Orazio Giaccio (fl. 1610s) was an Italian composer. His canzonetta Laberinto amoroso was published in Naples by Gargano and Nucci in 1618. [1]
Orazio Vecchi was an Italian composer of the late Renaissance. He is most famous for his madrigal comedies, particularly L'Amfiparnaso.
Sigismondo d'India was an Italian composer of the late Renaissance and early Baroque eras. He was one of the most accomplished contemporaries of Monteverdi, and wrote music in many of the same forms as the more famous composer.
Pomponio Nenna was a Neapolitan Italian composer of the Renaissance. He is mainly remembered for his madrigals, which were influenced by Gesualdo, and for his polychoral sacred motets, posthumously published as Sacrae Hebdomadae Responsoria in 1622.
Giovanni Maria Trabaci was an Italian composer and organist. He was a prolific composer, with some 300 surviving works preserved in more than 10 publications; he was especially important for his keyboard music.
The year 1610 in music involved some significant events.
Giuliano Paratico (1550–1616) was a musician living in Brescia, Northern Italy. He was a notary by profession but also an accomplished musician.
Carlo Colombara is an Italian operatic bass. He has sung leading roles in major opera houses including La Scala in Milan, the Vienna State Opera; the Real Teatro di San Carlo in Naples, the Arena di Verona, the Royal Opera House in London, and the Metropolitan Opera in New York City.
Ercole Bernabei was an Italian composer, chapel master and organist.
Antonio Brunelli was an Italian composer and theorist of the early Baroque period.
Giovanni Salvatore was a Neapolitan composer and organist.
Antonio Nola was a Neapolitan composer of whom little biographical information or music survives. He is to be distinguished from the better known Giovanni Domenico da Nola born 130 years earlier.
Scipione Lacorcia was a Neapolitan composer of madrigals.
Il trionfo di Clelia is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio. It was common in the 1760s for composers to set Metastasian texts written decades before. Exceptionally, the text for Il trionfo di Clelia, first produced in Vienna in 1762, was almost new when Mysliveček was commissioned to compose his setting for Turin, and all of the aria texts used for his setting derive from the original libretto. This opera belong to the serious type in Italian language referred to as opera seria.
La Calliroe is an opera in three acts by Josef Mysliveček set to a libretto by Matteo Verazi that is based on Greek legends about the Oceanid Callirrhoe. This opera belong to the serious type in Italian language referred to as opera seria. Vocal pieces from the opera composed for the singer Luigi Marchesi in the role of Tarsile were widely copied in eighteenth-century collections of operatic arias.
Agostino Agresta was a Neapolitan composer working at the beginning of the 17th century, who can be seen as having been strongly influenced by Carlo Gesualdo. Agresta's only known surviving works are unaccompanied madrigals, including a complete book of six-voice pieces.
Giovanni Vittorio Maiello was an Italian composer. He was maestro di capella at Santa Maria delle Grazie a Capodimonte, Naples.
Pietro De Martino or Di Martino was an Italian mathematician and astronomer.
Giovanni Cesare Netti was an Italian composer and maestro di cappella.
Mario Savioni was an Italian composer and a male alto of the Baroque era.
Giaccio is an Italian surname. Notable people with the surname include: