Olive Allen Biller, an artist and illustrator, was born in Ormskirk, Lancashire on 17 October 1879 and died on 15 October 1957 in Vancouver, British Columbia, Canada. [1] She published illustrations under her maiden name Olive Allen and her married name Olive Allen Biller.
Biller initially studied design, illustration, and various arts and crafts at the School of Architecture and Applied Art at University College, Liverpool (now known as University of Liverpool School of Architecture), commencing October 1898. There, she was taught by Robert Anning Bell, and was particularly mentored by Herbert MacNair. In 1900, After a brief time at the Lambeth School of Art, London, she attended the Slade School of Art, London. She studied most notably with Henry Tonks of whom she made a satirical drawing (now in the collection of the Strang, University College London). From 1901, as Olive Allen, she was an illustrator of magazines, children's books and Christmas annuals, chiefly for publisher T. C. & E. C. Jack. [2] Some titles were translated into German and enjoyed wide circulation.
Her illustrations are in keeping with those of other British illustrators associated with the Arts and Crafts Movement, such as Walter Crane; the imaginative book illustrators, such as Arthur Rackham and Aubrey Beardsley; and the comic sensibilities of women illustrators such as Mabel Dearmer. Biller exhibited at the Vancouver Art Gallery and other Canadian venues. A substantial corpus of her work was donated by Jill Sims, the artist's daughter, to the University of British Columbia.
In 1912, she emigrated to Canada and married John Biller (an old friend) in Saskatchewan, where Biller was homesteading in the Qu'Appelle Valley. Her commercial work virtually ceased at this point, but she continued to illustrate her life and surroundings in letters and sketchbooks. After her husband’s death in World War I, Biller settled with her two children on James Island in 1919. In 1927 she moved to Victoria, where she was an active member of the Island Arts and Crafts Society founded by Josephine Crease. [3]
Relocating to Vancouver in 1934, she studied oil painting with Jock Macdonald, Fred Varley and life drawing with Tonshek Ustinov (1903–90) at the British Columbia College of Art. This short-lived art school was formed in 1933 by artists disgruntled with the Vancouver School of Decorative and Applied Arts, forerunner of the Vancouver School of Art, now known as Emily Carr University of Art and Design. Biller’s later work consists primarily of landscapes and genre scenes in an expressionist style, akin to but more lyrical than her contemporary Emily Carr. Other examples of her paintings and drawings are in the BC Archives, the Art Gallery of Greater Victoria, University College London and private collections in Canada and the UK.
Emily Carr was a Canadian artist and writer who was inspired by the Indigenous peoples of the Pacific Northwest Coast. One of the painters in Canada to adopt a Modernist and Post-Impressionist style, Carr did not receive widespread recognition for her work until she changed her subject matter from Aboriginal themes to landscapes — forest scenes in particular, evoking primeval grandeur. As a writer Carr was one of the earliest chroniclers of life in British Columbia. The Canadian Encyclopedia describes her as a "Canadian icon".
Sophia Theresa "Sophie" Pemberton or Sophie Pemberton Deane-Drummond was a Canadian painter considered to be British Columbia's first professional woman artist. Despite the social limitations placed on female artists at the time, she made a noteworthy contribution to Canadian art and, in 1899, was the first Canadian woman to win the Prix Julian from the Académie Julian for her portraiture. She was a near contemporary of Emily Carr, and the two artists spent much of their lives in the same small city.
Myfanwy Pavelic, née Spencer, was a Canadian portrait artist.
Helen Barbara Howard was a Canadian painter, wood-engraver, draughtsperson, bookbinder and designer who produced work consistently throughout her life, from her graduation in 1951 from the Ontario College of Art until her unexpected death in 2002.
Landon Mackenzie is a Canadian artist based in Vancouver, British Columbia. She is nationally known for her large-format paintings and her contribution as a professor at the Emily Carr University of Art and Design.
