Olympian 5, 'For Psaumis of Camarina', is an ode by the 5th century BC Greek poet Pindar. [1]
The race with the mule-car was introduced at Olympia in 500 BC, and put down by proclamation in 444. [1] The present Ode was probably composed for a victory won by Psaumis with the mule-car in 448. [1] Such a car is implied by the term ἀπήνας, in line 3. [1]
The nymph of Camarina is asked to accept the worship of Psaumis, who has done her honour by his victories (1–6). [1] On his return from Olympia, he celebrates the holy grove of Pallas and the local lake, and the two rivers; and also, by swiftly building a forest of lofty houses, brings his people out of perplexity (9–14). [2]
Toil and cost are involved, while the mere chance of victory is in view, but success makes even fellow-citizens give a victor credit for wisdom (15, 16). [3]
May Zeus Soter of Olympia bless Camarina, and permit Psaumis to reach a hale old age, while he rejoices in victorious steeds. Let him be content with health, wealth, and renown (17–24). [3]
Some suppose that Olympian 4 and Olympian 5 both refer to the same victory, namely a victory with the mule-car, which was possibly won in 456, four years before the victory with the horse-chariot of 452, recorded in two MSS. [1] On this view, Olympian 4 was sung in the festal procession, and Olympian 5 at the banquet. [1] A scholium in the Ambrosian and five other MSS states that Olympian 5 was not in the original texts (ἐν τοῖς ἐδαφίοις), but was nevertheless assigned to Pindar in the annotations of the Alexandrian grammarian, Didymus. [1]
Bacchylides was a Greek lyric poet. Later Greeks included him in the canonical list of Nine Lyric Poets, which included his uncle Simonides. The elegance and polished style of his lyrics have been noted in Bacchylidean scholarship since at least Longinus. Some scholars have characterized these qualities as superficial charm. He has often been compared unfavourably with his contemporary, Pindar, as "a kind of Boccherini to Pindar's Haydn". However, the differences in their styles do not allow for easy comparison, and translator Robert Fagles has written that "to blame Bacchylides for not being Pindar is as childish a judgement as to condemn ... Marvell for missing the grandeur of Milton". His career coincided with the ascendency of dramatic styles of poetry, as embodied in the works of Aeschylus or Sophocles, and he is in fact considered one of the last poets of major significance within the more ancient tradition of purely lyric poetry. The most notable features of his lyrics are their clarity in expression and simplicity of thought, making them an ideal introduction to the study of Greek lyric poetry in general and to Pindar's verse in particular.
In Greek mythology, Euphemus was counted among the Calydonian hunters and the Argonauts, and was connected with the legend of the foundation of Cyrene.
HieronI was the son of Deinomenes, the brother of Gelon and tyrant of Syracuse in Sicily, from 478 to 467 BC. In succeeding Gelon, he conspired against a third brother, Polyzelos.
In Greek mythology, Deucalion was the son of Prometheus; ancient sources name his mother as Clymene, Hesione, or Pronoia. He is closely connected with a flood myth in Greek mythology.
Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.
Menoetius or Menoetes, meaning doomed might, is a name that refers to three distinct beings from Greek mythology:
In Greek mythology, Pelops was king of Pisa in the Peloponnesus region. He was the son of Tantalus and the father of Atreus.
In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. They were called Olympians because, according to tradition, they resided on Mount Olympus.
The Greek lyric poet Pindar composed odes to celebrate victories at all four Panhellenic Games. Of his fourteen Olympian Odes, glorifying victors at the Ancient Olympic Games, the First was positioned at the beginning of the collection by Aristophanes of Byzantium since it included praise for the games as well as of Pelops, who first competed at Elis. It was the most quoted in antiquity and was hailed as the "best of all the odes" by Lucian. Pindar composed the epinikion in honour of his then patron Hieron I, tyrant of Syracuse, whose horse Pherenikos and its jockey were victorious in the single horse race in 476 BC.
Pherenikos was an Ancient Greek chestnut racehorse victorious at the Olympic and Pythian Games in the 470s BC. Pherenikos, whose name means "victory-bearer", was "the most famous racehorse in antiquity". Owned by Hieron I, tyrant of Syracuse, Pherenikos is celebrated in the victory odes of both Pindar and Bacchylides.
Psaumis of Camarina was a charioteer who won the Olympic four-horse chariot race (tethrippon) in the 82nd Olympiad. He probably had already won the two-mule chariot race in the previous edition of the 81st Olympiad and he also competed unsuccessfully in the mounted-horse race. He was the son of Akron, according to one of the odes written about him.
In Greek mythology, Camarina was an Oceanid, as a daughter of the Titan of the Sea, Oceanus, possibly by his sister-wife Tethys. She was the eponym of the city of Kamarina in Sicily.
Olympian 2, 'For Theron of Acragas', is an ode by the 5th century BC Greek poet Pindar.
Olympian 3, 'For Theron of Acragas', is an ode by the 5th century BC Greek poet Pindar.
Olympian 4, 'For Psaumis of Camarina', is an ode by the 5th century BC Greek poet Pindar.
Olympian 6, 'For Hagesias of Syracuse', is an ode by the 5th century BC Greek poet Pindar.
Olympian 7, 'For Diagoras of Rhodes', is an ode by the 5th century BC Greek poet Pindar.
Olympian 8, 'For Alcimedon of Aegina', is an ode by the 5th century BC Greek poet Pindar.
Olympian 9, 'For Epharmostus of Opus', is an ode by the 5th century BC Greek poet Pindar.
Olympian 13, 'For Xenophon of Corinth', is an ode by the 5th century BC Greek poet Pindar.
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