Pythian 1 | |
---|---|
by Pindar | |
Written | 470 BC |
Language | ancient Greek |
Genre(s) | Victory Ode |
Meter | Dactylo-epitrite [1] |
Lines | 100 |
Pindar's First Pythian Ode is an ancient Greek epinicion praising Hiero of Syracuse for a victory in the Pythian Games. It was to be sung at a grand musical festival, celebrating Hiero of Syracuse's achievements and the founding of the new city, Aetna. Most of Pindar's signature characteristics and signature style appear in this poem. Pindar utilizes religion, local mythology, and his poetic genius to create an ode that outlasts the occasion itself. The motif of the ode is harmony: harmony of the lyre and moral harmony of a life formed by justice, liberality, and the pleasure of the gods. The one follows the other and link together as one true source of imperishable honor of a man.
Hiero, tyrant of Syracuse, had been the recipient of Pindar's First Olympian Ode in 476 BC. His victory in the Pythian games comes in the wake of a number of significant military accomplishments: his defeat of the Carthaginians at the Battle of Himera and of the Etruscans in the naval Battle of Cumae. [2] Both events are alluded to in the poem. [3] Special attention, however, is afforded to Hiero's foundation of the city of Aetna. He had founded the settlement near Mount Etna for his son Deinomenes the Younger to rule and proclaimed himself one of its citizens upon winning the chariot race at Delphi. [4]
Most of Pindar's victory odes contain a mythical narrative as part of their encomiastic strategy. Pythian 1 features the story of Typhon, a mythical giant who challenged Zeus' primacy and was consequently buried beneath Mount Etna. The poem envisions his imprisonment as the cause for a volcanic eruption of Etna, which it then goes on to describe. [5] The eruption constitutes an elaborate ecphrasis and has been considered by critics to be central to the poem's interpretation. [6]
The structure of the poem features of an oratorio with rapid transitions from one tone energy to another. From vibrancy to tranquility, from joy to sadness, held together by harmonies of rhythm and language. The mood is Dorian and the rhythm is dactylo-epitrite. Of the five triads, first two deal with harmony; the third and fourth consists of Hiero's work as a founder and warrior, and the last triad is praise disguised under sage counsel. Overall structure follow:
Str.1 - Ant.1 - Ep.1; Str.2 - Ant.2 - Ep.2; Str.3 - Ant.3 - Ep.3; Str.4 - Ant.4 - Ep.4; Str.5 - Ant.5 - Ep.5
Musical phrases within the larger rhythmic period of the strophe and anti-strophe are uniformly balanced off against one another in points of constituent metrical feed, in the pattern:
I 2.5; 4; 5.2; II 4.2; 3.4; 4.2; III 5.3.5
But in the epodes the pattern is:
I 5.2.5.3; II 4.4; III 3.2; 2.3.2; 2.3; IV 4.4; 3; 4.4
This article concerns the period 479 BC – 470 BC.
Bacchylides was a Greek lyric poet. Later Greeks included him in the canonical list of Nine Lyric Poets, which included his uncle Simonides. The elegance and polished style of his lyrics have been noted in Bacchylidean scholarship since at least Longinus. Some scholars have characterized these qualities as superficial charm. He has often been compared unfavourably with his contemporary, Pindar, as "a kind of Boccherini to Pindar's Haydn". However, the differences in their styles do not allow for easy comparison, and translator Robert Fagles has written that "to blame Bacchylides for not being Pindar is as childish a judgement as to condemn ... Marvell for missing the grandeur of Milton". His career coincided with the ascendency of dramatic styles of poetry, as embodied in the works of Aeschylus or Sophocles, and he is in fact considered one of the last poets of major significance within the more ancient tradition of purely lyric poetry. The most notable features of his lyrics are their clarity in expression and simplicity of thought, making them an ideal introduction to the study of Greek lyric poetry in general and to Pindar's verse in particular.
Aegimius was the Greek mythological ancestor of the Dorians, who is described as their king and lawgiver at the time when they were yet inhabiting the northern parts of Thessaly.
Alpheus or Alpheios, was in Greek mythology a river and river god.
In Greek mythology, Euphemus was counted among the Calydonian hunters and the Argonauts, and was connected with the legend of the foundation of Cyrene.
HieronI was the son of Deinomenes, the brother of Gelon and tyrant of Syracuse in Sicily, from 478 to 467 BC. In succeeding Gelon, he conspired against a third brother, Polyzelos.
Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.
The Pythian Games were one of the four Panhellenic Games of Ancient Greece. They were held in honour of Apollo at his sanctuary in Delphi every four years, two years after the Olympic Games, and between each Nemean and Isthmian Games. The Pythian Games were founded sometime in the 6th century BC. In legend they were started by Apollo after he killed Python and set up the Oracle at Delphi. They continued until the 4th century AD.
In Greek mythology, Harmonia is the goddess of harmony and concord. Her Roman counterpart is Concordia. Her Greek opposite is Eris, whose Roman counterpart is Discordia.
Typhon, also Typhoeus, Typhaon or Typhos, was a monstrous serpentine giant and one of the deadliest creatures in Greek mythology. According to Hesiod, Typhon was the son of Gaia and Tartarus. However, one source has Typhon as the son of Hera alone, while another makes Typhon the offspring of Cronus. Typhon and his mate Echidna were the progenitors of many famous monsters.
In Greek mythology, Minyas was the founder of Orchomenus, Boeotia.
In Greek mythology, Ixion was king of the Lapiths, the most ancient tribe of Thessaly.
The Battle of Cumae is the name given to at least two battles between Cumae and the Etruscans:
In Greek mythology, Enceladus was one of the Giants, the offspring of Gaia (Earth) and Uranus (Sky). Enceladus was the traditional opponent of Athena during the Gigantomachy, the war between the Giants and the gods, and was said to be buried under Mount Etna in Sicily.
Greek and Latin metre is an overall term used for the various rhythms in which Greek and Latin poems were composed. The individual rhythmical patterns used in Greek and Latin poetry are also known as "metres".
The epinikion or epinicion is a genre of occasional poetry also known in English as a victory ode. In ancient Greece, the epinikion most often took the form of a choral lyric, commissioned for and performed at the celebration of an athletic victory in the Panhellenic Games and sometimes in honor of a victory in war. Major poets in the genre are Simonides, Bacchylides, and Pindar.
In Greek mythology, Creusa was a Thessalian naiad nymph and daughter of Gaia (Earth).
Pindar's Eighth Nemean Ode is an ancient Greek epinikion celebrating a victory of Deinias of Aegina. The poem's exact occasion is uncertain, but a success in the diaulos race at the Nemean games is presumed to be the athletic contest in question. While its presumptive date of composition is 459 BC, the poem is known for its treatment of the Aeacidae and the suicide of Ajax.
Olympian 4, 'For Psaumis of Camarina', is an ode by the 5th century BC Greek poet Pindar.
Olympian 6, 'For Hagesias of Syracuse', is an ode by the 5th century BC Greek poet Pindar.