Godard decides to direct a film based on Truffaut's short outline,inspired by Michel Portail,a petty criminal who had stolen a car,and his American journalist girlfriend Beverly Lynette. Meanwhile,Godard casts Jean-Paul Belmondo,who has completed his military service,for the lead role as Michel Poiccard. Back at the office of Cahiers du Cinéma,Italian director Roberto Rossellini encourages the staff to avoid artistic artifice and shoot efficiently.
Godard hires Pierre Rissient as the film's assistant director,and receives advice from Jean-Pierre Melville. Elsewhere,Jean Seberg promotes her latest film Bonjour Tristesse. Godard meets with Seberg through her husband François Moreuil,and decides to cast her as Patricia. Godard next hires cameraman Raoul Coutard and expresses his creative vision,desiring a guerilla filmmaking style and to shoot in the Academy ratio.
On the first day of production,Godard films only a single scene. As production continues,Godard's continual script rewrites,continued emphasis on spontaneity,disregard for continuity,and the exceptionally short shooting days bewilders the cast and crew members. As Godard shoots scenes between her and Belmondo,Seberg becomes frustrated by Godard's directorial style and briefly considers leaving the production. Belmondo is told his career will be ruined.
After a week of filming,Godard converses with Truffaut and Schiffman over drinks,where he is eager to cast Truffaut as an informant in the film. By the second week,Godard phones Coutard that he has suspended filming for the day,claiming he is not feeling well. Shortly after,Beauregard confronts Godard,angered that production has fallen behind schedule and threatens to cancel the film. Under pressure,Godard expedites the production and films further scenes between Seberg and Belmondo.
During the middle of the second week,Godard casts himself as the informant after Truffaut has declined the role. He subsequently films a cameo of Jean-Pierre Melville near an airport. Later,Godard films the scene where Belmondo's character dies on the street. He and Seberg have a brief disagreement when Godard wants Seberg's character Patricia to search through the dying Michel's pockets,but Seberg refuses to play the scene that way. Instead,Seberg's Patricia questions what "dégueulasse" (disgusting) means. When Seberg finishes her last scene,she is relieved and heads back to Hollywood to film her next film,Let No Man Write My Epitaph. After 23 days of filming,Godard wraps the production.
During post-production,Godard urges editor Cécile Decugis to make jump cuts,much to her disagreement. Godard then screens his film Breathless for Truffaut,Chabrol,Schiffman,and Beauregard who eagerly dismiss the film. However,Breathless became one of the most influential films ever made. An epilogue states Belmondo became an international star while Seberg divorced her husband,appeared in 35 films,and died at the age of 40. Godard's filmmaking career continued for more than 60 years.
In October 2023, Linklater revealed his plans to shoot a film in France about the French New Wave movement.[8][9] The film is Linklater's first project shot entirely in French and it was shot in black and white in the Academy ratio[10]. The original script was written by Holly Gent and Vincent Palmo, Jr., and then it was translated to French with dialogue by Michèle Halberstadt and Laetitia Masson.[11] Filming began in Paris on 4 March 2024, and concluded in April 2024.[12] The film received an avance sur recettes(fr) (advance on takings) grant of France's Centre national du cinéma et de l'image animée (CNC).[13][14]
In April 2025, Nouvelle Vague was selected to compete for the Palme d'Or at the 2025 Cannes Film Festival, where it had its world premiere on 17 May 2025 and received a 11-minute standing ovation.[15][16]
Following its Cannes premiere, Netflix bought U.S. distribution rights for $4 million after a heated bidding war; this sum is believed to be the second highest ever paid for a domestic deal for a foreign language film only behind Emilia Pérez, also purchased at Cannes by Netflix. While release plans were not disclosed, the film is expected to be in theaters for only two weeks in an awards-qualifying run before streaming on Netflix.[17]
It was theatrically released in France by ARP Sélection on 8 October 2025. In the United States, it was released in select theaters on 31 October 2025, before streaming on Netflix on 14 November.[20]
Reception
On the review aggregator website Rotten Tomatoes, 90% of 144 critics' reviews are positive. The website's critics consensus reads, "Seamlessly recreating one of cinema's most groundbreaking productions, Nouvelle Vague doesn't reinvent the medium the way its subjects did, but it pays tribute to their accomplishment with infectious admiration."[21]Metacritic, which uses a weighted average, assigned the film a score of 76 out of 100, based on 37 critics, indicating "generally favorable" reviews.[22]
Lee Marshall of ScreenDaily described the film as "a nostalgic tribute to a time and place of extraordinary creative ferment".[23]
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