P. D. Q. Bach and Peter Schickele: The Jekyll and Hyde Tour

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P.D.Q. Bach & Peter Schickele: The Jekyll & Hyde Tour
PDQ Bach and Peter Schickele Jekyll and Hyde Tour.jpg
Live album by
Released2007
RecordedJune 16, 2007
Genre Classical
Comedy
Length77:00
Label Telarc
Peter Schickele chronology
The Ill-Conceived P. D. Q. Bach Anthology
(1998)
P.D.Q. Bach & Peter Schickele: The Jekyll & Hyde Tour
(2007)

P.D.Q. Bach & Peter Schickele: The Jekyll & Hyde Tour was released in 2007 by Telarc Records. The album contains works by Peter Schickele, sometimes as his alter-ego P.D.Q. Bach, including a collection of vocal works and a string quartet. It is a live recording of the "Jekyll & Hyde" Tour.

Contents

Performers

Track listing

Technical Information

P.D.Q. Bach — The Jekyll & Hyde Tour was recorded live at Gordon Center in Owings Mills, Maryland, June 16, 2007

Sources

Related Research Articles

<span class="mw-page-title-main">Peter Schickele</span> American composer, musical educator, and parodist

"Professor" Peter Schickele is an American composer, musical educator, and parodist, best known for comedy albums featuring his music, but which he presents as being composed by the fictional P. D. Q. Bach. He also hosted a long-running weekly radio program called Schickele Mix.

The Abduction of Figaro is a comic opera in three acts, described as "A Simply Grand Opera by P. D. Q. Bach", by Peter Schickele. It is a parody of opera in general, and the title is a play on two operas by Wolfgang Amadeus Mozart: The Abduction from the Seraglio, K. 384, and The Marriage of Figaro, K. 492. Those two operas, as well as Così fan tutte and Don Giovanni, and Gilbert and Sullivan's The Pirates of Penzance are among the core inspirations for the piece. The Abduction of Figaro is numbered S. 384, 492 in Schickele's catalogue of works.

<span class="mw-page-title-main">P. D. Q. Bach</span> Fictitious composer

P. D. Q. Bach is a fictional composer invented by the American musical satirist Peter Schickele, who developed a five-decade-long career performing the "discovered" works of the "only forgotten son" of the Bach family. Schickele's music combines parodies of musicological scholarship, the conventions of Baroque and Classical music, and slapstick comedy. The name "P. D. Q." is a parody of the three-part names given to some members of the Bach family that are commonly reduced to initials, such as C. P. E., for Carl Philipp Emanuel Bach; PDQ is an initialism for "pretty damned quick".

<span class="mw-page-title-main">String Quartet No. 10 (Beethoven)</span>

Ludwig van Beethoven's String Quartet No. 10 in E-flat major, Op. 74, was written in 1809 and is nicknamed the "Harp" quartet.

Dr. Jekyll and Mr. Hyde are characters in Robert Louis Stevenson's 1886 novella Strange Case of Dr Jekyll and Mr Hyde.

The Concerto for Horn and Hardart, S. 27, is a work of Peter Schickele composing under the pseudonym P. D. Q. Bach. The work is a parody of the classical double concerto but where one instrument, the hardart, uses different devices, such as plucked strings, blown whistles and popped balloons, to produce each note in its range. The name "hardart" and the name of the concerto is a play on the name of proprietors Horn & Hardart, who pioneered the North American use of the automat. Like the automat, the hardart had small windows in the front where the musician had to insert coins to remove implements needed to strike or otherwise play the devices that produced the notes. The composer Philip Glass, a classmate of Schickele's, helped build the actual instrument; Glass and the others tasked with building the hardart made it a transposing instrument without telling Schickele. Although a parody, the work is a well-written example of a classical concerto and could stand as a serious piece of music with a few changes.

