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The Nsukka group is the name given to a group of Nigerian artists associated with the University of Nigeria, Nsukka.
The Nsukka group was known for working to revive the practice of uli and incorporate its designs into contemporary art using media such as acrylic paint, tempera, gouache, pen and ink, pastel, oil paint, and watercolor. Although traditionally uli artists were female, many of the artists of the group were male. Some were poets and writers in addition to being artists. [1]
The Nsukka group evolved as a trend that can be sensed in the works of some African artists. It usually reveals itself an original mix of cubism and primitive arts. [1]
In October 1997, the National Museum of African Art of the Smithsonian Institution launched the exhibition The Poetics of the Line: Seven Artists of the Nsukka Group, which also was the inaugural exhibition of the Sylvia H. Williams Gallery. [2]
Olu Oguibe is a Nigerian-born American artist and academic. Professor of Art and African-American Studies at the University of Connecticut, Storrs, Oguibe is a senior fellow of the Vera List Center for Art and Politics at the New School, New York City, and the Smithsonian Institution in Washington, DC. He is also an art historian, art curator, and leading contributor to post-colonial theory and new information technology studies. Oguibe is also known to be a well respected scholar and historian of contemporary African and African American art and was honoured with the State of Connecticut Governor's Arts Award for excellence and lifetime achievement on 15 June 2013.
Uli (Uri) are the curvilinear traditional designs drawn by the Igbo people of southeastern Nigeria. These designs are generally abstract, consisting of linear forms and geometric shapes, though there are some representational elements. Traditionally, these are either stained onto the body or painted onto the sides of buildings as murals. Designs are frequently asymmetrical and are often painted spontaneously. Uli is generally not sacred, apart from those images painted on the walls of shrines and created in conjunction with some community rituals. In addition, uli is not directly symbolic but instead focused on the creation of a visual impact and decorating the body of the patron or building in question.
Ada Udechukwu is a Nigerian artist and poet associated with the Nsukka group.
Tayo Adenaike is a Nigerian painter.
El Anatsui is a Ghanaian sculptor active for much of his career in Nigeria. He has drawn particular international attention for his "bottle-top installations". These installations consist of thousands of aluminum pieces sourced from alcohol recycling stations and sewn together with copper wire, which are then transformed into metallic cloth-like wall sculptures. Such materials, while seemingly stiff and sturdy, are actually free and flexible, which often helps with manipulation when installing his sculptures.
Obiora Udechukwu is a Nigerian painter and poet.
Chike C. Aniakor is a Nigerian artist, art historian, author, and poet whose work addresses philosophical, political, and religious themes relating to Igbo society and the Nigerian Civil War. His artworks are held in major metropolitan museums including the Smithsonian Institution, Nigerian National Gallery of Art, and the Museum fur Volkerkunde in Frankfurt. Aniakor is a prolific writer and has authored over 75 books and articles.
Christopher Uchefuna Okeke, also known as Uche Okeke, was an illustrator, painter, sculptor, and teacher. He was an art and aesthetic theorist, seminal to Nigerian modernism.
Ndidi Dike was born in 1960 in London. She is a Nigeria-based visual artist working in sculpture and mixed-media painting. She is one of Nigeria's leading female artists, working in an artistic world typically designed for men. She is from Amaokwe Item in Bende local government of Abia State. She has three living sisters
Igbo art is any piece of visual art originating from the Igbo people. The Igbo produce a wide variety of art including traditional figures, masks, artifacts and textiles, plus works in metals such as bronze. Artworks from the Igbo have been found from as early as 9th century with the bronze artifacts found at Igbo Ukwu. With processes of colonialism and the opening of Nigeria to Western influences, the vocabulary of fine art and art history came to interact with established traditions. Therefore, the term can also refer to contemporary works of art produced in response to global demands and interactions.
Nnenna Okore is an Australian-born Nigerian artist who lives and works in Chicago at North Park University, Chicago. Her largely abstract sculptural forms are inspired by richly textured forms and colours within the natural environment. Okore's work frequently uses flotsam or discarded objects to create intricate sculptures and installations through repetitive and labor-intensive processes. She learnt some of her intricate methods, including weaving, sewing, rolling, twisting and dyeing, by watching local Nigerians perform daily domestic tasks. In her more recent works, Okore uses plant-based materials to create large bioplastic art forms and installations. Her work has been shown in galleries and museums within and outside of the United States. She has won several international awards, including a Fulbright Scholar Award in 2012. and the Australian Creative Victoria Award in 2021.
Tony Nsofor, is a Nigerian painter. His full name is Anthony Chukwudinma Richard Nsofor.
George Edozie, is a Nigerian painter. living in Lagos, Nigeria.
Marcia Kure is a Nigerian visual artist known primarily for her mixed media paintings and drawings which engage with postcolonial existentialist conditions and identities.
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category [sic]" are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression?
Chika Okeke-Agulu is a Nigerian artist, art historian, art curator, and blogger specializing in African and African diaspora art history. He lives in Princeton, New Jersey.
Bruce Obomeyoma Onobrakpeya is a Nigerian printmaker, painter and sculptor. He has exhibited at the Tate Modern in London, the National Museum of African Art of the Smithsonian Institution in Washington, D.C., and the Malmö Konsthall in Malmö, Sweden. The National Gallery of Modern Art, Lagos, has an exhibit of colourful abstract canvases by Onobrakpeya and his works can be found at the Virtual Museum of Modern Nigerian Art, although no exhibitions were showing as of October 2017.
Sylvia H. Williams, was an American museum director, curator, art historian, and scholar of African art. She helped develop the study and appreciation of African art as a significant aesthetic and intellectual pursuit in the United States.
Chief Muraina Oyelami is a Nigerian painter and drummer of Yoruba descent. He was among the first generation of artists to come out of the Osogbo School of Art in the 1960s. He was a drummer and actor with the theatre company of Duro Ladipo. He taught traditional music and dance at Obafemi Awolowo University from 1976 to 1987. As a musician, he trained in the dùndún and the Batá drum. He was the chief of his hometown Iragbiji.
The Zaria Art Society was a coalition of artists that lasted from 1958 to 1962. The society was notable for their rejection of the precepts of their mainly British art lecturers whose curriculum was focused Western. They rather adopted and promoted local visual art traditions like Nok sculptures and the Uli painting. The style of art promoted by the Zaria Art Society is now called natural synthesis.
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