| Ovid's Metamorphoses | |
|---|---|
 | |
| Artist | Auguste Rodin |
| Year | 1886-1889 |
| Medium | Bronze |
Ovid's Metamorphoses or The Satyrs is a sculpture by Auguste Rodin, created as part of The Gates of Hell . [1]
| Ovid's Metamorphoses | |
|---|---|
| | |
| Artist | Auguste Rodin |
| Year | 1886-1889 |
| Medium | Bronze |
Ovid's Metamorphoses or The Satyrs is a sculpture by Auguste Rodin, created as part of The Gates of Hell . [1]
It draws on the tale of Salmacis and Hermaphroditus in Book IV, lines 285-388 of Ovid's Metamorphoses . One edition of the bronze cast of it is now in the Museo Soumaya in Mexico City. Another edition of this bronze cast is on display at the Yamasaki Majak Museum of Art in Nagoya, Japan.
His models were two ballerinas at the Paris Opera, recommended to him in the mid-1880s by Edgar Degas. They also served as models for his Psyche, Daphne and Cupid and Cursed Women. [2]
The Gates of Hell is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Eternal Springtime is a c. 1884 sculpture by the French artist Auguste Rodin, depicting a pair of lovers. It was created at the same time as The Gates of Hell and originally intended to be part of it. One of its rare 19th-century original casts belongs to the permanent collection of Calouste Gulbenkian Museum.
Man with the Broken Nose is a sculpture by Auguste Rodin created between 1863 and 1864 and approved by the Salon in 1875. It is considered the first by Rodin in which life is represented over the grace pervading the academic circles and aesthetic of the time.
The Falling Man is a sculpture by French artist Auguste Rodin modeled in 1882 and is part of Rodin's emblematic group The Gates of Hell.
Fugitive Love is a sculpture by Auguste Rodin made between 1886 and 1887, both sculpted in marble and cast in bronze. It represents a man and a woman embracing each other on top of a rock. More specifically, the author was inspired by the story of Francesca da Rimini's love affair with Paolo Malatesta, an allusion to Dante Alighieri's depiction of lust on the second circle of Hell in his Inferno.
Ugolino and his sons is a plaster sculpture by French artist Auguste Rodin, part of the sculptural group known as The Gates of Hell. As an independent piece, it was exhibited by its author in Brussels (1887), Edinburgh (1893), Genoa (1896), Florence (1897), Netherlands (1899) and in his own retrospective in 1900.
Standing Mercury is a bronze sculpture by French artist Auguste Rodin, first exhibited in 1888. Rodin depicts the mythological god Mercury, son of Maia and Jupiter—messenger of the gods and guide to the Underworld—as a young man, representing eloquence and reason. This depiction is opposite to the traditional representation of Hermes, its Greek counterpart, as a mature man.
Danaid is a sculpture by Auguste Rodin, based on the account in the Metamorphoses of Hypermnestra, eldest of the Danaïdes.
Eve is a nude sculpture by the French artist Auguste Rodin. It shows Eve despairing after the Fall.
The Three Shades is a sculptural group produced in plaster by Auguste Rodin in 1886 for his The Gates of Hell. He made several individual studies for the Shades before finally deciding to put them together as three identical figures gathered around a central point. The heads hang low so that the neck and shoulders form an almost-horizontal plane. They were to be placed above the gates looking down on the viewer.
The Kneeling Man is a work originally conceived in 1888 by the French artist Auguste Rodin for his The Gates of Hell project.
Glaucus is a sculpture by the French artist Auguste Rodin, first conceived in 1886 as a representation of the mythological figure Glaucus, son of Poseidon. Originally made in plaster, bronze casts of it are now in the Brooklyn Museum and the Museo Soumaya.
Youth Triumphant is one of the sculptures created by Auguste Rodin as part of the planning for his The Gates of Hell. It was inspired by Jean Dampt's The Grandmother's Kiss, exhibited in 1893. That work shows a young woman resting in the arms of an old woman, with the pair deeply kissing.
Young Mother is a bronze sculpture by Auguste Rodin with a brown and green patina, conceived in 1885 and cast by the Rudier Foundry.
The Death of Adonis is a white marble sculpture. It was created by Auguste Rodin and signed “A RODIN” on the base. It shows Aphrodite mourning over the body of Adonis. The main version is in the Musée Rodin and another is in the Museo Soumaya.
The Sirens, The Sirens' Song or Nereids is an 1887 bronze sculpture with a brown patina. It was created by Auguste Rodin and cast by the Rudier Foundry.
Damned Women is a sculpture created by Auguste Rodin between 1885 and 1890 as part of his The Gates of Hell project—it appears on the upper right as the counterpart to The Fallen Caryatid.
Octave Mirbeau is an 1895 plaster relief by Auguste Rodin of the writer Octave Mirbeau, now in the Museo Soumaya. He had got to know him thanks to The Age of Bronze and The Gates of Hell - Mirbeau visited Rodin's studio, published the first description of Gates in the review La France, promoted Rodin's other work and died only a few months before the sculptor.
Polyphemus is an 1888 sculpture by Auguste Rodin, showing Polyphemus and his love for the Nereid Galatea, as told in Book XIII of Ovid's Metamorphoses.
Torso of Adele is an 1878-1884 sculpture by the French artist Auguste Rodin, originally modelled in plaster before being worked in terracotta.
Media related to The Metamorphoses of Ovid by Auguste Rodin at Wikimedia Commons