Old Sheffield Plate

Last updated

OSP Pair of table salts, the interiors gilded to prevent corrosion. 'Bleeding' of the copper can be seen on the rims. Old Sheffield Plate Pair of Salts.jpg
OSP Pair of table salts, the interiors gilded to prevent corrosion. 'Bleeding' of the copper can be seen on the rims.

Old Sheffield Plate (or OSP) is the name generally given to the material developed by Thomas Boulsover in the 1740s, a fusion of copper and silver which could be made into a range of items normally made in solid silver. [1] The material rapidly gained popularity as a substitute for solid silver, as it was much cheaper to produce. Any object made in silver could in effect be made in Old Sheffield Plate, although objects subject to heavy wear such as spoons and forks were not so satisfactory in plate.

Contents

The characteristic identifying feature of OSP is the 'bleeding' or 'show through' of the copper base, [2] especially on points of wear although there is also a subtle difference in colour from the pure silver of electro plating to the "very faintly bluish lustre" of OSP. [3] The material remained popular until being replaced by the electroplate process in the 1840s.

Items produced in Old Sheffield Plate included buttons, caddy spoons, fish slices, serving utensils, candlesticks and other lighting devices, coffee and tea sets, serving dishes and trays, tankards and pitchers and larger items such as soup tureens and hot-water urns.

'Old Sheffield Plate' with all three word capitalised is the accepted term in the antiques trade for this material. The expression 'Sheffield plate' and all variations thereof are generic terms which may apply to any product of silver appearance made in Sheffield, UK. [4]

History

The fact that silver and copper could fuse together was almost certainly well known to Sheffield silver makers, as silver based solder (an amalgam of silver, copper and zinc) was widely used. [1] Boulsover's discovery or invention was to find that sheets of silver and copper under high pressure would fuse together, then could be rolled out and shaped without the layers separating. The material could be rolled out to a thinness appropriate for the making of silver items. As far less silver was needed, the price of these items was far lower.

OSP 'Telescopic' candlesticks, c. 1830, with the 'Orb' Maker's Mark of Blagden, Hodgson & Co. The inner sleeve allowed the height of the candle to be adjusted. OSP Telescopic candlesticks.jpg
OSP 'Telescopic' candlesticks, c.1830, with the 'Orb' Maker's Mark of Blagden, Hodgson & Co. The inner sleeve allowed the height of the candle to be adjusted.

It is said that the material was accidentally invented by Thomas Boulsover, of Sheffield's Cutlers Company, in 1743, but this atribution is probably anecdotal. [5] It was said that while trying to repair the handle of a customer's decorative knife, he heated it too much and the silver started to melt. When he examined the damaged handle, he noticed that the silver and copper had fused together very strongly. Experiments showed that the two metals behaved as one when he tried to reshape them, even though he could clearly see the two different layers.

Boulsover set up in business, funded by Strelley Pegge of Beauchief, and carried out further experiments in which he put a thin sheet of silver on a thick ingot of copper and heated the two together to fuse them. When the composite block was hammered or rolled to make it thinner, the two metals were reduced in thickness at similar rates. Using this method, Boulsover was able to make sheets of metal which had a thin layer of silver on the top surface and a thick layer of copper underneath. When this new material was used to make buttons, they looked and behaved like silver buttons but were a fraction of the cost.

The main centre for the trade was always Sheffield, England, where there was already a substantial manufacturing industry for making small silver items such as buttons, cutlery and snuff boxes etc. Following Boulsover's discovery, the trade rapidly expanded particularly from the 1760s onwards. The other centre of production in England became Birmingham, almost entirely through the efforts of Matthew Boulton. [6] While Boulton's ormolu and solid silver products tend to attract most attention, [7] [8] his button and plated wares manufacturing were financially always more important. [6] :chapter 5

Techniques

Double plating

Double plating or sometimes the 'double sandwich' form of Sheffield plate was developed around 1770. Used for pieces such as bowls and mugs that had a visible interior, it consisted of a sheet of silver each side of a piece of copper; early manufacturers applied a film of solder over the bare edge of copper although such pieces are very rare. Edges of early salvers were hidden by folding them over but from about 1790, borders were applied with U-shaped lengths of silver wire to conceal the copper which can often be felt as a lip on the underside. Towards the end of the period, solid wire was sometimes used which can be hard to see.

