Olakunbi Olasope | |
---|---|
Born | 14 August 1971 |
Academic background | |
Alma mater | University of Ibadan (BA)(MA)(PhD) |
Thesis | The Ideal of Univira in Traditional Marriage Systems in Ancient Rome and Yorubaland (2005) |
Academic work | |
Discipline | Classics |
Institutions | University of Ibadan |
Olakunbi Ojuolape Olasope is a Professor in the Department of Classics at the University of Ibadan in Nigeria. She is an expert on Roman social history,Greek and Roman theatre,and Yoruba classical performance culture. Olasope is known in particular for her work on the reception of classical drama in West Africa,especially the work of the Nigerian dramatist Femi Osofisan.
Olasope studied Classics at the University of Ibadan,completing her BA in 1991 and MA in 1994. [1] Her doctoral thesis,The Ideal of Univira in Traditional Marriage Systems in Ancient Rome and Yorubaland,was awarded in 2005. [1] ("Univira" is the Latin word for a woman married only ever to one man,see Pudicitia.) In 2002,she was a visiting scholar at the Department of Classics of the University of Texas at Austin. [1] [2]
Olasope began teaching at the University of Ibadan as an Assistant Lecturer in 1997. She was promoted to Lecturer II in 1999,Lecturer I in 2004,Senior Lecturer in 2007 and became a Reader in 2013. [1] She became a Full Professor of Classics in 2016. [3] [4] She is currently the Head (Chair) of the Department of Classics,a position she previously held between 2009 and 2013. [5] [6] In 2005/2006,she held a University of Ibadan Senate Research Grant. [1] She was a British Academy Visiting Fellow at Oriel College,Oxford in 2007 and an Academic Visitor at the Aristotle University of Thessaloniki,Greece in Spring 2010. She has also been a visiting scholar at the University of Reading. [7] [8] In 2017-19 Olasope was a visiting scholar at the University of Ghana,Legon. [9] [7] Olasope is an institutional member of the Classical Reception Studies Network for the University of Ibadan [10] and participated in the African Blog Takeover in 2021. [11] [12] [13]
Olasope has published extensively on Roman social history and comparative studies of Roman and Yoruba social history. [14] Olasope's work focuses principally on the position of women in Ancient Roman and Yoruba society,and those societies' views on the virtue of women. Additionally,Olasope's comparative work on Roman and Nigerian material culture resulted in her 2009 monograph Roman Jewelleries,Benin Beads for Class Structures:Significance of Adornment in Ancient Cultures. [15]
Olasope is primarily known for her work on modern West African drama which draws on classical themes and precedents. She is a significant contributor to work on the Nigerian playwright Femi Osofisan, [16] on whom she co-convened a major international conference in 2016. [17] [18] [19] [20] Olasope also edited a volume of interviews with Osofisan,described by one reviewer as containing some 'very valuable' interviews and playing an important role in making Osofisan's works more widely available. [21] Olasope has written a series of articles on Osofisan's work,focusing on the use of plays by Sophocles and Euripides in modern Nigerian drama and literature,particularly focusing on The Trojan Women and Women of Owu. [22] [23] [24] Olasope's work on Osofisan and classical reception is widely recognised in Nigerian media sources. [19] [17] [20] In 2021 Olasope worked with Osofisan on a production based on Euripides' Medea:"Medaye:A Re-Reading for the African Stage of Euripides’Medea." [25] [12] [13]
Olasope has worked to promote the study of Classics in West Africa through the promotion of Classics in secondary schools in Ibadan,Nigeria,but more significantly with the Classical Association of Ghana by co-organising the Association's founding conference on 'Classics and Global Humanities in Ghana'. [26] [7] [27] At this conference the keynote speaker Barbara Goff noted the challenges the departments in Ghana have faced in establishing themselves as centres of research and teaching in the classics and that the very existence of the conference underlines how classics has become a more global discipline over the past few years. [7] Olasope's work promoting the study of classics and its relevance in West Africa has been featured in the Nigerian and Ghanaian media. [5] [20] [28] [29] [30] [31] A virtual conference,"Pushing the Frontier of Classical Studies in Sub-Saharan Africa:Tribute to PROF OLAKUNBI OLASOPE@50" was held in Olasope's honour in 2021 to celebrate her 50th birthday and contribution to classical studies in Nigeria. [32]
Akinwande Oluwole Babatunde Soyinka, known as Wole Soyinka, is a Nigerian playwright, novelist, poet, and essayist in the English language. He was awarded the 1986 Nobel Prize in Literature, for "in a wide cultural perspective and with poetic overtones fashioning the drama of existence", the first sub-Saharan African to be honoured in that category. Soyinka was born into a Yoruba family in Abeokuta. In 1954, he attended Government College in Ibadan, and subsequently University College Ibadan and the University of Leeds in England. After studying in Nigeria and the UK, he worked with the Royal Court Theatre in London. He went on to write plays that were produced in both countries, in theatres and on radio. He took an active role in Nigeria's political history and its campaign for independence from British colonial rule. In 1965, he seized the Western Nigeria Broadcasting Service studio and broadcast a demand for the cancellation of the Western Nigeria Regional Elections. In 1967, during the Nigerian Civil War, he was arrested by the federal government of General Yakubu Gowon and put in solitary confinement for two years, for volunteering to be a non-government mediating actor.
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