Orchestre Stukas | |
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Background information | |
Origin | Kinshasa, Democratic Republic of the Congo |
Genres |
The Orchestre Stukas (also referred to as the Stukas Boys, the Stukas or the Stukas of Zaire) was a Congolese soukous band of the 1970s. It was based in Kinshasa, Zaire (now DR Congo). At the apex of their popularity, the Stukas were led by singer and showman Gaby Lita Bembo. [1]
The Stukas were founded by Alida Domingo in 1968. Since the band's early years, when the Stukas mostly played James Brown covers, two members of its personnel emerged as the most talented: singer Gaby Lita Bembo (who reportedly "set the audience on fire" with his on stage dancing) and guitarist Samunga Tediangaye, nicknamed "the professor". Also acclaimed guitarist Dodoly (nicknamed "the sewing machine" for his high speed solos) began his career in Stukas before his successful experience in Bozi Boziana's Anti Choc.
While great soukous bands such as Zaïko Langa Langa, Bella Bella or OK Jazz competed with each other for the favors of the Kinshasa youth, Stukas deliberately played in the outskirts, for the people in the suburbs, who could hardly afford going to the venues downtown to see musical shows. In the 1970 they already had a relatively large number of followers, so that they were invited by television channel Voix du Zaire to play in their shows. They became so popular that the Zairean authorities eventually put pressure on Voix du Zaire to let the Stukas appear on TV on a daily basis, because their shows helped "keep the children out of the streets". The Stukas also became the top band of the "Para fifi" club, one of the most important venues of Kinshasa. [2]
In 1974, Stukas were invited to play at Zaire '74, a great musical event that was meant to introduce the so-called Rumble in the Jungle, i.e., the boxing match between Muhammad Ali and George Foreman. In Zaire '74, the Stukas had the chance to play side by side with international stars such as Miriam Makeba, Manu Dibango, B. B. King, and even their favourite James Brown. As a consequence of the Stukas' much appreciated performance at the event, Lita Bembo was acclaimed as the best Congolese artist of 1974 in a readers' poll of the popular Congolese newspaper Salongo. [2]
Since 1977, Stukas experienced several personnel changes. Some of its members were invited to play by great soukous bands such as Yoka Lokole and Bozi Boziana's Orchestre Anti-Choc. Lita Bembo eventually left, to relocate to Brussels, where he began a new career as a producer and sound engineer. The Stukas recorded at least one album without Lita Bembo, called Ballade a Libreville. [3] Lita Bembo also recorded some solo albums while he was in Europe, in the mid-1980s.
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Soukous is a genre of dance music originating from the Democratic Republic of the Congo and the Republic of the Congo. It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.
Jules Shungu Wembadio Pene Kikumba, known professionally as Papa Wemba, was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo. Dubbed the "King of Rumba Rock", he was one of the most popular musicians of his time in Africa and played an important role in world music. He was also a fashion icon who popularized the Sape look and style through his musical group Viva la Musica, with whom he performed on stages throughout the world.
Zaïko Langa Langa is a Congolese rumba band formed in Kinshasa, in December 1969. Established by D.V. Moanda, Henri Mongombe, Marcellin Delo and André Bita, the band evolved from the Orchestre Bel Guide National, which is seen as Zaïko's predecessor.
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Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo and Democratic Republic of the Congo. With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage. In December 2021, it was added to the UNESCO list of intangible cultural heritage.
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The Choc Stars are a soukous band from the Democratic Republic of the Congo. The band was founded in 1983 by Ben Nyamabo, and has since published over 50 albums. The apex of their success was in the 1980s, when guitarist and vocalist Bozi Boziana wrote some of their most appreciated hits, such as Sandu Kotti, Alena, Mbuta-Mutu, and Retrouvailles a Paris. When Boziana left to create his own ensemble, three singers were hired to replace him. Many other talented Congolese musicians have joined the Choc Stars over the years; some of them are Roxy Tshimpaka, Djuna Djanana, Monza Premier, Nzola Ndonga, Nzaya Nzayadio, Zemano Germain Kanza, Djo Mali, Carrol Makamba, Teddy Accompa, Wajery Lema, Ditutala Kuama and Djudjuchet. Most of these were coming from other prominent soukous bands such as Zaiko Langa Langa, Langa Langa Stars, Orchestre Big Stars, OK Jazz, Zaïko Nkolo Mboka and others.
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Isifi Lokole were a soukous band from the Democratic Republic of the Congo. They were founded in 1974. The word "Isifi" is an acronym for "Institut du Savoir Ideologique pour la Formation des Idoles", while the lokole is a traditional Congolese drum. Since Isifi Lokole was mostly composed of former Zaiko Langa Langa members, it is sometimes said to be in the so-called "Langa Langa Clan".
Langa Langa Stars were a popular DR Congo soukous band in the 1980s. The band had the peculiarity of featuring as much as seven lead vocalists, nicknamed the "6 Patrons of Langa Langa Stars".
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