Die Stamping, Plated Wire and other techniques

The whole process of OSP manufacture was complex and involved a number of techniques. Die stamping was used extensively for shaping the basic sheets of OSP and also for forming small parts such as feet and handles. The manufacture of plated wire was another important technique, involving coating a circular rod of copper with silver. This could then be 'drawn out' to produce not only circular wire but also various profiles, such as the arms of candelabra. Plated wire was used extensively for items such as cake baskets, but also for finishing the edges of items such as snuffer trays by creating 'U' shaped sections which could cover the bare copper edges. A further technique allowed gadrooned edging to be created. Pierced work was very common, again methods were developed to conceal the bare edges of the copper. [9]

Later practice

Following the invention of German silver (60% copper, 20% nickel and 20% zinc), around 1820, it was found that this new material also fused well with sheet silver and provided a suitable base metal for the Sheffield process. Because of its nearly silver colour, German silver also revealed less wear, or "bleeding", when Sheffield-made articles were subject to daily use and polishing. Being much harder than copper, it was used from the mid-1830s but only for articles such as trays or cylindrical items that did not require complex shaping.

After about 1840 the Sheffield plate process was generally replaced with electroplating processes, such as that of George Elkington. Electroplating tends to produce a "brilliant" surface with a hard colour – as it consists of pure rather than sterling silver and is usually deposited more thinly. Sheffield plate continued to be used for up to a further 100 years for silver-plated articles subject to heavy wear, most commonly uniform buttons and tankards.[ citation needed ] During the 1840–1850 period, hybrid articles such as sugar bowls were produced, with the body being Old Sheffield Plate and complicated small parts such as the feet and handles made from electroplate. These are rare and seldom recognised. The Sheffield plating process is not often used today. During the Second World War, a process analogous to Sheffield plating was used to build intercoolers for Rolls-Royce Merlin engines to overcome problems with thermal fracturing. [10]

Replating and recognition

Much Old Sheffield Plate seen today has been re-plated, especially items which received much use and polishing, such as candlesticks. [11] Items seldom displayed or used, such as egg cruets or soufflé dishes, are often in excellent condition and so may be confused with electroplate. Collectors should be aware that many designs have been reproduced in electroplate, with those from the early 1900s being the hardest to recognise since, like the original items, they seldom have a maker's mark. The way to recognise the genuine article is to look for signs that it was soldered from pre-plated metal sheet or wire rather than constructed in base metal and plated afterwards. Soldered joints, often well-disguised by the experts of the time, are also a hallmark of Sheffield plate.

Terminology

The term Sheffield plate is widely used by those dealing in electroplate produced in Sheffield, and most collectors prefer to use the term Old Sheffield Plate to identify the early fused plate product. Close Plated ware consists of silver foil soldered onto a steel base and was used for items such as candle snuffers or cutlery requiring greater strength than fused plate. It was produced from the eighteenth to the twentieth century. [12]

Sources and further reading

Old Sheffield Plate, A History of the 18th Century Plated Trade, Gordon Crosskey, 2013. The most important volume to appear in many years, a thoroughly researched work with much detail on the main producers and numerous excellent colour illustrations. [13] It stops at 1810, while the trade continued until the 1840s.

The Price Guide to Old Sheffield Plate, T. W. Frost, 1971. An Antique Collectors’ Club price guide, prices out of date, but with a large number of illustrations and comment. The image quality of the printing is not of a high standard.

Matthew Boulton, Selling what all the world desires, Shena Mason, Ed., 2009. Major work covering all Boulton’s activities. Chapter 5 by Kenneth Quickenden describes Boulton’s Silver and Sheffield Plate trade, as well as other references elsewhere in the text. Produced in association with the Matthew Boulton Bicentenary Exhibition. [14]

Understanding Antique Silver Plate, Stephen J. Helliwell, 1996. Large section on Old Sheffield Plate and also a similar length of description of Electroplate, with shorter notes on techniques such as Close Plating.

