The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel, and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the planting season.
Chief Sunday Adeniyi Adegeye, known professionally as King Sunny Adé, is a Nigerian jùjú singer, songwriter and multi-instrumentalist. He is regarded as one of the first African pop musicians to gain international success, and has been called one of the most influential musicians of all time.
Ondo Town is the second largest town in Ondo State, Nigeria. Ondo Town is the trade center for the surrounding region; commercial crops such as yams, cassava, grain, tobacco and cotton are grown, the latter of which is often used to weave a culturally significant cloth known as Aso Oke fabric, which is commonly used to make clothing amongst the local population. Ondo Town is the largest producer of cocoa products in the region.
Jùjú is a style of Yoruba popular music, derived from traditional Yoruba percussion. The name juju from the Yoruba word "juju" or "jiju" meaning "throwing" or "something being thrown". Juju music did not derive its name from juju, which is a form of magic and the use of magic objects, common in West Africa, Haiti, Cuba and other South American nations. It evolved in the 1900s in urban clubs across the countries, and was believed to have been created by Ababababaa Babatunde King, popularly known as Tunde King. The first jùjú recordings were by King and Ojoge Daniel in the 1920s, when King pioneered it. The lead and predominant instrument of jùjú is the Iya Ilu, talking drum.
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba.
Isaiah Kehinde Dairo MBE was a Nigerian Jùjú musician.
Earnest Olatunde Thomas, known as Tunde Nightingale or The Western Nightingale, was a Nigerian singer and guitarist, best known for his unique jùjú music style, following in the tradition of Tunde King.
Juju Music is the 1982 major label debut of Nigerian jùjú band King Sunny Adé and His African Beats. It was produced by keyboard player Martin Meissonnier, who introduced synthesizers and Linn drums into Adé's established juju sound. It represented the first worldwide release for Adé, who was already established in his native Nigeria as its "biggest musical draw and juju music's reigning monarch". The album was a critical and commercial success, peaking at #111 on Billboard's "Pop Albums" chart.
Synchro System is a 1983 album by Nigerian jùjú band King Sunny Adé and His African Beats. It was the second of King Sunny Adé's three releases for Island Records, following on the heels of 1982's crossover success Juju Music. The title track is a re-recording of Adé's 1974 Nigerian hit of the same name.
This is the discography of the modern Nigerian world music artist King Sunny Adé, whose career has spanned more than forty years.
Tunde King, was a Nigerian musician credited as the founder of Jùjú music. He had a great influence on Nigerian popular music.
General Prince Adekunle (1942-2017) was a Nigerian Jùjú musician. Born 22 October 1942, Adekunle was of Egba origin, from Abeokuta in Ogun State. Adekunle was a major innovator and force in the jùjú music scene, with his distinctive driving Afrobeat style. Famous musicians such as Sir Shina Peters and Segun Adewale started their careers playing with his band, the Western Brothers. Although he toured in England in the early 1970s, he did not become well known outside Nigeria.
Omoba Benjamin Aderounmu, popularly known as Kokoro, was a blind minstrel from Lagos, Nigeria. He was born into a royal family in Owo, Ondo State, and became blind when he was aged ten. He developed a unique style of singing accompanied first by a drum, later by a tambourine. He moved to Lagos in 1947, where he became exposed to major local musicians such as Ayinde Bakare, Bobby Benson and Victor Olaiya. In the 1960s and 1970s he featured regularly on Federal and local radio stations, and was widely respected for the depth and wisdom of his lyrics.
L.I.F.E is the debut studio album by Nigerian singer Burna Boy. It was released on August 12, 2013, by Aristokrat Records. The album serves as the follow-up to his second mixtape Burn Identity (2011). L.I.F.E sold 40,000 copies on the first day of its release. Aristokrat Records later sold the album's marketing rights to Uba Pacific for ₦10 million. The album's release was preceded by five singles: "Like to Party", "Tonight", "Always Love You", "Run My Race" and "Yawa Dey".
Bantu is a 13-piece band based in Lagos, Nigeria. Their music is a fusion of Afrofunk, Afrobeat, highlife and Yoruba music. The group features multi-instrumentalists and singers who perform as a collective.
Prataksis is a collaborative studio album by the jazz trumpeter Wadada Leo Smith, the multi-instrumentalist Vinny Golia, and the double bass player Bertram Turetzky. The album was released in 1997 by Golia's Nine Winds Records.
Fufu is the first studio album by BANTU. The album consists of collective and individual compositions by all four founding members of the group: Patrice, Amaechi Okerenkwo, Abiodun & Ade Bantu. It was released by the Nigerian music label Kennis Music. The album earned BANTU two radio hit singles in Nigeria for the songs “Nzogbu” & “Fire Inna Dancehall”
Aura is a studio album by the Nigerian jùjú musician King Sunny Adé, released in 1984. It is credited to King Sunny Adé and His African Beats.
The Return of the Juju King is a compilation album by the Nigerian musician King Sunny Adé, released in 1987. It was his first album after being dropped by Island Records. Adé supported the album with a North American tour that featured a 15-member version of his band, the African Beats.