Mary Merlin Kessell was a British figurative painter, illustrator, designer and war artist. Born in London, she studied at the Clapham School of Art, then later at the Central School of Arts and Crafts. At the end of the Second World War, she was commissioned to work in Germany as an official British war artist; one of only three women selected. She spent six weeks in Germany, travelling to the recently liberated Bergen-Belsen concentration camp as well as other major cities including Berlin. She produced charcoal drawings of refugees, primarily of women and children which she subsequently sold to the War Artists Advisory Committee. After the war Kessell collaborated with the Needlework Development Scheme, NDS, to produce experimental designs for machine and hand embroidery as well as working for Shell as a designer. She later returned to the Central School to teach at the School of Silversmithing and Jewellery alongside the painter Richard Hamilton.
Walter Gibson Dexter was a Canadian ceramist, potter and teacher.
Lillian Irene Hoffar Reid was a Canadian painter. She was in the first graduating class, June 1929, at the Vancouver School of Decorative and Applied Art. She taught at the Vancouver School of Art from 1933 to 1937.
Ann Kipling L.L.D is a Canadian artist who creates impressionistic portraits and landscapes on paper from direct observation. Kipling's distinctive style of overlapping, temporally suggestive linework is formed through her working process, which involves drawing her subject over time, recording subtle shifts in movement in the sitter or landscape during that period. Her work is characterized by a flat sense of space, where lines are used to frame a vibrating and gestural idea of her subject, rather than a direct representation of form. While not directly connected to any art movement in particular, connections can be made to Chinese landscape painters and the watercolours of Paul Cézanne. Using colour minimally, her primary media is etching, drawing, watercolours, pen, pencil, pastels and pencil crayons. She lives and works in Falkland, BC, a location which serves as a focus for her recent landscapes.
Josephine Crease was a Canadian artist.
Olea Marion Davis was a Canadian artist and craftsperson who worked in architecture and decorative art as well as sculpture and pottery. Her sculptural and ceramic work was exhibited in Montreal, Toronto, Edmonton, as well as at the Brussel's World Fair in 1958 and the Ostende International Show in 1959. Her architectural commissions include friezes, ornamental grills and screens, and lighting fixtures for locations such as the Hotel Vancouver and Pier B.C. in Vancouver, British Columbia. Her work is included in the permanent collection of the Canadian Embassy in Washington, D.C.
Judith Lodge is an American Canadian painter and photographer who often explores how the two mediums play off of and inform one another. Her abstract portraits of memories, situations, events, and people are inspired by the unconscious, dreams, journals, and nature. She has worked in Vancouver, Victoria, Toronto, Banff, Minnesota, and New York, where she has lived for more than thirty years.
Lilias Marianne Ar de Soif Farley was a Canadian painter, sculptor, designer, and muralist in realism and abstraction. In 1967, she was awarded the Centennial Medal for Service to the Nation in the Arts. She was an alumna of the Vancouver School of Decorative and Applied Arts and was a member of the school's first graduating class.
Elisapee Ishulutaq was a self-taught Inuit artist, specialising in drawing and printmaking. Ishulutaq participated in the rise of print and tapestry making in Pangnirtung and was a co-founder of the Uqqurmiut Centre for Arts & Crafts, which is both an economic and cultural mainstay in Pangnirtung. Ishulutaq was also a community elder in the town of Pangnirtung. Ishulutaq's work has been shown in numerous institutions, including the Marion Scott Gallery in Vancouver, the Winnipeg Art Gallery and the National Gallery of Canada.
Margaret Elizabeth Kitto was an English-born Canadian artist and educator.
Thomas William Fripp was an English-born Canadian artist.
Torrie Groening, born in 1961 in Port Alberni, British Columbia, is a photographer and artist based out of Vancouver, British Columbia, Canada. Her art practice includes drawing, painting, printmaking, and installation art. Groening is an alumna of the Visual Arts department of The Banff Centre and attended Emily Carr College of Art & Design where she studied printmaking.
Nan Lawson Cheney (1897–1985) was a Canadian painter and medical artist.
W. P. Weston, also known as William Percival (Percy) Weston, was a painter and printmaker, best known for his landscapes of British Columbia, and as a teacher.
Doris Shadbolt, née Meisel LL. D. D.F.A. was an art historian, author, curator, cultural bureaucrat, educator and philanthropist who had an important impact on the development of Canadian art and culture.