History of Old Sheffield Plate, Being an Account of the Origin, Growth, and Decay of the Industry etc etc, Frederick Bradbury, 1912. Although published in the early 20th Century, Bradbury is still a valuable source of information, as he was the owner of a plate making company hence directly involved in the trade. [15] Particularly valuable for the lists of OSP Makers Marks.

Old Sheffield Plate Shire Album 222, 1988. Concise guide to OSP with numerous illustrations, authored by Anneke Bambery, a former Keeper of Applied Art at Sheffield City Museum which holds an extensive collection of OSP, [16] including the Bradbury collection.

See also

Related Research Articles

<span class="mw-page-title-main">Soldering iron</span> Hand tool for soldering

A soldering iron is a hand tool used in soldering. It supplies heat to melt solder so that it can flow into the joint between two workpieces.

<span class="mw-page-title-main">Solder</span> Alloy used to join metal pieces

Solder is a fusible metal alloy used to create a permanent bond between metal workpieces. Solder is melted in order to wet the parts of the joint, where it adheres to and connects the pieces after cooling. Metals or alloys suitable for use as solder should have a lower melting point than the pieces to be joined. The solder should also be resistant to oxidative and corrosive effects that would degrade the joint over time. Solder used in making electrical connections also needs to have favorable electrical characteristics.

<span class="mw-page-title-main">Electroplating</span> Creation of protective or decorative metallic coating on other metal with electric current

Electroplating, also known as electrochemical deposition or electrodeposition, is a process for producing a metal coating on a solid substrate through the reduction of cations of that metal by means of a direct electric current. The part to be coated acts as the cathode of an electrolytic cell; the electrolyte is a solution of a salt of the metal to be coated; and the anode is usually either a block of that metal, or of some inert conductive material. The current is provided by an external power supply.

<span class="mw-page-title-main">Printed circuit board</span> Board to support and connect electronic components

A printed circuit board (PCB), also called printed wiring board (PWB), is a medium used to connect or "wire" components to one another in a circuit. It takes the form of a laminated sandwich structure of conductive and insulating layers: each of the conductive layers is designed with an artwork pattern of traces, planes and other features etched from one or more sheet layers of copper laminated onto and/or between sheet layers of a non-conductive substrate. Electrical components may be fixed to conductive pads on the outer layers in the shape designed to accept the component's terminals, generally by means of soldering, to both electrically connect and mechanically fasten them to it. Another manufacturing process adds vias, plated-through holes that allow interconnections between layers.

<span class="mw-page-title-main">Nickel silver</span> Shiny alloy of copper, nickel, and zinc

Nickel silver, maillechort, German silver, argentan, new silver, nickel brass, albata, or alpacca is a copper alloy with nickel and often zinc. The usual formulation is 60% copper, 20% nickel and 20% zinc. Nickel silver does not contain the element silver. It is named for its silvery appearance, which can make it attractive as a cheaper and more durable substitute. It is also well suited for being plated with silver.

<i>Mokume-gane</i> Japanese mixed-metal laminate

Mokume-gane (木目金) is a Japanese metalworking procedure which produces a mixed-metal laminate with distinctive layered patterns; the term is also used to refer to the resulting laminate itself. The term mokume-gane translates closely to 'wood grain metal' or 'wood eye metal' and describes the way metal takes on the appearance of natural wood grain. Mokume-gane fuses several layers of differently coloured precious metals together to form a sandwich of alloys called a "billet." The billet is then manipulated in such a way that a pattern resembling wood grain emerges over its surface. Numerous ways of working mokume-gane create diverse patterns. Once the metal has been rolled into a sheet or bar, several techniques are used to produce a range of effects.

Plating is a finishing process in which a metal is deposited on a surface. Plating has been done for hundreds of years; it is also critical for modern technology. Plating is used to decorate objects, for corrosion inhibition, to improve solderability, to harden, to improve wearability, to reduce friction, to improve paint adhesion, to alter conductivity, to improve IR reflectivity, for radiation shielding, and for other purposes. Jewelry typically uses plating to give a silver or gold finish.

<span class="mw-page-title-main">Copper electroplating</span>

Copper electroplating is the process of electroplating a layer of copper onto the surface of a metal object. Copper is used both as a standalone coating and as an undercoat onto which other metals are subsequently plated. The copper layer can be decorative, provide corrosion resistance, increase electrical and thermal conductivity, or improve the adhesion of additional deposits to the substrate.

