J. Robbins | |
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 Robbins in 1991 | |
| Background information | |
| Birth name | James Robbins |
| Born | June 14, 1967 [1] |
| Origin | Washington, D.C., U.S. |
| Genres | Hardcore punk, punk rock, post-hardcore |
| Occupation(s) | Musician, record producer |
| Instrument(s) | Vocals, guitar |
James Robbins, better known as J. Robbins, is an American rock musician.
Robbins began his career as a bassist for Government Issue, and has also led five of his own bands: Jawbox, [2] Rollkicker Laydown, Burning Airlines, [2] Channels, and Office of Future Plans. [3] He was a touring bassist for Scream and played bass on the debut 7" from Jack Potential, which was issued by DeSoto Records in 1993. More recently he played bass in Report Suspicious Activity with Vic Bondi, which released two albums on Alternative Tentacles Records.
In 2011, Robbins, along with Kerosene 454's drummer and fellow Channels bandmate Darren Zentek, bassist Brooks Harlan, and guitarist/cellist Gordon Withers, released an EP under the name Office of Future Plans. [3] The band, who had been playing since 2009 and released an album on Dischord Records in November 2011, [4] but as of October 2016, they are not together anymore. [5] In May 31, 2019, J. Robbins released his first solo album, Un-Becoming. [6]
 | This section of a biography of a living person does not include any references or sources .(June 2019) |
Robbins is also a successful producer and engineer for bands such as Ponytail, Clutch (and side project The Bakerton Group), Jets to Brazil, Hey Mercedes, Shiner, Mock Orange, Bacchae (band),The Pauses, The Life and Times, Miranda Sound, Time Spent Driving, Faraquet, The Dismemberment Plan, The Monorchid, The Promise Ring, Dwindle, Pilot to Gunner, Paint It Black, None More Black, Jawbreaker, Discount, Against Me!, Goodbye Soundscape, Modern Life is War, Stapleton, Murder By Death, mewithoutYou, Black Cross (hardcore), Lemuria, Caustic Casanova, The Sword, Debate (from Sao Paulo, Brazil), Coliseum, Hammer No More the Fingers, Small Brown Bike, Broadcaster, Noyo Mathis and Nakatomi Plaza.
In 2007, Robbins's son Callum was diagnosed with spinal muscular atrophy, an incurable nerve disorder. [7] A number of benefit shows for Callum Robbins have been organized and played in cities such as Chicago, Washington DC, Minneapolis, and New York.
Dischord Records is a Washington, D.C.-based independent record label specializing in punk rock. The label is co-owned by Ian MacKaye and Jeff Nelson, who founded Dischord in 1980 to release Minor Disturbance by their band The Teen Idles. With other independent American labels such as Twin/Tone, Touch and Go Records, and SST Records, Dischord helped to spearhead the nationwide network of underground bands that formed the 1980s indie rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging.
Brian Baker is an American punk rock musician. He is best known as one of the founding members of the hardcore punk band Minor Threat, and as a guitarist in Bad Religion since 1994. In Minor Threat, he originally played bass guitar before switching to guitar in 1982 when Steve Hansgen joined the band, and then moved back to bass after Hansgen's departure. He also founded Dag Nasty in 1985, was part of the original line-up of Samhain, and has had stints in Doggy Style, The Meatmen, Government Issue, and Junkyard.
Scream is an American hardcore punk band from Washington, D.C.; they originally formed in the suburb of Bailey's Crossroads, Virginia. Scream originally formed in 1981 within the vanguard of the Washington Hardcore explosion. In 2009, the band reunited, and as of January 2012 were on tour in Europe. As of 2017, the band was still touring in both America and the United Kingdom.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- and mid-2000s, post-hardcore achieved mainstream success with the popularity of bands like At the Drive-In, My Chemical Romance, Dance Gavin Dance, AFI, Underoath, Hawthorne Heights, Silverstein, The Used, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved mainstream success under the post-hardcore label. Meanwhile, bands like Title Fight and La Dispute experienced underground popularity playing music that bore a closer resemblance to the post-hardcore bands of the 1980s and 1990s.
Jawbox is an American post-hardcore band from Washington, D.C., formed in 1989 by J. Robbins (vocals/guitar), Kim Coletta (bass), and Adam Wade (drums). After the trio released the album Grippe in 1991, Bill Barbot (guitar/vocals) joined as the fourth member. Jawbox released their second album Novelty in 1992, followed by Wade being replaced by Zach Barocas that same year. Jawbox signed to the major label Atlantic Records and released their third album For Your Own Special Sweetheart in 1994, which spawned the band's most recognizable song "Savory". After the release of their fourth album Jawbox in 1996, the band departed from Atlantic, and subsequently disbanded in 1997. They reunited for a brief one-off show in 2009, followed by a full-time reunion in 2019. Barbot left the band in 2021 and he was replaced by Brooks Harlan.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Government Issue was an American hardcore punk band from Washington, D.C. active from 1980 to 1989. The band experienced many changes in membership during its nine-year existence, with singer John Stabb as the only consistent member in an ever-fluctuating lineup that at various times included notable musicians Brian Baker, Mike Fellows, Steve Hansgen, J. Robbins, and Peter Moffett. Government Issue originated from the Washington, D.C. hardcore scene but added elements of heavy metal, new wave, and psychedelic rock on later records. Though this has caused the band to be sometimes overlooked in relation to other Washington, D.C. hardcore acts, their stylistic diversity made them influential to later punk rock groups. Government Issue performed occasional reunion shows in the 2000s and 2010s with various lineups, until Stabb's death from stomach cancer in 2016.
