compositions, genre scenes and portraits. His style was profoundly influenced by Rubens, Abraham Janssens and Artus Wolffort. He was court painter to the King and Queen of France.
St Mary Magdalene in Ecstasy or The Death of St Mary Magdalene is an oil-on-canvas painting by Peter Paul Rubens, completed c. 1619–1620. It shows Mary Magdalene supported by two angels. The painting was produced for the Friars Minor in Ghent. It was seized by French occupation troops in 1794 and taken to Paris, before being allocated to the newly founded Palais des Beaux-Arts de Lille, where it is presently housed.
Napoleon in Imperial Costume was an 1805 portrait of Napoleon I in his coronation robes by Jacques-Louis David. Originally intended for the Tribuna in Genoa, Napoleon was unhappy with it and it was left incomplete. It is known via a small oil sketch now in the Palais des beaux-arts de Lille.
The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced c. 1630. It is 2.51 m high.
Allegory of the Vanities of the World is a 1663 painting by the Flemish painter Pieter Boel, now in the Palais des Beaux-Arts de Lille. It is unusually large for a vanitas painting.
Berthe Morisot with a Fan is a painting by French artist Édouard Manet, executed in 1874. It belongs to the collection of the Musée d'Orsay, in Paris, but since 2000 it is in loan to the Palais des Beaux-Arts de Lille.
Christ in Glory with Saints and Odoardo Farnese or 'Christ in Glory with Odoardo Farnese and Saints Peter, John the Evangelist, Mary Magdalene, Hermenegild and Edward is a painting by Annibale Carracci. Placed in the Eremo di Camldoli either early in its life or straight after its creation, at the end of the 17th century Ferdinando II de' Medici moved it to the Galleria Palatina in Florence, where it still hangs.
The Nativity is an oil on canvas painting by Flemish-French Philippe de Champaigne, created c. 1643. It has been held at the Palais des Beaux-Arts de Lille, since 1804.
