| Nothin' but the Blues | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1984 | |||
| Recorded | November 16 & 17, 1983 | |||
| Genre | Vocal jazz | |||
| Length | 59:21 | |||
| Label | Delos | |||
| Producer | Ralph Jungheim | |||
| Joe Williams chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   link |
Nothin' but the Blues is a 1984 (see 1984 in music) album by the American jazz and blues singer Joe Williams with Red Holloway & His Blues All-Stars. For his work on the album, Williams was awarded the 1985 Grammy for Best Jazz Vocal Performance.
Recorded November 16 & 17, 1983, in Hollywood, Los Angeles, California, United States:
Eddie "Cleanhead" Vinson was an American jump blues, jazz, bebop and R&B alto saxophonist and blues shouter. He was nicknamed Cleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter. Music critic Robert Christgau has called Vinson "one of the cleanest—and nastiest—blues voices you'll ever hear."
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Al Grey was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called Plunger Techniques.
Joseph Dwight Newman was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods.
Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
Arnett Cleophus Cobb was an American tenor saxophonist, sometimes known as the "Wild Man of the Tenor Sax" because of his uninhibited stomping style. Cobb wrote the words and music for the jazz standard "Smooth Sailing" (1951), which Ella Fitzgerald recorded for Decca on her album Lullabies of Birdland.
Eugene McDuffy, known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
George Duvivier was an American jazz double-bassist.
Roomful of Blues is an American jump blues and swing revival big band based in Rhode Island. With a recording career that spans over 50 years, they have toured worldwide and recorded many albums. Roomful of Blues, according to the Chicago Sun-Times, "Swagger, sway and swing with energy and precision". Since 1967, the group’s blend of swing, rock and roll, jump blues, boogie-woogie and soul has earned it five Grammy Award nominations and many other accolades, including seven Blues Music Awards. Billboard called the band "a tour de force of horn-fried blues…Roomful is so tight and so right." The Down Beat International Critics Poll has twice selected Roomful of Blues as Best Blues Band.
Ernest Brooks Wilkins Jr. was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich.
Count Basie at Newport is a live album by jazz musician Count Basie and his orchestra. It was originally issued as Verve MGV 8243 and included only the tracks 1-7 and 13. Tracks 9-12 originally included in Count Basie & Joe Williams/Dizzy Gillespie & Mary Lou Williams at Newport.
James Wesley "Red" Holloway was an American jazz saxophonist.
Eddie Jones was an American jazz double bassist.
Oscar Peterson + Harry Edison + Eddie "Cleanhead" Vinson is an album by the jazz pianist Oscar Peterson accompanied by trumpeters Harry "Sweets" Edison and the alto saxophonist Eddie "Cleanhead" Vinson that was recorded in 1986.
Cootie Williams and His Orchestra 1941–1944 is a compilation album of recordings by jazz trumpeter Cootie Williams from 1941, 1942, and 1944. It was released by Classics in 1995.
Early Years of a Genius, 44–48, also known as Earl Bud Powell, Vol. 1, is the first of eleven volumes of Bud Powell material released by Francis Paudras on his Mythic Sound label. It features a selection of Powell's early work from 1944 to 1948.
Kansas City Shout is a 1980 studio album by Count Basie and his orchestra with singer Big Joe Turner and saxophonist/vocalist Eddie "Cleanhead" Vinson.
The Bosses is a 1973 album by American blues shouter "Big Joe" Turner accompanied by a small group led by Count Basie, recorded in 1973 and released on the Pablo label.
Hold It Right There! is a live album by saxophonist/vocalist Eddie "Cleanhed" Vinson which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1984.
Douglas James Schlecht, known professionally as Doug James is an American blues and rhythm and blues baritone saxophonist, songwriter, arranger, record producer and audio engineer. In a career spanning 50 years, James has played on many albums, including those recorded by Roomful of Blues, Duke Robillard, Jimmie Vaughan, Joe Louis Walker, Colin James, Pat Benatar, The Fabulous Thunderbirds, and many others. In addition, James has released four albums bearing his name.
