Nowhere to Here | ||||
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Studio album by | ||||
Released | August 29, 1995 [1] | |||
Recorded | 1995 | |||
Genre | Country rock | |||
Length | 62:42 | |||
Label | Warner Music Canada | |||
Producer | Blue Rodeo, John Whynot | |||
Blue Rodeo chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
Nowhere to Here is the sixth studio album by Blue Rodeo.
A more electric rock album than the band's 1993 outing Five Days in July , the album was not as well received by critics and fans as its predecessor. [3] Despite this, "Side of the Road" and "Better Off As We Are" were notable singles.
Sarah McLachlan appears as a guest vocalist on "Save Myself", "Girl in Green", and "Brown-Eyed Dog". [4]
Some copies came with a 15-track second CD called
All tracks are written by Greg Keelor and Jim Cuddy
No. | Title | Length |
---|---|---|
1. | "Save Myself" | 6:00 |
2. | "Girl in Green" | 6:20 |
3. | "What You Want" | 4:14 |
4. | "Side of the Road" | 6:20 |
5. | "Better Off As We Are" | 3:27 |
6. | "Sky" | 5:59 |
7. | "Brown-Eyed Dog" | 4:47 |
8. | "Blew it Again" | 5:37 |
9. | "Get Through to You" | 4:08 |
10. | "Armour" | 4:01 |
11. | "Train" | 3:45 |
12. | "Flaming Bed" | 8:04 |
Chart (1995) | Peak position |
---|---|
Canadian RPM Top Albums | 2 |
Canadian RPM Country Albums | 18 |
Region | Certification |
---|---|
Canada (Music Canada) [5] | 2× Platinum |
Sweetheart of the Rodeo is the sixth album by the American rock band the Byrds, released in August 1968 by Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock as well as a seminal progressive country album, and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.
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