A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
Kechries is a village in the municipality of Corinth in Corinthia in Greece, part of the community of Xylokeriza. Population 238 (2011). It takes its name from the ancient port town Kenchreai or Cenchreae, which was situated at the same location.
Heraclea Lyncestis, also transliterated Herakleia Lynkestis, was an ancient Greek city in Macedon, ruled later by the Romans. Its ruins are situated 2 km (1.2 mi) south of the present-day town of Bitola, North Macedonia. In the early Christian period, Heraclea was an important Episcopal seat and a waypoint on the Via Egnatia that once linked Byzantium with Rome through the Adriatic seaport of Dyrrachium. Some of its bishops are mentioned in synods in Serdica and other nearby towns. The city was gradually abandoned in the 6th century AD following an earthquake and Slavic invasions.
Pietra dura or pietre dure, called parchin kari or parchinkari in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images. It is considered a decorative art. The stonework, after the work is assembled loosely, is glued stone-by-stone to a substrate after having previously been "sliced and cut in different shape sections; and then assembled together so precisely that the contact between each section was practically invisible". Stability was achieved by grooving the undersides of the stones so that they interlocked, rather like a jigsaw puzzle, with everything held tautly in place by an encircling 'frame'. Many different colored stones, particularly marbles, were used, along with semiprecious, and even precious stones. It first appeared in Rome in the 16th century, reaching its full maturity in Florence. Pietra dura items are generally crafted on green, white or black marble base stones. Typically, the resulting panel is completely flat, but some examples where the image is in low relief were made, taking the work more into the area of hardstone carving.
Intarsia is a form of wood inlaying that is similar to marquetry. The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass. The word intarsia may derive from the Latin word interserere.
Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and bishop's thrones. The name derives from the Cosmati, the leading family workshop of craftsmen in Rome who created such geometrical marble decorations.
The Cosmati were a Roman family, seven members of which, for four generations, were skilful architects, sculptors and workers in decorative geometric mosaic, mostly for church floors. Their name is commemorated in the genre of Cosmatesque work, often just called "Cosmati", a technique of opus sectile formed of elaborate inlays of small triangles and rectangles of colored stones and glass mosaics set into stone matrices or encrusted upon stone surfaces. Bands, panels and shaped reserves of intricate mosaic alternate with contrasting bands, guilloches and simple geometric shapes of plain white marble. Pavements and revetments were executed in Cosmatesque technique, columns were inlaid with fillets and bands, and immovable church furnishings like cathedras and ambones were similarly treated.
Giovanni Becatti was an Italian Classical art historian and archaeologist.
Kourion was an important ancient Greek city-state on the southwestern coast of Cyprus. In the twelfth century BCE, after the collapse of the Mycenaean palaces, Greek settlers from Argos arrived on this site.
The Villa Romana del Casale is a large and elaborate Roman villa or palace located about 3 km from the town of Piazza Armerina, Sicily. Excavations have revealed one of the richest, largest, and most varied collections of Roman mosaics in the world, for which the site has been designated as a UNESCO World Heritage Site. The villa and artwork contained within date to the early 4th century AD.
The Villa Poppaea is an ancient luxurious Roman seaside villa located in Torre Annunziata between Naples and Sorrento, in Southern Italy. It is also called the Villa Oplontis or Oplontis Villa A. as it was situated in the ancient Roman town of Oplontis.
Opus signinum is a building material used in ancient Rome. It is a form of Roman concrete, the main difference being the addition of small pieces of broken pot, including amphorae, tiles or brick, instead of other aggregates.
Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form ornament or pictures that normally are flush with the matrix. A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings.
Margherita Guarducci, also spelled Guarduci, was an Italian archaeologist, classical scholar, and epigrapher. She was a major figure in several crucial moments of the 20th-century academic community. A student of Federico Halbherr, she edited his works after his death. She was the first woman to lead archaeological excavations at the Vatican, succeeding Ludwig Kaas, and completed the excavations on Saint Peter's tomb, identifying finds as relics of Saint Peter. She has also engaged in discussions on the authenticity of the Praeneste fibula, arguing that its inscription is a forgery.
Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories. This is especially true before the Byzantine Iconoclasm of the 8th century.
Hardstone is a non-scientific term, mostly encountered in the decorative arts or archaeology, that has a similar meaning to semi-precious stones, or gemstones. Very hard building stones, such as granite, are not included in the term in this sense, but only stones which are fairly hard and regarded as attractive – ones which could be used in jewellery. Hardstone carving is the three-dimensional carving for artistic purposes of semi-precious stones such as jade, agate, onyx, rock crystal, sard or carnelian, and a general term for an object made in this way. Two-dimensional inlay techniques for floors, furniture and walls include pietre dure, opus sectile, and medieval Cosmatesque work – these typically inlay hardstone pieces into a background of marble or some other building stone.
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic.
The Zliten mosaic is a Roman floor mosaic from about the 2nd century AD, found in the town of Zliten in Libya, on the east coast of Leptis Magna. The mosaic was discovered by the Italian archaeologist Salvatore Aurigemma in 1913 and is now on display at The Archaeological Museum of Tripoli. It depicts gladiatorial contests, animal hunts, and scenes from everyday life.
Lapis Lacedaemonius, also known as Spartan basalt, is a form of andesite or volcanic rock known today only from a single source in the village of Krokees on the Peloponnese in Greece. In addition, ancient sources mention a quarry of lapis Lacedaemonius in Taygetus. The stone has a dark green colour, speckled with elements shifting from yellow to light green. Occasionally, the speckles have crystallised in a way that creates rosette-like patterns. It is rated as having a hardness of six or higher on the Mohs scale of mineral hardness. It appears in comparatively small blocks. It is known in Italian as porfido verde antico and in German as Krokeischer Stein.
The mosaics of Delos are a significant body of ancient Greek mosaic art. Most of the surviving mosaics from Delos, Greece, an island in the Cyclades, date to the last half of the 2nd century BC and early 1st century BC, during the Hellenistic period and beginning of the Roman period of Greece. Hellenistic mosaics were no longer produced after roughly 69 BC, due to warfare with the Kingdom of Pontus and the subsequently abrupt decline of the island's population and position as a major trading center. Among Hellenistic Greek archaeological sites, Delos contains one of the highest concentrations of surviving mosaic artworks. Approximately half of all surviving tessellated Greek mosaics from the Hellenistic period come from Delos.
