The Palais Bourbon is the meeting place of the National Assembly, the lower legislative chamber of the French Parliament. It is located in the 7th arrondissement of Paris, on the Rive Gauche of the Seine, across from the Place de la Concorde.
Van Blarenberghe was the name of a dynasty of painters, originally from French Flanders (Lille), but some of the most famous descendants also lived in Paris, France. They were all descendants from Joris van Blarenberghe (1612–1670).
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
French art consists of the visual and plastic arts originating from the geographical area of France. Modern France was the main centre for the European art of the Upper Paleolithic, then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art. The Gallo-Roman period left a distinctive provincial style of sculpture, and the region around the modern Franco-German border led the empire in the mass production of finely decorated Ancient Roman pottery, which was exported to Italy and elsewhere on a large scale. With Merovingian art the story of French styles as a distinct and influential element in the wider development of the art of Christian Europe begins.
The Baronci Altarpiece was a painting by the Italian High Renaissance artist Raphael. His first recorded commission, it was made for Andrea Baronci's chapel in the church of Sant'Agostino in Città di Castello, near Urbino. The altarpiece was seriously damaged during an earthquake in 1789, and since 1849 fragments of the original painting have been part of different collections.
Giampietrino, probably Giovanni Pietro Rizzoli, was a north Italian painter of the Lombard school and Leonardo's circle, succinctly characterized by Sidney J. Freedberg as an "exploiter of Leonardo's repertory."
The appartement du roi or King's Apartment is the suite of rooms in the Palace of Versailles that served as the living quarters of Louis XIV. Overlooking the Marble Court, these rooms are situated in the oldest part of the chateau in rooms originally designated for use by the queen in Louis XIII's chateau. Owing largely to the discomfort of the grand appartement du roi and to the construction of the Hall of Mirrors, Louis XIV began to remodel these rooms for his use shortly after the death of Maria Theresa in 1684. The appartement du roi evolved to become the everyday working quarters for Louis XV and Louis XVI.
The Palais des Beaux-Arts de Lille is a municipal museum dedicated to fine arts, modern art, and antiquities. It is one of the largest art museums in France.
Jean-Baptiste Wicar was a French Neoclassical painter and art collector.
Arnould de Vuez was a painter of Flemish origin active in Lille from 1680 to 1720.
Pieter van Mol or Peter van Mol was a Flemish painter known for his history paintings of religious subject matter, and to a lesser extent for his allegorical compositions, genre scenes and portraits. His style was profoundly influenced by Rubens, Abraham Janssens and Artus Wolffort. He was court painter to the King and Queen of France.
Louis Joseph César Ducornet was a French painter who painted with his foot. He is known primarily for biblical and historical scenes, as well as portraits.
St Mary Magdalene in Ecstasy or The Death of St Mary Magdalene is a c. 1619-20 painting by Peter Paul Rubens. It shows Mary Magdalene supported by two angels. It was produced for the Friars Minor in Ghent. It was seized by French occupation troops in 1794 and taken to Paris, before being allocated to the newly founded Palais des Beaux-Arts de Lille, where it is now housed.
The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced around 1630. It is 2.51 m high.
Allegory of the Vanities of the World is a 1663 painting by the Flemish painter Pieter Boel, now in the Palais des Beaux-Arts de Lille. It is unusually large for a vanitas painting.
The Cows is a painting by Vincent van Gogh, produced in July 1890 during his stay in Doctor Gachet's home in Auvers-sur-Oise. It is based on an 1873 Paul van Ryssel etching Gachet owned of Jacob Jordaens's Study of Five Cows, exhibited in the Palais des Beaux-Arts de Lille.
Eugène Goyet, was a French artist. Beginning in 1827 his work was regularly selected for exhibition in the annual Paris Salon. He achieved his greatest success as a painter of religious subjects, with his paintings of Christ and various saints installed in churches and public buildings across France. A successful portrait painter, his most prestigious commission was his 1847 portrait of Pope Pius IX. He was the son of self-taught artist Jean-Baptiste Goyet, and husband of the pastel portrait artist Zoé Goyet.
Christ in Glory with Saints and Odoardo Farnese or 'Christ in Glory with Odoardo Farnese and Saints Peter, John the Evangelist, Mary Magdalene, Hermenegild and Edward is a painting by Annibale Carracci. Placed in the Eremo di Camldoli either early in its life or straight after its creation, at the end of the 17th century Ferdinando II de' Medici moved it to the Galleria Palatina in Florence, where it still hangs.
The Beakful, in French, La Becquée or Woman Feeding Her Children is an oil on canvas painting by French artist Jean-Francois Millet, made in 1860. It is held at the Palais des Beaux-Arts de Lille.