<span class="mw-page-title-main">Gold plating</span> Coating an object with a thin layer of gold

Gold plating is a method of depositing a thin layer of gold onto the surface of another metal, most often copper or silver, by chemical or electrochemical plating. This article covers plating methods used in the modern electronics industry; for more traditional methods, often used for much larger objects, see gilding.

<span class="mw-page-title-main">Thomas Boulsover</span>

Thomas Boulsover, was a Sheffield cutler who is best remembered as the inventor of Sheffield Plate. He made his fortune manufacturing various items, but especially buttons using the process, he later diversified into making cast steel and saws.

<span class="mw-page-title-main">Britannia metal</span> Type of pewter alloy

Britannia metal is a specific type of pewter alloy, favoured for its silvery appearance and smooth surface. The composition by weight is typically about 92% tin, 6% antimony, and 2% copper.

<span class="mw-page-title-main">Tinsmith</span> Person who makes and repairs things made of tin or other light metals

A tinsmith is a person who makes and repairs things made of tin or other light metals. The profession may sometimes also be known as a tinner, tinker, tinman, or tinplate worker; whitesmith may also refer to this profession, though the same word may also refer to an unrelated specialty of iron-smithing. By extension it can also refer to the person who deals in tinware, or tin plate. Tinsmith was a common occupation in pre-industrial times.

<span class="mw-page-title-main">Birmingham Assay Office</span> Assay Office in Birmingham, England

The Birmingham Assay Office, one of the four assay offices in the United Kingdom, is located in the Jewellery Quarter, Birmingham. The development of a silver industry in 18th century Birmingham was hampered by the legal requirement that items of solid silver be assayed, and the nearest Assay Offices were in Chester and London. Matthew Boulton and Birmingham's other great industrialists joined forces with silversmiths of Sheffield to petition Parliament for the establishment of Assay Offices in their respective cities. In spite of determined opposition by London silversmiths, an Act of Parliament was passed in March 1773, just one month after the original petition was presented to Parliament, to allow Birmingham and Sheffield the right to assay silver. The Birmingham Assay Office opened on 31 August 1773 and initially operated from three rooms in the King's Head Inn on New Street employing only four staff and was only operating on a Tuesday. The first customer on that day was Matthew Boulton.

<span class="mw-page-title-main">Tinning</span> Covering object with layer of tin

Tinning is the process of thinly coating sheets of wrought iron or steel with tin, and the resulting product is known as tinplate. The term is also widely used for the different process of coating a metal with solder before soldering.

Plated ware refers to articles chiefly intended for tableware consisting of a base metal or alloy covered by one of the precious metals, with the object of giving them the appearance of gold or silver. Historically, the standard amount of precious metal used was an ounce of silver per square foot of surface area. Although items hand-plated with metal leaf date back to ancient times, large scale production dates to 1742 when Thomas Boulsover, of Sheffield, England developed a process by which silver plates were fused to base metal ingots by heating them in a furnace with borax. The ingots were then rolled down to a sheet, and from these sheets silver-plated articles were made.

<span class="mw-page-title-main">Electroless nickel-phosphorus plating</span> Chemical-induced nickel coating of a surface

Electroless nickel-phosphorus plating, also referred to as E-nickel, is a chemical process that deposits an even layer of nickel-phosphorus alloy on the surface of a solid substrate, like metal or plastic. The process involves dipping the substrate in a water solution containing nickel salt and a phosphorus-containing reducing agent, usually a hypophosphite salt. It is the most common version of electroless nickel plating and is often referred by that name. A similar process uses a borohydride reducing agent, yielding a nickel-boron coating instead.

<span class="mw-page-title-main">Gold-filled jewelry</span> Type of jewelry

Gold-filled jewelry is jewelry composed of a solid layer of gold mechanically bonded to a base of either sterling silver or some base metal. The related terms "rolled gold plate" and "gold overlay" may legally be used in some contexts if the layer of gold constitutes less than 5% of the item's weight.

