Olympian 13, 'For Xenophon of Corinth', is an ode by the 5th century BC Greek poet Pindar. [1]
The father of Xenophon of Corinth won the footrace at Olympia in 504 BC. [1] Xenophon himself is now lauded as having (in 464 BC) performed the unprecedented feat of winning the stadium and the pentathlon on the same day. [1] The stadium was the short foot-race of about 200 yards (183 m); the length of the Olympic stadium was just under 630 feet (192 m). [1] The pentathlon was a contest including five events, which Simonides enumerates as ἅλμα ποδωκείην, δίσκον, ἄκοντα, παλην. [1] The actual order of the events was probably foot-race, long jump, discus, javelin, wrestling. [1] Victory in three events was sufficient, but not necessary. [1] If no competitor won three events, or if two won two events, the prize was probably decided by taking account of second or third places in the several results. [1] [2]
The praise of the victor's family is bound up with the praise of Corinth (1–5), the dwelling-place of Law and Justice and Peace (6–10). [1] A noble theme must be treated with truthful courage (11 f). [3] Corinth is famed for athletic prowess and inventive spirit: it has invented the dithyramb, the bit, and the adornment of the pediment with the eagle. [4] It is the home of the Muses and of the God of War (13–23). [4] May Zeus preserve the people, and welcome the triumphal chorus in honour of Xenophon's victory in two events, which have never before been won on the same day (24–29). [4] Victories previously won by Xenophon (29–34), and by his father (35–40), and his family (40–46). [4] These victories are as countless as the sand of the sea, but it is now time to make an end of this theme (47 f); and thus the poet returns to the praise of Corinth, and of the famous Corinthians, Sisyphus, Medea, and Glaucus (49–62). [4]
The myth of Bellerophon (63–92). [4] But the poet must not hurl his javelins too often; he therefore checks himself (93–95), and returns to the successes won by the victor's house; ending with a prayer that it may continue to prosper (96–115). [4]
Bacchylides was a Greek lyric poet. Later Greeks included him in the canonical list of Nine Lyric Poets, which included his uncle Simonides. The elegance and polished style of his lyrics have been noted in Bacchylidean scholarship since at least Longinus. Some scholars have characterized these qualities as superficial charm. He has often been compared unfavourably with his contemporary, Pindar, as "a kind of Boccherini to Pindar's Haydn". However, the differences in their styles do not allow for easy comparison, and translator Robert Fagles has written that "to blame Bacchylides for not being Pindar is as childish a judgement as to condemn ... Marvell for missing the grandeur of Milton". His career coincided with the ascendency of dramatic styles of poetry, as embodied in the works of Aeschylus or Sophocles, and he is in fact considered one of the last poets of major significance within the more ancient tradition of purely lyric poetry. The most notable features of his lyrics are their clarity in expression and simplicity of thought, making them an ideal introduction to the study of Greek lyric poetry in general and to Pindar's verse in particular.
HieronI was the son of Deinomenes, the brother of Gelon and tyrant of Syracuse in Sicily, Magna Graecia, from 478 to 467 BC. In succeeding Gelon, he conspired against a third brother, Polyzelos.
Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.
The Pythian Games were one of the four Panhellenic Games of Ancient Greece. They were held in honour of Apollo at his sanctuary at Delphi every four years, two years after the Olympic Games, and between each Nemean and Isthmian Games. The Pythian Games were founded sometime in the 6th century BC. In legend they were started by Apollo after he killed Python and set up the oracle at Delphi. They continued until the 4th century AD.
Tyche was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is usually the daughter of the Titans Tethys and Oceanus, or sometimes Zeus, and at this time served to bring positive messages to people, relating to external events outside their control.
Isthmian Games or Isthmia were one of the Panhellenic Games of Ancient Greece, and were named after the Isthmus of Corinth, where they were held. As with the Nemean Games, the Isthmian Games were held both the year before and the year after the Olympic Games, while the Pythian Games were held in the third year of the Olympiad cycle.
Diagoras of Rhodes was an Ancient Greek boxer from the 5th century BC, who was celebrated for his own victories, as well as the victories of his sons and grandsons. He was a member of the Eratidea family at Ialysos in Rhodes.
The ancient Olympic Games were a series of athletic competitions among representatives of city-states and were one of the Panhellenic Games of Ancient Greece. They were held at the Panhellenic religious sanctuary of Olympia, in honor of Zeus, and the Greeks gave them a mythological origin. The originating Olympic Games are traditionally dated to 776 BC. The games were held every four years, or Olympiad, which became a unit of time in historical chronologies. They continued to be celebrated when Greece came under Roman rule in the 2nd century BC. Their last recorded celebration was in AD 393, under the emperor Theodosius I, but archeological evidence indicates that some games were still held after this date. The games likely came to an end under Theodosius II, possibly in connection with a fire that burned down the temple of the Olympian Zeus during his reign.
The epinikion or epinicion is a genre of occasional poetry also known in English as a victory ode. In ancient Greece, the epinikion most often took the form of a choral lyric, commissioned for and performed at the celebration of an athletic victory in the Panhellenic Games and sometimes in honor of a victory in war. Major poets in the genre are Simonides, Bacchylides, and Pindar.
Xenophon of Corinth, son of Thessalus, was a victor at the Olympic Games, both in the foot-race and in the pentathlon, in the 79th Olympiad. His family belonged to the stock of the Oligaethidae, and was one of the ruling families of Corinth. Pindar's 13th Olympic Ode celebrates his double victory.
The Greek lyric poet Pindar composed odes to celebrate victories at all four Panhellenic Games. Of his fourteen Olympian Odes, glorifying victors at the Ancient Olympic Games, the First was positioned at the beginning of the collection by Aristophanes of Byzantium since it included praise for the games as well as of Pelops, who first competed at Elis. It was the most quoted in antiquity and was hailed as the "best of all the odes" by Lucian. Pindar composed the epinikion in honour of his then patron Hieron I, tyrant of Syracuse, whose horse Pherenikos and its jockey were victorious in the single horse race in 476 BC.
Dorieus of Ialysos in Rhodes commanded small naval contingents supporting the Spartan fleet during the last decade of the Peloponnesian War and is attributed with a Rhodian revolt from Athens and a synoecism. He was also a renowned Olympic athlete.
Olympian 2, 'For Theron of Acragas', is an ode by the 5th century BC Greek poet Pindar.
Olympian 3, 'For Theron of Acragas', is an ode by the 5th century BC Greek poet Pindar.
Olympian 4, 'For Psaumis of Camarina', is an ode by the 5th century BC Greek poet Pindar.
Olympian 5, 'For Psaumis of Camarina', is an ode by the 5th century BC Greek poet Pindar.
Olympian 6, 'For Hagesias of Syracuse', is an ode by the 5th century BC Greek poet Pindar.
Olympian 7, 'For Diagoras of Rhodes', is an ode by the 5th century BC Greek poet Pindar.
Olympian 8, 'For Alcimedon of Aegina', is an ode by the 5th century BC Greek poet Pindar.
Olympian 9, 'For Epharmostus of Opus', is an ode by the 5th century BC Greek poet Pindar.
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