Oh, What a Night | |
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Directed by | Frank Richardson |
Written by |
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Produced by | Edward G. Whiting |
Starring | |
Production company | British Sound Film Productions |
Distributed by | Universal Pictures |
Release date |
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Running time | 58 minutes |
Country | United Kingdom |
Language | English |
Oh, What a Night is a 1935 British comedy film directed by Frank Richardson and starring Nina Boucicault, James Carew and Valerie Hobson. It was a quota quickie made at Wembley Studios. [1]
Babette Louisa Valerie Hobson was a British actress whose film career spanned the 1930s to the early 1950s. Her second husband was John Profumo, a British government minister who became the subject of the Profumo affair in 1963.
The year 1949 in film involved some significant events.
Great Expectations is a 1946 British drama film directed by David Lean, based on the 1861 novel by Charles Dickens and starring John Mills and Valerie Hobson. The supporting cast included Bernard Miles, Francis L. Sullivan, Anthony Wager, Jean Simmons, Finlay Currie, Martita Hunt and Alec Guinness.
The Drum is a 1938 British Technicolor film based on the 1937 novel The Drum by A. E. W. Mason. The film was directed by Zoltan Korda and produced by Alexander Korda. It stars Sabu, Raymond Massey, Valerie Hobson, Roger Livesey and David Tree.
The Frozen Ghost is a 1945 American film noir mystery film starring Lon Chaney Jr., Elena Verdugo, Evelyn Ankers, Tala Birell, and Martin Kosleck, and directed by Harold Young. It is the fourth of the six "Inner Sanctum" mystery films.
Blanche Fury is a 1948 British Technicolor drama film directed by Marc Allégret and starring Valerie Hobson, Stewart Granger and Michael Gough. It was adapted from a 1939 novel of the same title by Joseph Shearing. In Victorian era England, two schemers will stop at nothing to acquire the Fury estate, even murder.
Atlantic Ferry is a 1941 British film directed by Walter Forde and starring Michael Redgrave and Valerie Hobson. It was made at Teddington Studios.
The Secret of Stamboul, also known as The Spy in White, is a 1936 British thriller film, taken from the 1935 novel The Eunuch of Stamboul by Dennis Wheatley, directed by Andrew Marton and starring Valerie Hobson, James Mason and Frank Vosper. It was made at Shepperton Studios. The screenplay concerns a British agent who tries to thwart a revolution.
James Usselman, known professionally as James Carew, was an American actor who appeared in many films, mainly in Britain. He was born in Goshen, Indiana in 1876 and began work as a clerk in a publishing firm. He began acting on stage in Chicago in 1897 in Damon and Pythias.
Nina Boucicault was an English-born actress, daughter of the Irish playwright Dion Boucicault and his wife, actress Agnes Kelly Robertson. She had three brothers, Dion William (1855–1876), Dion Boucicault Jr. and Aubrey Boucicault, and two sisters, Eva and Patrice.
Who Goes There! is a 1952 British comedy film directed by Anthony Kimmins and starring Nigel Patrick, Valerie Hobson and George Cole. The film depicts the farcical activities of the various inhabitants of a grace and favour house near St James's Palace in Central London.
This Man is News is a 1938 British comedy mystery film directed by David MacDonald and starring Barry K. Barnes, Valerie Hobson, Alastair Sim and Edward Lexy. The screenplay concerns a journalist who solves a crime of which he himself is suspected . A "quota quickie", it was made for a mere £6,000, but "was among the highest grossing films of 1938".
Two Hearts in Waltz Time is a 1934 British musical romance film directed by Carmine Gallone and Joe May and starring Carl Brisson, Frances Day, Bert Coote and Roland Culver. A composer falls in love with the star of an opera company. The music is by Robert Stolz, originally written for a German version in 1930.
Badger's Green is a 1934 British comedy film directed by Adrian Brunel and starring Valerie Hobson, Bruce Lester, David Horne and Wally Patch. It was adapted from the 1930 play Badger's Green by R.C. Sheriff. A picturesque village is threatened with redevelopment by a speculative builder, leading to widespread protest. In the end the builder agrees to settle the future of the village on the result of a cricket match.
The Voice of Merrill is a 1952 British mystery film directed by John Gilling and starring Valerie Hobson, James Robertson Justice and Edward Underdown. The Voice of Merrill was made by Tempean Films, the company owned by the film's producers Monty Berman and Robert S. Baker, which between the late 1940s and the late 1950s specialised in turning out low-budget B-movies as unpublicised second-features for the UK cinema market. On its release however, The Voice of Merrill was recognised by its distributors, Eros Films, as unusually sophisticated and stylish for a B-movie, and was elevated to the status of co-feature in cinemas. It was released in the United States the following year under the title Murder Will Out.
Jump for Glory is a 1937 British crime romantic drama film directed by Raoul Walsh and starring Douglas Fairbanks Jr., Valerie Hobson and Alan Hale. It was based on a novel by Gordon McDonnell. The film was shot at Isleworth Studios by the independent company Criterion Film for distribution by United Artists. The film's sets were designed by the art director Edward Carrick.
Follow Your Star is a 1938 British musical film directed by Sinclair Hill and starring Arthur Tracy, Belle Chrystall and Mark Daly. It was made at Pinewood Studios.
Miriam Rozella is a 1924 British silent drama film directed by Sidney Morgan and starring Moyna Macgill, Owen Nares and Gertrude McCoy.
Eyes of Fate is a 1933 British sports fantasy film directed by Ivar Campbell and starring Allan Jeayes, Valerie Hobson and Terence De Marney. It is a quota quickie, made at Shepperton Studios. It is also known by the alternative title of All the Winners.
Lily of Killarney is a 1934 British musical film directed by Maurice Elvey and starring John Garrick, Gina Malo and Leslie Perrins. The film was made at Twickenham Studios. It is based on the play The Colleen Bawn by the Irish writer Dion Boucicault. The film's sets were designed by the art director James A. Carter.