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Ortolano was an Italian painter of the Ferrara School, active in the Renaissance period. Ticozzi cites his birth as ca. 1480.
He was born in Ferrara. He was baptized Giovanni Battista Benvenuti, and he was called L'Ortolano because his father, Francisco, was a gardener. Of his career little is known, save that he was a diligent student of the works of Raphael and Bagnacavallo in 1512–1513 in Bologna.
He painted in the style of Dosso Dossi. For the church of San Niccoló he painted in 1520 the Virgin Mary and Infant Jesus with several Saints; for Santa Maria de' Servi the Nativity and in San Lorenzo, the Adoration of the Magi. From 1512 to 1524 he worked at Ferrara.
His masterpiece, a picture of rich colour and fine draughtsmanship, representing Saint Sebastian, Saint Roch and Saint Demetrius, is in the National Gallery, London. It was brought from the church of Bondeno near Ferrara in 1844, and purchased by the gallery in 1861.
In the cathedral at Ferrara are other works attributed to him, which later critics have given to Il Garofalo, but in some of the smaller churches of Ferrara, those of San Niccolò, the Servi and San Lorenzo, there are pictures which may be readily accepted as his. In the Ferrara Gallery there are a Nativity and a Christ in the Garden . There is a Judith displaying head of Holofernes in the Cathedral of Arezzo and a Death of St. Chrysologos at the Ravenna Cathedral.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
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Domenico Passignano, born DomenicoCresti or Crespi, was an Italian painter of a late-Renaissance or Counter-Maniera (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century.
Giovanni Balducci, called Il Cosci after his maternal uncle, was an Italian mannerist painter.
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Giovanni Battista Naldini (1535–1591) was an Italian painter in a late-Mannerist style, active in Florence.
LudovicoBrea was an Italian painter of the Renaissance, active mainly in and near Genoa.
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Andrea dell'Asta was an Italian painter of the late-baroque period.
Jacopo Bambini (1582–1629) was an Italian painter of the Baroque period, active mainly in Ferrara.
Giovanni Battista Barbiani (1593–1650) was an Italian painter of the Baroque period, active in Ravenna. Among his works are altarpieces of St. Andrew and St. Joseph for the Franciscan church. For the dome of the chapel of the Madonna del Sudore in the Cathedral of Ravenna, he painted a fresco of the Assumption of the Virgin. He painted a ' St. Peter' in Sant' Agata in Ravenna. He painted in the style of Bartolomeo Cesi. Along with Cesare Pronti, he painted in the church of San Romualdo (designed by Luca Danesi, of the Camaldolese Abbey, now home to the Biblioteca Classense of Ravenna. The grand corridor in the Abbey is also frescoed by Barbiani with famous benedictine and camaldolese monks. His nephew Andrea Barbiani was also a painter in Ravenna and Rimini.
Camillo Berlinghieri was an Italian painter of the Baroque period. Born in Ferrara. He trained with Carlo Bononi. Among his paintings was a Gathering of the Manna in San Niccolo; and an Annunciation for Sant Antonio Abbate in Ferrara. His works are chiefly at Ferrara and at Venice, where he was called Il Ferraresino. He died at Ferrara.
Durante Alberti was an Italian painter of the late-Renaissance period.
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Giovanni Lorenzo Bertolotti (1640–1721) was an Italian painter of the Baroque period, active in Genoa.
Benedetto Brandimarte or Brandimarti was an Italian painter. He is a representative of the Mannerist style, which is reflected in the extreme artificiality shown in the unnatural movement of the figures and the brilliance of the colors of his works.