Novelty | ||||
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Studio album by | ||||
Released | May 1992 | |||
Recorded | September 1991 January 1992 | |||
Studio | OZ Studio (Baltimore, Maryland) Inner Ear Studios (Arlington, Virginia) | |||
Genre | Post-hardcore | |||
Length | 43:00 | |||
Label | Dischord | |||
Producer | Iain Burgess | |||
Jawbox chronology | ||||
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Singles from Novelty | ||||
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Novelty is the second studio album by the American post-hardcore band Jawbox, released by Dischord Records in May 1992. [1] [2] The songs "Tongues" and "Ones and Zeros" were previously released as a single, and "Static" was featured on a split 7-inch with Tar. A video was produced for the track "Cutoff."
Novelty was the band's first album with guitar player Bill Barbot and last album with drummer Adam Wade. [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
The Encyclopedia of Popular Music | [5] |
MusicHound Rock | [6] |
Trouser Press opined that "the mushy mix wastes the dual guitars, and [J] Robbins' vocals frequently seem dreary and monochromatic." [7] The Washington Post wrote: "Punchy but hardly pop, such songs as 'Cutoff' and 'Static' possess both focus and bristling energy." [8]
All tracks are written by Jawbox
No. | Title | Length |
---|---|---|
1. | "Cutoff" | 3:51 |
2. | "Tracking" | 2:32 |
3. | "Dreamless" | 4:08 |
4. | "Channel 3" | 2:56 |
5. | "Spiral Fix" | 4:52 |
6. | "Linkwork" | 3:58 |
7. | "Chump" | 2:25 |
8. | "Static" | 4:07 |
9. | "Spit-Bite" | 4:52 |
10. | "Send Down" | 2:36 |
11. | "Tongues" | 3:59 |
12. | "Ones and Zeros" | 3:02 |
Brian Baker is an American punk rock musician. He is best known as one of the founding members of the hardcore punk band Minor Threat, and as a guitarist in Bad Religion since 1994. In Minor Threat, he originally played bass guitar before switching to guitar in 1982 when Steve Hansgen joined the band, and then moved back to bass after Hansgen's departure. He also founded Dag Nasty in 1985, was part of the original line-up of Samhain, and has had stints in Doggy Style, The Meatmen, Government Issue, and Junkyard.
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Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
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