Miche is a 1932 French drama film directed by Jean de Marguenat and starring Suzy Vernon, Robert Burnier and Marguerite Moreno. It was produced and distributed by the French subsidiary of Paramount Pictures. It was shot at the company's Joinville Studios in Paris.
Charley's Aunt is a 1936 French comedy film directed by Pierre Colombier and starring Lucien Baroux, Olly von Flint and Monique Rolland. It is based on the 1892 play Charley's Aunt by Brandon Thomas. The film's sets were designed by the art director Jacques Colombier.
Paris by Night is a 1930 French comedy film directed by Henri Diamant-Berger and starring Marguerite Moreno, Armand Bernard and Suzet Maïs.
Knock is a 1933 French comedy film directed by Roger Goupillières and Louis Jouvet and starring Jouvet, Robert Le Vigan and Madeleine Ozeray. It was made at the Epinay Studios in Paris while Location shooting took place in Corrèze. The film's sets were designed by the art director Lucien Aguettand. It is based on the 1923 play Knock by Jules Romains. The play was adapted again for the 1951 film Dr. Knock.
Monsieur Bégonia is a 1937 French comedy film directed by André Hugon and starring Josette Day, Paul Pauley and Colette Darfeuil. The film's sets were designed by the art director Émile Duquesne. It was remade in Italy in 1939 as L'amore si fa così.
My Hat is a 1933 French comedy film directed by Lucien Jaquelux and starring Noël-Noël, Jackie Monnier and Marcel Dalio. It was produced by the French subsidiary of Paramount Pictures at the Joinville Studios in Paris. The film's costumes were designed by René Hubert.
Make-Up is a 1932 French drama film directed by Karl Anton and starring Robert Burnier, Rosine Deréan and Edwige Feuillère. It was made at the Joinville Studios in Paris by the French subsidiary of Paramount Pictures. It is a remake of the 1930 American film Behind the Make-Up, itself based on a short story by Mildred Cram.
Primerose is a 1934 French drama film directed by René Guissart and starring Madeleine Renaud, Henri Rollan and Marguerite Moreno. It was produced by the French subsidiary of the German company Tobis Film at the Epinay Studios in Paris. The film's sets were designed by the art director Lazare Meerson.
Coralie and Company is a 1934 French comedy film directed by Alberto Cavalcanti and starring Françoise Rosay, Robert Burnier and Josette Day. It is based on the 1899 play of the same title by Maurice Hennequin and Antony Valabrègue. The film's sets were designed by the art director Jean d'Eaubonne.
Voilà Montmartre is a 1934 French musical comedy film directed by Roger Capellani and starring Marguerite Moreno, Dominique Bonnaud and Pierre Dac. It is a revue film featuring a series of sketches. Like the 1941 film Three Argentines in Montmartre it is set in Montmartre and showcases a number of contemporary cabaret performers.
Boulot the Aviator is a 1937 French comedy film directed by Maurice de Canonge and starring Robert Arnoux, Michel Simon and Marguerite Moreno. It was based on the 1932 novel Aventures cocasses de Boulot, aviateur by Georges de La Fouchardière and Alain Laubreaux.
Deputy Eusèbe is a 1939 French comedy film directed by André Berthomieu and starring Michel Simon, Elvire Popesco and Jules Berry. The film's sets were designed by the art director Robert Gys.
Four in the Morning is a 1938 French comedy film directed by Fernand Rivers and starring Lucien Baroux, André Lefaur and Lyne Clevers. The film's sets were designed by the art director René Renoux.
Chourinette is a 1934 French comedy drama film directed by André Hugon and starring Mireille Hartuch, Frédéric Duvallès and Jean Sinoël. The film's sets were designed by the art director Robert-Jules Garnier.
Côte d'Azur is a 1932 French comedy film directed by Roger Capellani and starring Simone Héliard, Robert Burnier and Robert Arnoux. It was produced by the French subsidiary of Paramount Pictures at the company's Joinville Studios in Paris.
That's Sport is a 1938 French comedy film directed by René Pujol and starring Pierre Larquey, Henri Garat and Suzanne Dehelly. The film's sets were designed by the art director Émile Duquesne.
