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The Green Goddess is a 1930 American pre-Code film directed by Alfred E. Green. It was a remake of the 1923 silent film, which was in turn based on the play of the same name by William Archer. It was produced by Warner Bros. using their new Vitaphone sound system, and adapted by Julien Josephson.
Glorious Betsy is a 1928 sound part-talkie drama film. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is based on the 1908 play of the same name by Rida Johnson Young, and it stars Dolores Costello. It was produced by Warner Bros. and nominated for an Academy Award for Best Writing, Adaptation in 1929. The film was directed by Alan Crosland with cinematography by Hal Mohr.
The Mad Genius (1931) is an American pre-Code drama film produced and distributed by Warner Bros. and directed by Michael Curtiz. The film stars John Barrymore, Marian Marsh, Donald Cook, Charles Butterworth, and in small roles, Boris Karloff and Frankie Darro. The film is based on the play The Idol (1929) by Martin Brown, which opened in Great Neck, Long Island but never opened on Broadway.
The Fighting Gringo is a 1939 Western film directed by David Howard and featuring George O'Brien, Lupita Tovar and William Royle. The picture was produced under the RKO Pictures banner. Ben Johnson had a small uncredited early role as a Mexican barfly and did some work as a stuntman.
The Third Degree is a 1926 American silent romance film produced and distributed by Warner Bros. and directed by Michael Curtiz, in his first American film. Starring Dolores Costello, it is based on the hit 1909 play of the same name written by Charles Klein that starred Helen Ware.
Alexander Hamilton is a 1931 American pre-Code biographical film about Alexander Hamilton, produced and distributed by Warner Bros. and based on the 1917 play Hamilton by George Arliss and Mary Hamlin. It was directed by John G. Adolfi and stars Arliss in the title role. It follows the attempts of Hamilton to establish a new financial structure for the United States following the Confederation Period and the establishment of a new Constitution in 1787. It is preserved at the Library of Congress.
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
Expensive Women is a 1931 American pre-Code film drama. It was produced by First National Pictures and distributed through their parent company Warner Bros. The film was directed by silent film veteran Hobart Henley and stars Dolores Costello. It was Costello's final film as a leading lady and star for Warners, which she had been since 1925. She retired to be the wife of John Barrymore and to raise their family. Costello would return to films five years later after a long hiatus and the end of her marriage to Barrymore, but never regained the luster she enjoyed as a Warners star.
The Reckless Hour is a 1931 American pre-Code drama film directed by John Francis Dillon and starring Dorothy Mackaill, Conrad Nagel, H.B. Warner and Joan Blondell. It was produced and distributed by First National Pictures, which was controlled by Warner Brothers. It was based on the play Ambush by Arthur Richman.
Party Husband is a 1931 American pre-Code comedy film produced by First National Pictures and released through their parent company Warner Bros. It was directed by Clarence G. Badger and stars Dorothy Mackaill. It is preserved at the Library of Congress.
Week-End Marriage is a 1932 American pre-Code comedy film directed by Thornton Freeland and starring Loretta Young. It was produced by First National Pictures and distributed by Warner Bros. It is based on the 1932 novel, Week-End Marriage, by Faith Baldwin. The film is preserved at the Library of Congress.
Dancing Sweeties (1930) is an American Pre-Code romantic comedy film with music directed by Ray Enright, released by Warner Bros., and starring Grant Withers and Sue Carol. The film is based on the story Three Flights Up by Harry Fried. Carol, then under contract to Fox Film, was loaned out to Warner Bros. for the making of this film.
Man to Man is an all-talking American pre-Code drama film produced by Warner Bros. in 1930. The film was directed by Allan Dwan and stars Phillips Holmes. The film is based on the story "Barber John's Boy" by Ben Ames Williams.
One Night at Susie's is a 1930 American pre-Code drama film released by First National Pictures and directed by John Francis Dillon. The movie stars Billie Dove and features Douglas Fairbanks Jr., Helen Ware and Tully Marshall.
The Cohens and the Kellys in Paris is a 1928 American silent comedy film directed by William Beaudine. It was the first sequel to The Cohens and Kellys. The film title is sometimes listed as The Cohens and Kellys in Paris.
My Past is a 1931 American Pre-Code drama film directed by Roy Del Ruth and starring Bebe Daniels. It was produced and distributed by Warner Bros. and was also known under the alternative title The Ex-Mistress.
Moonlight on the Prairie is a 1935 American Western film directed by D. Ross Lederman. It was the first of a Warner Bros. singing cowboy film series with Dick Foran and his Palomino Smoke. A print is preserved in the Library of Congress collection.
The Ruling Voice is a 1931 American pre-Code gangster drama directed by Rowland V. Lee, starring Walter Huston, Loretta Young, and Doris Kenyon. It had an alternate title Upper Underworld, and was produced by First National Pictures and distributed by Warner Bros.
The Hot Heiress is a 1931 American pre-Code comedy film directed by Clarence G. Badger and written by Herbert Fields, with three songs by Richard Rodgers and Lorenz Hart. The film stars Ben Lyon, Ona Munson, Walter Pidgeon, Tom Dugan, Holmes Herbert and Inez Courtney. The film was released by Warner Bros. on March 28, 1931.
Return of the Terror is a 1934 American mystery film directed by Howard Bretherton and written by Peter Milne and Eugene Solow. The film stars Mary Astor, Lyle Talbot, John Halliday, and Frank McHugh, and features Robert Barrat and Irving Pichel. The film was released by Warner Bros. on July 7, 1934. It was a loose remake of the 1928 film The Terror, based on Edgar Wallace's play of the same name, rather than a sequel. It shifted the setting from England to America.
References
- 1 2 On Trial (1939) at the American Film Institute Catalog
- ↑ On Trial (1928) at the American Film Institute Catalog
- 1 2 "Notes" TCM.com
- ↑ American Film Institute (1978) Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress p.132