Electroless nickel immersion gold (ENIG or ENi/IAu), also known as immersion gold (Au), chemical Ni/Au or soft gold, is a metal plating process used in the manufacture of printed circuit boards (PCBs), to avoid oxidation and improve the solderability of copper contacts and plated through-holes. It consists of an electroless nickel plating, covered with a thin layer of gold, which protects the nickel from oxidation. The gold is typically applied by quick immersion in a solution containing gold salts. Some of the nickel is oxidized to Ni2+ while the gold is reduced to metallic state. A variant of this process adds a thin layer of electroless palladium over the nickel, a process known by the acronym ENEPIG.

<span class="mw-page-title-main">Z-Mill</span>

The Z-Mill or Sendzimir Mill is a machine for rolling steels. Unlike a traditional rolling mill this 20-high cluster mill configuration utilizes cascaded supporting rolls to apply force on the small work rolls in the center. This allows the application of a higher roll pressure without bending the work rolls, which would result in poor metal quality. Thus very hard and elastic materials can be rolled.

<span class="mw-page-title-main">Granulation (jewellery)</span> Technique for decorating jewelry

Granulation is a jewellery manufacturing technique whereby a surface is covered in spherules or granules of precious metal. The technique is thought to have its origins in Sumer about 5,000 years ago. This technique then spread to southern Europe during the orientalizing period, also through the role of Phoenicians, who had founded colonies in Sardinia, Sicily and Spain, or Near Eastern craftsmen.

References

  1. 1 2 Crosskey, Gordon (2013). Old Sheffield Plate: A History of the 18th Century Plated Trade (2nd ed.). Sheffield, England: Treffrey Publishing. ISBN   978-0-9568003-1-2.
  2. Helliwell, Stephen J. (1996). Understanding Antique Silver Plate. Woodbridge, Suffolk, UK: Antique Collectors' Club. p. 131. ISBN   1-85149-247-X.
  3. Hughes, G. Bernard (1970). Antique Sheffield Plate. London: B T Batsford. p. 15. ISBN   0-7134-0723-9.
  4. Frost, T. W. (1971). The Price Guide to Old Sheffield Plate. Woodbridge, Suffolk, UK: Antique Collectors' Club. p. 1.
  5. Crosskey, Gordon (2013). Old Sheffield Plate, A History of the 18th Century Plated Trade (2nd ed.). Sheffield, UK: Treffrey Publishing. p. 12. ISBN   978-0-9568003-1-2.
  6. 1 2 Mason, Shena (2009). Matthew Boulton: Selling what all the world desires. Birmingham, UK: Yale University Press & Birmingham City Council. pp. 41–46. ISBN   978-0-300-14358-4.
  7. Goodison, Nicholas (1974). Ormolu: The work of Matthew Boulton. London: Phaidon Press Ltd. p. 398. ISBN   0-7148-1589-6.
  8. Delieb, Eric; Roberts, Michael (1971). The Great Silver Manufactory: Matthew Boulton & the Birmingham Silversmiths 1760 - 1790. London: Studio Vista. ISBN   978-0289702048.
  9. Crosskey, Gordon (2013). Old Sheffield Plate, A History of the 18th Century Plated Trade (2nd ed.). Sheffield, UK: Treffrey Publishing. pp. 15–62. ISBN   978-09568003-1-2.
  10. Metal Plating and Patination: Cultural, technical and historical developments. 1993. p.221.
  11. Frost, T. W. (1971). The Price Guide to Old Sheffield Plate. Woodbridge, Suffolk, UK: Antique Collectors' Club. pp. 18–25.
  12. Bambery, Anneke (1988). Old Sheffield Plate: Shire Album 222. Aylesbury, Buckinghamshire, UK: Shire Publications Ltd. p. 28. ISBN   0-85263-965-1.
  13. Turner, Eric (2012). "Book Review: 'Old Sheffield Plate' by Gordon Crosskey". Journal of the Antique Metalware Society. 20: 78–79.
  14. Clawley, Alan (2013). "Book Review: Matthew Boulton". Birmingham Press.
  15. Anon (2023). "Thomas Bradbury & Sons Ltd". Hawley Sheffield Knives.
  16. Anon (2001). "Book Review: Old Sheffield Plate Shire Album 222". Antiques Trade Gazette.