Normand Roger | |
---|---|
Background information | |
Born | 1949 (age 74–75) Montreal, Quebec, Canada |
Genres | Film score, television |
Occupation | Composer |
Spouse | Marcy Page |
Normand Roger (born 1949) is a Canadian composer, sound editor and sound designer. He is particularly known for his work as a composer of soundtracks for animated films, having composed more than 200 such works since 1970. He has also worked on the creation of music for documentaries, feature films, television dramas, children's series, commercials, and new technologies with 3D and virtual reality. He is the composer of many original soundtracks for Frédéric Back, Paul Driessen, Michaël Dudok de Wit, Caroline Leaf and Aleksandr Petrov. Thirteen of his works have been nominated for Academy Awards, of which six have won. He also notably wrote the theme for the PBS's Mystery! . Roger lectures throughout the world on music and sound for animation. [1]
Roger has spent nearly 40 years creating soundtracks for the National Film Board of Canada (NFB) in his hometown of Montreal, after first being hired for its animation department at the age of 22. His extensive NFB credits include Every Child and The Sand Castle , both winners of the Academy Award for Best Animated Short Film. [2]
He is married to animation film director and producer Marcy Page, whom he met while working with on her film, Paradisia. [3]
Carl William Stalling was an American composer, voice actor and arranger for music in animated films. He is most closely associated with the Looney Tunes and Merrie Melodies shorts produced by Warner Bros., where he averaged one complete score each week, for 22 years.
The National Film Board of Canada is a Canadian public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
Drawn-on-film animation, also known as direct animation or animation without camera, is an animation technique where footage is produced by creating the images directly on film stock, as opposed to any other form of animation where the images or objects are photographed frame by frame with an animation camera.
Jerrald King Goldsmith was an American composer, with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards, six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
Mamoru Fujisawa, known professionally as Joe Hisaishi, is a Japanese composer, musical director, conductor and pianist, known for over 100 film scores and solo albums dating back to 1981. Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, Western classical, and Japanese classical. He has also worked as a music engraver and arranger.
The Black Cauldron is a 1985 American animated dark fantasy adventure film produced by Walt Disney Productions in association with Silver Screen Partners II and released by Walt Disney Pictures. It is loosely based on the first two books in The Chronicles of Prydain by Lloyd Alexander, a series of five novels that are in turn based on Welsh mythology.
Arthur Lipsett was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay. His first film, Very Nice, Very Nice, was nominated for an Academy Award.
Sand animation is the manipulation of sand to create animation. In performance art an artist creates a series of images using sand, a process which is achieved by applying sand to a surface and then rendering images by drawing lines and figures in the sand with one's hands. A sand animation performer will often use the aid of an overhead projector or lightbox. To make an animated film, sand is moved on a backlit or frontlit piece of glass to create each frame.
Frédéric Back was a Canadian artist and film director of short animated films. During a long career with Radio-Canada, the French-language service of the Canadian Broadcasting Corporation, he was nominated for four Academy Awards, winning two, for his 1981 film Crac and the 1987 film The Man Who Planted Trees.
Ramachandra Borcar is a Montreal-born musician and composer of mixed Indian and Danish background. He is also known under the monikers Ramasutra and DJ Ram.
The Sand Castle is a 1977 stop motion animated short created by Co Hoedeman for the National Film Board of Canada. It won the Academy Award for Best Animated Short Film at the 50th Academy Awards.
Tower Bawher is a 2005 constructivist-style abstract animated short by Theodore Ushev, set to the musical composition "Time, Forward!" by Russian composer Georgy Sviridov.
Glimpses/Impressions is a film by Jean-François Pouliot for the Canadian pavilion at Expo 2010 in Shanghai. The 5 minute 20 second-long film depicts 24 hours in the life of an imaginary urban centre, created from composite images from major Canadian cities. The film was created from over 3,000 animated photos, projected onto a large screen with a 150-degree curve.
Tragic Story with Happy Ending is a 2005 animated short by Regina Pessoa.
Marcy Page is an American animator, film producer and educator.
Punisher: War Zone – Original Motion Picture Score is the official score to the 2008 film Punisher: War Zone. It was composed entirely by Michael Wandmacher and released by Lionsgate Records.
The Metamorphosis of Mr. Samsa is a 1977 Canadian short animated fantasy film by Caroline Leaf, adapted from Franz Kafka's The Metamorphosis, told through the animation of beach sand on a piece of glass. The film features music by Normand Roger and sound by Michel Descombes. The film earned ten awards from the year of its release in 1977 through to 1981 as it was screened at various film festivals around the world.
Missed Aches is a 2009 16mm short 2D animated film directed, produced and animated by Joanna Priestley. It was narrated by Taylor Mali and is based on his poem “The Impotence of Proofreading”, with sound design by Normand Roger and Pierre Yves Drapeau, music by Pierre Yves Drapeau with Denis Chartrand and Normand Roger, text animation by Brian Kinkley, character design and animation by Don Flores and storyboards by Dan Schaeffer.
Rise of the Guardians: Music From The Motion Picture is the score album to the 2012 of the same name, composed by Alexandre Desplat. The film marked Desplat's maiden score for a computer-animated film as well as his DreamWorks' film, not to be scored by or have any involvement from either Hans Zimmer or his Remote Control Productions family of composers. The score was recorded at Abbey Road Studios and AIR Studios in London and features collaborations with London Symphony Orchestra and London Voices performing. In addition to Desplat's score, an original song "Still Dream" written by the film's screenwriter David Lindsay-Abaire and performed by soprano singer Renée Fleming, was featured in the film's end credits. Both Desplat's score and Fleming's original song was included in the film's score album, released by Varèse Sarabande on November 13, 2012 and received positive response praising Desplat's compositions.