Edward Henry Weston was an American photographer. He has been called "one of the most innovative and influential American photographers" and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes, and even whimsical parodies. It is said that he developed a "quintessentially American, and especially Californian, approach to modern photography" because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.
Pure photography or straight photography refers to photography that attempts to depict a scene or subject in sharp focus and detail, in accordance with the qualities that distinguish photography from other visual media, particularly painting. Originating as early as 1904, the term was used by critic Sadakichi Hartmann in the magazine Camera Work, and later promoted by its editor, Alfred Stieglitz, as a more pure form of photography than Pictorialism. Once popularized by Stieglitz and other notable photographers, such as Paul Strand, it later became a hallmark of Western photographers, such as Edward Weston, Ansel Adams and others.
Minor Martin White was an American photographer, theoretician, critic, and educator.
Wynn Bullock was an American photographer whose work is included in over 90 major museum collections around the world. He received substantial critical acclaim during his lifetime, published numerous books and is mentioned in all the standard histories of modern photography.
Margrethe Mather was an American photographer. She was one of the best known female photographers of the early 20th century. Initially she influenced and was influenced by Edward Weston while working in the pictorial style, but she independently developed a strong eye for patterns and design that transformed some of her photographs into modernist abstract art. She lived a mostly uncompromising lifestyle in Los Angeles that alternated between her photography and the creative Hollywood community of the 1920s and 1930s. In later life she abandoned photography, and she died unrecognized for her photographic accomplishments.
"in artistic matters Margaret was, of course, the teacher, Edward (Weston) the pupil" — Imogen Cunningham
Nancy Wynne Newhall was an American photography critic. She is best known for writing the text to accompany photographs by Ansel Adams and Edward Weston, but was also a widely published writer on photography, conservation, and American culture.
Theodore Brett Weston was an American photographer.
Kim Weston is an American photographer known for his fine art nude studies.
Beaumont Newhall was an American curator, art historian, writer, photographer, and the second director of the George Eastman Museum. His book The History of Photography remains one of the most significant accounts in the field and has become a classic photographic history textbook. Newhall was the recipient of numerous awards and accolades for his accomplishments in the study of photo history.
Nude photography is the creation of any photograph which contains an image of a nude or semi-nude person, or an image suggestive of nudity. Nude photography is undertaken for a variety of purposes, including educational uses, commercial applications and artistic creations.
Alma Ruth Lavenson was an American photographer active in the 1920s and 1930s. She worked with and was a close friend of Ansel Adams, Imogen Cunningham, Edward Weston and other photographic masters of the period.
Helen Charis Wilson, was an American model and writer, most widely known as a subject of Edward Weston's photographs.
Pepper No. 30 is a black and white photograph and is one of the best-known photographs taken by Edward Weston. It depicts a solitary green pepper in rich black-and-white tones, with strong illumination from above.
Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography."
Dody Weston Thompson was a 20th-century American photographer and chronicler of the history and craft of photography. She learned the art in 1947 and developed her own expression of “straight” or realistic photography, the style that emerged in Northern California in the 1930s. Dody worked closely with contemporary icons Edward Weston, Brett Weston and Ansel Adams during the late 1940s and through the 1950s, with additional collaboration with Brett Weston in the 1980s.
Fine art nude photography is a genre of fine-art photography which depicts the nude human body with an emphasis on form, composition, emotional content, and other aesthetic qualities. The nude has been a prominent subject of photography since its invention, and played an important role in establishing photography as a fine art medium. The distinction between fine art photography and other subgenres is not absolute, but there are certain defining characteristics.
Light Vision was a bi-monthly Australian photography magazine that existed between 1977 and 1978.
Steel: Armco, Middletown, Ohio is a black and white photograph taken by American photographer Edward Weston in 1922.
Two Shells, also known as Shells, is a black and white photograph taken by American photographer Edward Weston, in 1927. It was part of a series containing 26 photographs of sea shells from the same year, including Weston's famous Nautilus.
Nude, 1925, also known as Torso, is a black and white photograph taken by American photographer Edward Weston in 1925. It is part of a series of six nude photographs of his model and lover, Miriam Lerner.
