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Oh Darling | |
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| Origin | Portland, Oregon, United States |
| Genres | Pop, rock |
| Years active | 2006–present |
| Members | Daven Hall Jasmine Ash J. Marie Hall Jake Endicott |
| Website | ohdarlingmusic |
Oh Darling is an American pop quartet, based in Los Angeles, California.
| |
Oh Darling | |
|---|---|
| Origin | Portland, Oregon, United States |
| Genres | Pop, rock |
| Years active | 2006–present |
| Members | Daven Hall Jasmine Ash J. Marie Hall Jake Endicott |
| Website | ohdarlingmusic |
Oh Darling is an American pop quartet, based in Los Angeles, California.
Guitarist Daven Hall, singer and keyboardist Jasmine Ash, bassist J. Marie Hall and drummer Jake Endicott started making music together in 2006 in Portland, Oregon, and relocated to Los Angeles in 2009.
Their latest album, Brave the Sound, was recorded in the band's home studio in Echo Park, Los Angeles, and was produced by guitarist Daven Hall. Mixed by Nate Anderson, the record includes songs such as "Love" (featured on the ABC series Ugly Betty ) and "Prettiest Thing", which was used in the soundtrack to Disney's film Prom (2011).
Songs from their previous albums have been featured on television series, including the CW's One Tree Hill , Lifetime's Drop Dead Diva and United States's Royal Pains .
The group has toured the West Coast, playing venues including the Doug Fir, The Viper Room, Spaceland and the Hotel Café. They have opened for The 88, Fitz and the Tantrums, Anya Marina and The Watson Twins. [1]
The music of Oregon reflects the diverse array of styles present in the music of the United States, from Native American music to the contemporary genres of rock and roll, country, rhythm and blues, jazz, pop, electronic music, and hip hop. However, throughout most of its history, the state has been relatively isolated from the cultural forces shaping American music. Much of modern popular music traces its roots to the emergence in the late 19th century of African American blues and the growth of gospel music in the 1920s. African American musicians borrowed elements of European and Indigenous musics to create new American forms. As Oregon's population was more homogeneous and more white than the United States as a whole, the state did not play a significant role in this history.
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