Ealing Studios is a television and film production company and facilities provider at Ealing Green in west London, England. Will Barker bought the White Lodge on Ealing Green in 1902 as a base for film making, and films have been made on the site ever since. It is the oldest continuously working studio facility for film production in the world, and the current stages were opened for the use of sound in 1931.
The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy. Many of the Ealing comedies are ranked among the greatest British films, and they also received international acclaim.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in west London from 1938 to 1955. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
Kenneth Peacock Tynan was an English theatre critic and writer. Initially making his mark as a critic at The Observer, he praised John Osborne's Look Back in Anger (1956) and encouraged the emerging wave of British theatrical talent.
Alexander Mackendrick was an American director and professor. He was born in Boston, Massachusetts, and later moved to Scotland. He began making television commercials before moving into post-production editing and directing films, most notably for Ealing Studios where his films include Whisky Galore! (1949), The Man in the White Suit (1951), The Maggie (1954), and The Ladykillers (1955).
Seth Holt was a Palestinian-born British film director, producer and editor. His films are characterized by their tense atmosphere and suspense, as well as their striking visual style. In the 1960s, Movie magazine championed Holt as one of the finest talents working in the British film industry, although his output was notably sparse.
The Shiralee is a 1957 British film directed by Leslie Norman and starring Peter Finch. It is in the Australian Western genre, based on the 1955 novel by D'Arcy Niland. It was made by Ealing Studios, and although all exterior scenes were filmed in Sydney, Scone and Binnaway, New South Wales and Australian actors Charles Tingwell, Bill Kerr and Ed Devereaux played in supporting roles, the film is really a British film made in Australia, rather than an Australian film.
Basil Dearden was an English film director.
The Spider and the Fly is a 1949 British crime film directed by Robert Hamer and starring Eric Portman, Guy Rolfe and Nadia Gray. The screenplay concerns an unusual love triangle that develops between two criminals and a policeman on the eve of the First World War. Hamer made it immediately after Kind Hearts and Coronets.
MGM-British was a subsidiary of Metro-Goldwyn-Mayer initially established at Denham Film Studios in 1936. It was in limbo during the Second World War; however, following the end of hostilities, a facility was acquired in Borehamwood, which remained in use until it was closed in 1970.
George Garfield Nader, Jr. was an American actor and writer of Lebanese descent. He appeared in a variety of films from 1950 to 1974, including Sins of Jezebel (1953), Congo Crossing (1956), and The Female Animal (1958). During this period, he also did episodic television and starred in several series, including NBC's The Man and the Challenge (1959–60). In the 1960s he made several films in Germany, playing FBI agent Jerry Cotton. He is remembered for his first starring role, in the low-budget 3-D sci-fi film Robot Monster (1953), known as "one of the worst films ever made."
Charles Herbert Frend was an English film director and editor, best known for his films produced at Ealing Studios. He began directing in the early 1940s and is known for such films as Scott of the Antarctic (1948) and The Cruel Sea (1953).
Michael Truman was a British film producer, director and editor.
Dance Hall is a 1950 British drama film directed by Charles Crichton. The film was an unusual departure for Ealing Studios at the time, as it tells the story about four women and their romantic encounters from a female perspective.
Whisky Galore! is a 1949 British comedy film produced by Ealing Studios, starring Basil Radford, Bruce Seton, Joan Greenwood and Gordon Jackson. It was the directorial debut of Alexander Mackendrick; the screenplay was by Compton Mackenzie, an adaptation of his 1947 novel Whisky Galore, and Angus MacPhail. The story—based on a true event, the running aground of the SS Politician—concerns a shipwreck off a fictional Scottish island, the inhabitants of which have run out of whisky because of wartime rationing. The islanders find out the ship is carrying 50,000 cases of whisky, some of which they salvage, against the opposition of the local Customs and Excise men.
The Ship That Died of Shame, released in the United States as PT Raiders, is a black-and-white 1955 Ealing Studios crime film directed by Basil Dearden and starring Richard Attenborough, George Baker, Bill Owen and Virginia McKenna.
The Man in the Sky is a 1957 British thriller drama film directed by Charles Chrichton and starring Jack Hawkins and Elizabeth Sellars. A test pilot strives to land a stricken prototype plane.
Danger Route is a 1967 British spy film directed by Seth Holt for Amicus Productions and starring Richard Johnson as Jonas Wilde, Carol Lynley and Barbara Bouchet. It was based on Andrew York's 1966 novel The Eliminator that was the working title of the film.
Davy is a 1958 British comedy-drama film directed by Michael Relph and starring Harry Secombe, Alexander Knox and Ron Randell. It was the last comedy to be made by Ealing Studios and was the first British film in Technirama. Davy was intended to launch the solo career of Harry Secombe, who was already a popular British radio personality on The Goon Show, but it was only moderately successful.
The Feminine Touch is a 1956 colour British drama film directed by Pat Jackson and starring George Baker, Belinda Lee and Delphi Lawrence. It was the last feature film to be filmed in three-strip Technicolor.
