Out West | |
---|---|
Directed by | Roscoe Arbuckle |
Written by | Roscoe Arbuckle Natalie Talmadge (story) |
Produced by | Joseph M. Schenck |
Starring | Roscoe Arbuckle Buster Keaton Al St. John Alice Lake Joe Keaton |
Cinematography | George Peters |
Edited by | Herbert Warren |
Distributed by | Paramount Pictures |
Release date |
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Running time | 25 minutes |
Country | United States |
Languages | Silent English intertitles |
Out West is a 1918 American two-reel silent comedy film, a satire on contemporary Westerns, starring Roscoe 'Fatty' Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the West Coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife.
Arbuckle plays a drifter who has caught a ride hiding in a train's water tank but is thrown off the train after being discovered stealing food from the passengers. He is chased by a group of Indians who intend to kill and eat him. He runs to a town called Mad Dog Gulch where he inadvertently foils a robbery attempt by Wild Bill Hickup (St John) and his gang after which the town sheriff (Keaton) appoints him the new bar tender of the local bar "The Last Chance Saloon".
Later Hickup returns, this time drunk and causing chaos in the bar. After he begins forcing himself on a young lady "Salvation Sue" (Lake), The Bartender and the sheriff attempt to eject Hickup once again. When their attempts to knock him out by breaking bottles over his head and even shooting him in the back prove ineffective, they manage to subdue him by tickling him until he flees.
Humiliated, Hickup attempts to gain his revenge by kidnapping Sue and riding out of the town with her as his gang keep the bartender and the sheriff at bay. The bartender eventually breaks free and chases Hickup back to his shack as the Sheriff holds off Hickup's men. After once again subduing Hickup by tickling him, the bartender and Sue push his shack off a hill with him still inside.
Like many American films of the time, Out West was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut of the scene of arrows in man's back and their removal, man burning back with gas flames, and the shooting of the bartender. [1]
Variety gave the film a positive review in its January 25, 1918 issue, saying it "hits a better comedy tempo than any of his [Arbuckle's] recent productions." Keaton's comic tumbles were singled out for praise, as was Arbuckle's direction of the film: "Good camera work aids the comedy."
Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Al St. John was an early American motion-picture comedian. He was a nephew of silent film star Roscoe "Fatty" Arbuckle, with whom he often performed on screen. St. John was employed by Mack Sennett and also worked with many other leading players such as Charlie Chaplin, Buster Keaton and Mabel Normand. His film career successfully transitioned from the silent era into sound, and by the late 1930s and 1940s he was working predominantly in Westerns, often portraying the scruffy comedy-relief character "Fuzzy Q. Jones". Among his notable performances in that role are in the "Billy the Kid" series of films released by the Producers Releasing Corporation from 1940 to 1946 and in that company's "Lone Rider" series from 1941 to 1943.
The Butcher Boy is a 1917 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Al St. John, Buster Keaton and Alice Lake. This was the first in Arbuckle's series of films with the Comique Film Corporation, and Keaton's film debut.
The Cook is a 1918 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John. The movie is a slapstick comedy and focuses on goings-on at a high-end restaurant with Arbuckle as the Cook and Keaton as the Waiter.
Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. Roscoe's character's wife reaches the last straw with his drinking and admits him to the No Hope Sanatorium, which promises to cure all cases of alcoholism.
Back Stage is a 1919 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John.
The Round-Up is a 1920 American silent Western film starring Roscoe "Fatty" Arbuckle and featuring Wallace Beery. The movie was written by Edmund Day and Tom Forman, directed by George Melford, and based on Day's play that was a huge hit for Roscoe Arbuckle's older cousin Macklyn Arbuckle and Julia Dean on the Broadway stage in 1907. It was Macklyn in the play who created the famous phrase used in advertisements of the film, nobody loves a fat man.
The Garage is a 1920 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. This was the fourteenth and last film starring the duo before Keaton set up his own studio and Arbuckle started making feature-length films. The film also stars Luke the Dog, who starred in many other short comedies with Arbuckle. The film was also known as Fire Chief.
The Bell Boy is a 1918 American two-reel silent comedy film directed by Roscoe "Fatty" Arbuckle for the Comique film company.
Coney Island is a 1917 American two-reel silent comedy film starring, written and directed by Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
The Waiters' Ball is a 1916 American silent short comedy film directed by and starring Fatty Arbuckle. Arbuckle's nephew Al St. John has a memorable role as Roscoe's rival. The film is extant.
The Rough House is a 1917 American two-reel silent comedy film written by, directed by, and starring both Roscoe "Fatty" Arbuckle and Buster Keaton. The Rough House was Keaton's first film as a director.
His Wedding Night is a 1917 American two-reel silent comedy film written, directed by, and starring Roscoe "Fatty" Arbuckle.
Oh Doctor! is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
A Country Hero is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The film is considered to be lost.
Moonshine is a 1918 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The movie is available on YouTube.
The Sheriff is a 1918 American short comedy film directed by and starring Roscoe "Fatty" Arbuckle. The film is considered to be lost.
A Desert Hero is a 1919 American short comedy film directed by and starring Fatty Arbuckle. The film is considered to be lost.
The Hayseed is a 1919 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
Luke the Dog (1913–1926) was an American Pit Bull Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. Some claim he was a "Staffordshire Bull terrier" or "American Staffordshire bull terrier but neither of these breeds existed until the 1930's, and this is why his name nickname was Luke the pitbull.