"On the Banks of the Old Ponchartrain" | ||||
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Single by Hank Williams | ||||
B-side | "Fly Trouble" | |||
Published | November 30, 1948 Acuff-Rose Publications [1] | |||
Released | September 1947 | |||
Recorded | August 4, 1947 | |||
Studio | Castle Studio, Nashville | |||
Genre | Country | |||
Length | 2:51 | |||
Label | MGM | |||
Songwriter(s) | Hank Williams, (Kathleen) Ramona Vincent | |||
Producer(s) | Fred Rose | |||
Hank Williams singles chronology | ||||
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On the Banks of the Old Ponchartrain is a song written by Hank Williams and Ramona Vincent. It was the singer's second single on MGM Records, released in September 1947.
According to biographer Colin Escott, Ramona Vincent, a crippled woman, wrote the words of the song as a poem and sent it to Williams, who put a melody to it. [2] (According to U.S. Copyright Office, her legal name was Kathleen Ramona Vincent, born 1928). [3] The song was paired with Fred Rose's novelty "Fly Trouble", resulting in perhaps the oddest single the singer ever released. The song was recorded at Castle Studio in Nashville on August 4, 1947 with Rose producing. Williams was backed by Tommy Jackson (fiddle), Hermon Herron (steel guitar), Sammy Pruett (lead guitar), Slim Thomas (rhythm guitar), and Lum York (bass). [4] Hank had scored his first Billboard hit with "Move It on Over" but "On the Banks of the Old Ponchartrain" bombed. As Escott notes:
The song tells the story of a criminal who escaped from a west Texas prison and stopped for a rest on the banks of Lake Pontchartrain where he falls in love with an unnamed woman only for him to be captured by a policeman and sent back to the prison he previously escaped from.
"Ramblin' Man" is a song written in 1951 by Hank Williams. It was released as the B-side to the 1953 number one hit "Take These Chains from My Heart", as well as to the 1976 re-release of "Why Don't You Love Me". It is also included on the 40 Greatest Hits, a staple of his CD re-released material.
"Settin' the Woods on Fire" was the A-side of a single by Hank Williams, released in September 1952. The song reached number 2 on U.S. Billboard Most Played by Jockeys chart and number 2 on the National Best Sellers chart.
"Never Again (Will I Knock on Your Door)" is a song written and recorded by Hank Williams. It was the singer's first single released on Sterling Records in 1947.
"Pan American" is a song written and recorded by Hank Williams. It was his final single on Sterling Records after moving to MGM in April 1947.
Fly Trouble is a novelty song written by Fred Rose, Bunny Biggs, and Honey Wilds and recorded by country singer Hank Williams.
"My Sweet Love Ain't Around" is a song written and performed by Hank Williams. It was his third single on MGM Records released in January 1948.
"You're Gonna Change (Or I'm Gonna Leave)" is a song written by Hank Williams. It was released as a single on MGM Records in September 1949 and reached #4 on the Best Selling Retail Folk Records chart.
"Rootie Tootie" is a novelty song written by Fred Rose and recorded by Hank Williams on MGM Records in 1948.
"I Can't Get You Off of My Mind" is a song written and recorded by Hank Williams. It appeared as the B-side to his 1948 single "A Mansion on the Hill".
"I've Just Told Mama Goodbye" is a song by Hank Williams on MGM Records.
"Why Should We Try Anymore" is a song written by Hank Williams and released as a single on MGM Records in 1950.
"I Won't Be Home No More" is a song recorded by Hank Williams on July 11, 1952. It was released posthumously on MGM Records a year later in July 1953. The song climbed to No. 4 on the US Billboard National Best Sellers chart.
"Crazy Heart" is a song by Hank Williams. It was written by Fred Rose and Maurice Murray and reached number four in the record chart for Williams in 1951. It was recorded at Castle Studio in Nashville on July 25, 1951 with Fred Rose producing and backing from Don Helms, Jerry Rivers (fiddle), Sammy Pruett, Howard Watts (bass) and probably Jack Shook.
"Baby, We're Really in Love" is a song written and recorded by Hank Williams and released on MGM Records. It peaked at number four on the Billboard country singles chart. It was recorded at Castle Studio in Nashville on July 25, 1951 with Fred Rose producing and backing from Don Helms, Jerry Rivers (fiddle), Sammy Pruett, Howard Watts (bass) and probably Jack Shook. It was his fourteenth Top 5 hit.
"I'd Still Want You" is a song written and recorded by Hank Williams and released on MGM Records. It was selected to be the B-side to the up-tempo "Baby, We're Really in Love." Williams biographer Colin Escott calls it "another bleak commentary on Hank's continuing need for Audrey [Williams, his wife] as she closed off her heart to him." It was recorded at Castle Studio in Nashville on July 25, 1951 with Fred Rose producing and backing from Don Helms, Jerry Rivers (fiddle), Sammy Pruett, Howard Watts (bass) and probably Jack Shook.
"Let's Turn Back the Years" is a song written and originally recorded by Hank Williams for MGM Records.
"Weary Blues from Waitin'" is a song written by Hank Williams. It was released as a posthumous single on MGM Records in 1953.
"Just Waitin" is a song written by Hank Williams and released as the A-side of "Men with Broken Hearts" in 1951 on MGM Records. It was released under the pseudonym "Luke the Drifter."
"No, No, Joe" is a song by Hank Williams. It was written by Fred Rose and takes aim at Soviet leader Joseph Stalin.
"I've Been Down That Road Before" is a talking blues song by Hank Williams. It was released by MGM Records under the name "Luke the Drifter", which was a pseudonym for Hank's recitations. It was another dose of the sage advice that Luke the Drifter seemed endlessly capable of dispensing - and Hank Williams seemed just as capable of ignoring. Biographer Colin Escott calls it "perhaps the most directly biographical song he ever wrote, and leaves us guessing at the incidents that inspired it." He recorded it in Nashville on June 1, 1951 with Fred Rose producing and backing by Jerry Rivers (fiddle), Don Helms, Sammy Pruett, Jack Shook, Ernie Newton or "Cedric Rainwater", aka Howard Watts (bass), and possibly Owen Bradley (organ).
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