View of the Palazzo Corner and the Palazzo Barbarigo Minotto. The pink building in the middle is the Palazzo Barbarigo Minotto.
The Palazzo Barbarigo Minotto (also called Palazzo Minotto Barbarigo) is a 15th-century palace on the Grand Canal in Venice, northern Italy, next to the much larger Palazzo Corner.[1] Built in the Venetian Gothic style, it was originally two palaces, Palazzo Barbarigo and Palazzo Minotto, later joined together. The Barbarigo palace was owned by the Barbarigo family for several centuries and was the birthplace of Gregorio Barbarigo, who once refused the Papal Crown.[2] It was later owned by the Minotto and Martinengo families.
The facade of Palazzo Barbarigo-Minotto on the Grand Canal of Venice.
Three staterooms face the Grand Canal and another three face Rio Zaguri. In the first half of the 18th century frescoes and paintings by Giovanni Battista Tiepolo, Francesco Fontebasso and Carpoforo Tencalla were commissioned by Pietro Barbarigo. Its chapel has Louis XIV Style elm flooring inlaid with olive-root marquetry. The palace's doors, are in the same style, banded in walnut with bronze handles shaped as vine leaves. The floors of the staterooms are a blend of terrazzo paving and Venetian "pastellone" paving.
Description
The so-called "Tiepolo's Room", almost entirely decorated by the Venetian Master.
The palace is actually formed by two different buildings, merged in the 17th century. The ancient part, a 15th-century Venetian-Gothic architecture featuring 12th century Byzantine friezes, was originally known as Palazzo Minotto; the newer part, Palazzo Barbarigo, was built in the 17th century.
In 1741 was hired the Ferrarese quadraturist Mengozzi Colonna, who painted the domestic chapel located in a recess of the building and hidden by two wooden leaves. Around it a Louis XIV elm flooring inlaid with olive-root and other prized wood marquetry. The following year Mengozzi Colonna intervenes also on the central hall (portego) designing the beautiful Venetian terrazzo pavings.
The palace's doors are Louis XIV style, banded in walnut and with bronze handles shaped as vine leaves.
Gianbattista Tiepolo started his work here in 1741, painting the monochromes and two of the overdoors that frame the central canvas, "The triumph of Virtue and Nobility over Ignorance". The original oil painting is now part of Cà Rezzonico's collection and has been replaced here with a 20th-century copy.
The 20th century copy of Tiepolo's "Triumph of Virtue over Ignorance" (1745), oil on canvas. The original painting is now part of Cà Rezzonico's collection.
The whole pictorial decoration represents the cultural interests of Gregorio and Caterina, freshly married. Four monochromes represent Sciences: History, Astronomy, Geography and Astrology. The other four, with mixtilinear framings represent the Arts: Painting, Sculpture, Music and Poetry. The frescoes in the overdoors depict Merit and Abundance. This whole cycle is influenced by the neoclassical trend that conquered the whole city during that period, through its ornamental motives, ancient-looking sculptures, sarcophagi, amphorae and vases, together with the "Olympic grace" of its figures. The parlor is also known as "the room of Wisdom", since it exalts the commissioner's idea of the arts and sciences giving wealth and nobility.
The central oil on canvas was painted by Tiepolo in 1744-1745. Next to the two female figures representing Virtue and Nobility there is a young page holding a drape of their vest: it is probably a portrait of the painter's son, Giuseppe Maria. Behind him we notice another figure, supposedly a self-portrait of the artist himself. Ignorance, defeated, falls down dragging with her a winged genie who is holding a bat, allegory of Vice. This celebrative representation, dear to the masters of the house, is also an example of Tiepolo's artistic maturity, highly influenced by Veronese models.
Carpoforo Mazzetti, pupil of another Ticinese artist, Abbondio Stazio, molded the stuccos in the rocaille style alcove. The decorations originate from the central opening where the bed is placed, branching out on both sides to reach the doors, adorned with mirrors. Above them, the crest and its shield-carrying angels overlook the room.
The Alcove with its rich stuccos, photographed during a performance of Verdi's "Traviata", by the ensemble of "Musica a Palazzo".
Mazzetti worked also on the dining room's stuccos, where he represented mythological scenes in pale colours and very realistic and colourful animals to adorn the ceiling.
Musica a Palazzo, a cultural association of classical musicians, has leased the piano nobile since 2005 and uses it for small-scale opera productions.[1][3]
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
The Grand Canal is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city.
Palazzo Barbarigo is a palace situated facing the Grand Canal of Venice, Italy. It is not to be confused with the Palazzo Barbarigo Minotto and Palazzo Barbarigo della Terrazza, both also on the Grand Canal, and other palazzi, and several villas, once owned by the Barbarigo family.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in trompe-l'œil by Gerolamo Mengozzi-Colonna.
Barbarigo may refer to:
The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis. It is one of the least altered of the Gothic palaces of Venice.
The Villa Widmann, also called Widmann-Rezzonico-Foscari, is a villa at the shores of the river Brenta located in the small town of Mira, between Venice and Padua.
Musica a Palazzo, since 2005, have produced opera performances staged in the Palazzo Barbarigo Minotto, a Venetian Gothic palace facing the Grand Canal. The piano nobile of the palace, with its backdrop of frescoes by Tiepolo and sculptures by Carpoforo Tencalla, is its main performing space. The performing style follows the 19th-century Italian practice of "Salotto Musicale". The operas are performed without a stage, with the audience becoming part of the scene.
Gerolamo Mengozzi Colonna was an Italian painter, mostly of frescoed quadratura.
Andrea Cominelli was an Italian stonemason, sculptor and architect, who was active in the Republic of Venice during the second half of the 17th century.
The Palazzo or Ca' Cappello Layard is a palace situated in the sestiere of San Polo of Venice, Italy, overlooking the Grand Canal at the confluence between this and the smaller Rio di San Polo and Rio delle Erbe. On the Grand canal, it is located between Palazzo Barbarigo della Terrazza and Palazzo Grimani Marcello. It is particularly noteworthy for having been the residence of Austen Henry Layard, discoverer of Nineveh.
The Banquet of Cleopatra is a painting by Giovanni Battista Tiepolo completed in 1744. It is now in the National Gallery of Victoria in Melbourne, Australia. This is the first of three large paintings of the subject by Tiepolo. In addition to these, the much smaller oil studies or modelli for each of the larger paintings survive.
The Palazzo da Lezze or Ca' Lezze is a Baroque palace in Sestiere of Cannaregio in the city of Venice, Italy. It is located on Rio della Misericordia, with a facade on the fondamenta (canal-sidewalk), and stands between the Scuola Grande Nuova della Misericordia and Calle Largo Lezze.
The Palazzo Papadopoli is a Baroque-style palace located on the Canal Grande of Venice, between Palazzo Giustinian Businello and Palazzo Donà a Sant'Aponal in the Sestiere of San Polo, Venice, Italy. The opposite building is the Palazzo Corner Contarini dei Cavalli.
The Palazzo Boldù a San Felice is a palace located on the Canal Grande of Venice, between the Palazzetto Da Lezze and Palazzo Contarini Pisani in the Sestiere of Cannaregio, Venice, Italy.
The Palazzo Fontana Rezzonico is a palace located on the Canal Grande of Venice, between the Rio di San Felice and Palazzo Miani Coletti Giusti in the Sestiere of Cannaregio, Venice, Italy.
↑ Douglas, Hugh A., Venice on Foot, originally published in 1925 by Methuen and re-published in facsimile by READ BOOKS, 2008, p. 277. ISBN1-4437-3166-8
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