The Septet in E-flat major for clarinet, horn, bassoon, violin, viola, cello, and double bass, Op. 20, by Ludwig van Beethoven, was sketched out in 1799, completed, and first performed in 1800 and published in 1802. The score contains the notation: "Der Kaiserin Maria Theresia gewidmet", or translated, "Dedicated to the Empress Maria Theresa." It was one of Beethoven’s most popular works during his lifetime.

<i>Report from Hoople: P. D. Q. Bach on the Air</i> 1967 studio album by P. D. Q. Bach

Report from Hoople: P. D. Q. Bach on the Air was released on Vanguard Records in 1967. It is set up as a radio broadcast of the music of P. D. Q. Bach with Professor Peter Schickele as the DJ.

<i>Portrait of P. D. Q. Bach</i> 1977 studio album by P. D. Q. Bach

Portrait of P. D. Q. Bach was released in 1977 on Vanguard Records. The album features mostly the work of Peter Schickele writing as P. D. Q. Bach, with one contribution under his own name.

<i>The Ill-Conceived P. D. Q. Bach Anthology</i> 1998 compilation album by P. D. Q. Bach

The Ill-Conceived P. D. Q. Bach Anthology is a collection of works by Peter Schickele writing as P. D. Q. Bach originally recorded on the Telarc label by the composer.

<i>Peter Schickele Presents an Evening with P. D. Q. Bach (1807–1742)?</i> 1965 live album by P. D. Q. Bach

Peter Schickele Presents an Evening with P. D. Q. Bach (1807–1742)? was the first concert of and the first release of the music of Peter Schickele under his comical pseudonym of P. D. Q. Bach by Vanguard Records. The chamber orchestra was conducted by Jorge Mester. The album consists of musical parodies with commentaries by the composer.

<i>Music for an Awful Lot of Winds and Percussion</i> 1992 studio album by P. D. Q. Bach

Music for an Awful Lot of Winds and Percussion was released in 1992 by Telarc Records. The album contains one piece by Professor Peter Schickele writing under his own name and several pieces by him as P. D. Q. Bach.

<i>An Hysteric Return: P.D.Q. Bach at Carnegie Hall</i> 1966 live album by P. D. Q. Bach

An Hysteric Return: P.D.Q. Bach at Carnegie Hall is live recording of a P. D. Q. Bach concert in Carnegie Hall and was released on Vanguard Records in 1966.

<i>Two Pianos Are Better Than One</i> 1994 studio album by P. D. Q. Bach

Two Pianos Are Better Than One was released in 1994 by Telarc Records. The album contains works by Peter Schickele, sometimes under the pseudonym P. D. Q. Bach, including the "Concerto for Two Pianos vs. Orchestra, and three other works that don't require even one piano."

<i>The Wurst of P. D. Q. Bach</i> 1971 compilation album by P. D. Q. Bach

The Wurst of P. D. Q. Bach is a collection of works by Peter Schickele under his comic pseudonym of P. D. Q. Bach originally recorded on the Vanguard Records label by the composer. It includes "lowlights" from four different Vanguard albums: An Evening with P. D. Q. Bach (1807–1742)?, An Hysteric Return: P.D.Q. Bach at Carnegie Hall, Report from Hoople: P. D. Q. Bach on the Air, and P. D. Q. Bach's half-act opera The Stoned Guest. Wurst is the German word for sausage, with the album cover photograph set in a sausage shop.

P.D.Q. Bach in Houston: We Have a Problem! is a live performance celebrating 40 years of P. D. Q. Bach. This performance features Professor Peter Schickele with Orchestra X conducted by Peter Jacoby. It includes never-before-recorded performances of "Trumpet Involuntary" movement of Iphigenia in Brooklyn, and also the rounds Odden und Enden.

Pervertimento for Bagpipes, Bicycle and Balloons is a satirical work authored by Peter Schickele under the pseudonym P.D.Q. Bach, whose works and life Schickele purports to study. It is a concerto featuring the aforementioned bagpipes, bicycle and balloons as solo musical instruments accompanied by a string orchestra.