Novelty is the second studio album by the American post-hardcore band Jawbox, released by Dischord Records in May 1992. The songs "Tongues" and "Ones and Zeros" were previously released as a single, and "Static" was featured on a split 7-inch with Tar. A video was produced for the track "Cutoff."
Burning Airlines was an American rock band from Washington, D.C. J. Robbins and Bill Barbot of Jawbox formed the band with Peter Moffett in 1997. The band released two full-length albums, a self-titled 7", and split releases with At the Drive-In and Braid.
For Your Own Special Sweetheart is the third album by Washington D.C. post-hardcore band, Jawbox. It was produced by Ted Niceley, best known for his work with Fugazi. This would be the band's major label debut, as they had left Dischord Records to sign with Atlantic Records. It is also the first album to feature Zachary Barocas on drums, as he replaced original drummer Adam Wade two years prior. The album was not much of a commercial success, despite being well received by critics.
Channels is a rock band based in Baltimore, Maryland, formed in 2003.
Dischord Records is an independent record label specializing in the punk rock music of the Washington, D.C., hardcore scene. The company is co-owned by Ian MacKaye and Jeff Nelson, who founded the label in December 1980. Before founding Dischord, both MacKaye and Nelson were members of the Teen Idles, and the label was initially meant to only foster a single release from the defunct band, the Minor Disturbance EP. By the time Dischord #1 was finished, many new bands had emerged from the same music scene, and like the Teen Idles, also began releasing their records through Dischord.
Grippe is the first album by the post-hardcore band, Jawbox. It was released in May 1991 on Dischord Records.
Office of Future Plans was a music project that was started in 2009 by J. Robbins, the former bassist of Government Issue and frontman/guitarist of Jawbox, Burning Airlines and Channels. Other members are the guitarist/cellist Gordon Withers, bassist Brooks Harlan and the drummer Darrek Zentek. They were signed to Dischord Records and released their only album, Office of Future Plans, on 12 November 2011. In an October 2016 interview, Robbins revealed that Office of Future Plans had split up.
Office of Future Plans is a studio album by the band Office of Future Plans. It was released on November 21, 2011. It is the band's only album.
Dope Body is an American rock band from Baltimore, Maryland, United States. They formed in 2008 by vocalist Andrew Laumann, guitarist/bassist Zachary Utz, and drummer David Jacober. They released four albums in addition to a cassette tape and two split records. They expanded to a quartet, adding bassist Jesse Lyell in 2011, who was replaced by John Jones, late of local contemporaries Roomrunner, the next year.
Tone is an instrumental post-rock band that formed in Washington, DC, in 1991. The group creates dynamic instrumental music using multiple electric guitars. While its two founding members, guitarist Norm Veenstra and drummer Gregg Hudson, have remained constant through most of the group’s history, Tone has also included former, current, or future members of Government Issue, Edsel, Pitchblende, Velocity Girl, Thud, Teen Idles, Unrest, Wharton Tiers Ensemble, Strange Boutique, Caligari, Smart Went Crazy, Raymi, and Night Streets. Veenstra has stated in interviews that the band would never have fewer than three guitarists.
The Most Secret Method was an American post-hardcore band formed in Washington, D.C., in 1995. Combining styles from groups of the first wave of punk with newer indie rock influences, the band was a major part of the vanguard which represented the D.C. music scene's new direction in the aftermath of the Revolution Summer movement. In addition to their music, the Most Secret Method developed a signature visual art style on their concert posters and 1998 album, Get Lovely, thanks to drums player Ryan Nelson.
The Pauses is an indie rock band from Orlando, Florida, formed in 2009 consisting of Tierney Tough, Jason Kupfer, and Nathan Chase. Their sound has been called indierocktronica due to its merging of genres. The band also playfully refers to their sound as "beep boop rock".
Holy Rollers was an American punk band that formed in 1988 in Washington, D.C. The band initially was composed of guitarist/vocalist Marc Lambiotte, bassist/vocalist Joe Aronstamn, and drummer/vocalist Max Micozzi. Band members alternated lead vocals and Holy Rollers were the first D.C. punk band to incorporate three-part harmonies. Music historians and authors Mark Andersen and Mark Jenkins described the band's sound as "kinetic punk-funk" with "passionate, message-driven songs." Holy Rollers were a part of new trend in post-hardcore artistic diversity that developed within the D.C. punk scene of the late 1980s and early 1990s. They released three albums on Dischord Records, an American punk label that Noisey described as "one of the most respected and revered [record labels], punk or otherwise, in the world." As AllMusic declared, "[w]ithout being an arena act or coming off with the aggrandizing air of one, the Holy Rollers still make big music that can inspire and go beyond simple post-hardcore approaches."
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