Ociciwan Contemporary Art Collective is a Canadian artist collective based in Edmonton, Alberta with a mandate to develop innovative and experimental projects involving Indigenous artists. [1]
Established in 2015 in Edmonton, Alberta, Canada, on Treaty 6 territory, the founding core collective members were Tiffany Shaw-Collinge, Erin Sutherland, Becca Taylor, and Kristy Trinier. Current Core Collective members include Tiffany Shaw-Collinge, Erin Sutherland, Becca Taylor, Halie Finney and Alberta Rose W. [2] From the collectives' website:
The name Ociciwan is an inanimate Plains Cree noun relating to current or river, translated to mean the current comes from there. The name references the North Saskatchewan River that has brought many people over time to the region. It conveys an energy of engagement with Indigenous contemporary culture, linking present with the past and the future." [3]
The collective focuses on three to four projects a year, which include art exhibitions, research, public art works and awareness surrounding Indigenous contemporary art. Ociciwan aims to support the work of Indigenous contemporary artists and designers, engage in both local and global contemporary critical dialogue, develop artistic collaboration, promote and encourage research, production, presentation and awareness of Indigenous contemporary art practices. [4]
In Fall 2018, Ociciwan announced that the collective would be opening the Ociciwan Contemporary Art Centre in a retrofitted, 6,945 square-foot, two-storey building in downtown Edmonton. [5] The space, designed by Rockliff Pierzchajlo Kroman Architects, will include a kitchen, resource library, community space, and offices for rent in addition to gallery space. [6] The Ociciwan Contemporary Art Centre will be the first Indigenous-run contemporary art centre in Edmonton. [7]
Ociciwan's grand opening exhibition at the new space, amiskwacîwâskahikan, had been planned for March 2020. [8] Just two weeks before the event, the gallery was forced to delay the opening indefinitely due to COVID-19. [9] In June 2020, the gallery was the target of a theft, including new media equipment and a piece by Lana Whiskeyjack slated for the opening exhibition. The stolen artwork is a beaded medallion crafted with deer lace and rabbit fur titled Three Generations of nitêh (my heart). [9] In a public plea to find the piece, Whiskeyjack said, "the significance of the work is much more than the monetary value — it is a creative practice of paradigm shifting to help address the violence against Indigenous People as well as to help lift their spirits and cultural awareness." [9]
The Francis Winspear Centre for Music is a performing arts centre located in the downtown core of Edmonton, Alberta, Canada. Opened in 1997, it is the home of the Edmonton Symphony Orchestra. The centre is named after Francis G. Winspear, who donated $6 million to the construction of the facility - the single largest private donation to a performing arts facility in Canadian history.
Churchill Square is the main downtown square in Edmonton, Alberta, which plays host to a large number of festivals and events including: the Edmonton International Street Performers Festival, Edmonton Fashion Week, The Works Art & Design Festival, Taste of Edmonton, Cariwest, and Edmonton Pride.
Danek Mozdzenski is a Canadian sculptor.
Tania Willard is an Indigenous Canadian multidisciplinary artist, graphic designer, and curator, known for mixing traditional Indigenous arts practices with contemporary ideas. Willard is from the Secwepemc nation, of the British Columbia interior, Canada.
Nancy Tousley is a senior art critic, journalist, art writer and independent curator whose practice has included writing for a major daily newspaper, art magazines, and exhibition catalogues.
Brenda Draney is a contemporary Cree artist based in Edmonton, Alberta.
Tanya Lukin Linklater is an artist-choreographer of Alutiiq descent. Her work consists of performance collaborations, videos, photographs, and installations.
Jordan Bennett is Canadian multi-disciplinary artist and member of the Qalipu First Nation from Stephenville Crossing, Newfoundland, also known as Ktaqamkuk. He is married to Métis visual artist Amy Malbeuf.
Brittney Bear Hat is a half Blackfoot, half Cree artist. She makes work in a variety of media, including photography, installation and video, as a means to explore how memory and personal identity construct her Native identity.
Richelle Bear Hat is a Blackfoot and Cree artist, based in Calgary, Alberta, Canada, on Treaty 7 territory. Bear Hat's work explores the ancestral transmission of knowledge, memory, and Indigenous relationships to land. According to curator Kristy Trinier, "her practice investigates ideas surrounding family relationships and the types of knowledge that are capable of being passed through them. These ideas are explored through the use of photography, transfers, video and paper based works. It is important to use materials and means of production that support the transference of memory and provide a platform for storytelling."
Wanda Nanibush is an Anishinaabe curator, artist and educator based in Toronto, Ontario. From 2016 to 2023, she held the position of the inaugural curator of Indigenous Art at the Art Gallery of Ontario.
Amy Malbeuf is a Canadian-Métis visual artist, educator, and cultural tattoo practitioner born in Rich Lake, Alberta.
Cristóbal Martínez is a Chicano artist and the founder of Radio Healer, an indigenous hacker collective. He is a member of Postcommodity, a Southwest Native American Artist collective. His work was featured in the 17th Whitney Biennial, 57th Carnegie International, and the Sundance Film Festival.
Kade L. Twist is a Cherokee Nation interdisciplinary artist who works with video, sound, interactive media, text, and installation. Twist serves as the vice president of the Native Networking Policy Center. He is co-founder of Postcommodity, a Southwest Native American Artist collective, with Steven J. Yazzie. His work has been displayed nationally and internationally.
Postcommodity, a Southwest Native American Artist collective, was founded in 2007 by Kade Twist and Steven Yazzie. Their name refers to the "commodity era" of Native American art trading in the late 1800s and 1900s, with the "post" being in reference to their modern take on traditional Native art forms.
Anne Riley is an interdisciplinary artist of Slavey Dene and German ancestry. Born in Dallas, Texas, Riley currently lives and works in Vancouver, Canada. Several of Riley's works derive from her identity as Indigiqueer, a term coined by Cree artist TJ Cuthand, and commonly used by Indigenous artists including Oji-Cree storyteller, Joshua Whitehead. The term is interconnected with Two-spirit, an identity and role that continues to be vital within and across many Indigenous nations. Through artistic projects, Riley engages Indigenous methodologies that prioritize learning through embodiment, nurturing communities as well as the non-human world. Riley received her BFA from the University of Texas at Austin in 2012. Riley is a recipient of the City of Vancouver Studio Award (2018–2021).
The University of Alberta Library is the library system of the University of Alberta.
Lana Whiskeyjack is a multidisciplinary artist, writer and researcher known for her work exploring experiences of Cree identity in Western culture. She is featured in the documentary film Lana Gets Her Talk by Beth Wishart MacKenzie.
Indigenous Art Park ᐄᓃᐤ (ÎNÎW) River Lot 11∞ is a public park in the Edmonton, Alberta river valley built on the previous site of the Queen Elizabeth Pool. In June 2019, the Americans for the Arts' Public Art Network recognized the park as one of the 50 best international public art projects. Plans to build the park and curate installation pieces by Indigenous artists began in 2013, and the park opened in September 2018.