The Conservatorio di Musica Alessandro Scarlatti (English: Conservatory of Music Alessandro Scarlatti), better known in English as the Palermo Conservatory, is a music conservatory in Palermo, Italy. One of the oldest music schools in Italy, [1] the organization was originally established as an orphanage for boys known as the Orfanotrofio del Buon Pastore in 1618. Music instruction began at the school in the late 17th century, and for a limited period music was the primary emphasis of the school when it was known as the Conservatorio dei giovanetti dispersi (English: Conservatory of missing youths). It evolved into a liberal arts college, known as the Collegio dei giovanetti dispersi, with an emphasis on literature and writing during the first half of the 18th century. In 1747 an emphasis on music resumed, and not long after the school was renamed the Collegio musicale del Buon Pastore. It operated under that name until 1915 when the school's name was changed to the Conservatorio di Musica Vincenzo Bellini. In 2018, the school's name was changed once again in honor of the composer Alessandro Scarlatti.
The Palermo Conservatory was originally founded in 1618 as the Orfanotrofio del Buon Pastore; an orphanage for boys located within the Chiesa di Maria Santissima Annunziata . [1] The idea and the funds for the school were provided by Francisco Ruiz de Castro, the Viceroy of Sicily. [2] At the end of the seventeenth century, musical instruction was introduced at the orphanage that was modeled after the Naples Conservatory, [1] and not long after the school was renamed the Conservatorio dei giovanetti dispersi (English: Conservatory of missing youths) when administration of the school was given over to the Government of Palermo. [3]
In the first half of the 18th century (1721) the school's focus shifted away from music to a broader liberal arts education with studies in literature and writing being emphasized over that of music; with the school being renamed the Collegio dei giovanetti dispersi. [3] However, in 1747 a gradual shift back towards a music emphasis began, and not long after the school became completely devoted to music instruction and was renamed the Collegio musicale del Buon Pastore. [3] Composer Nicola Logroscino was maestro di cappella at the conservatory from 1758 to 1764. [1] Composer Gaetano Donizetti taught on the faculty during his time in Palermo in the mid-1820s. [4]
In 1833, Baron Pietro Pisani raised a large sum of money for the school which significantly improved the school's resources and quality of its instruction; including the building of a theatre on the conservatory's property and the purchasing of new music and instruments. [3] At this time the composer Pietro Raimondi became director of the institution, and the conservatory underwent a period of significant growth under his leadership which lasted until 1852. [1] The school struggled following Raimondi's departure, and by 1863 the conservatory had been taken over by the administration of the Government of Italy in order to prevent the school from closing. [5] The school thrived once again after Pietro Platania was appointed director of the conservatory by a committee led by Giovanni Pacini in 1863. [5] He was succeeded by Gaetano Vanneschi. [5]
Composer and conductor Guglielmo Zuelli served as director of the Palermo Conservatory from 1895 through 1912. [6] In 1915, the conservatory was renamed from Collegio musicale del Buon Pastore to the Conservatorio di Musica Vincenzo Bellini after the opera composer of that name. [7] Composer, pianist and conductor Rito Selvaggi was director of the conservatory from 1938 through 1943. [8] The conservatory's library was destroyed by bombing during World War II, and the school's music librarian and professor of music history Nino Pirrotta achieved acclaim for his work restoring the library after this incident. [9] In 2018, the school was renamed after the composer Allesandro Scarlatti. [10]
Gioacchino Cocchi was a Neapolitan composer, principally of opera.
This is a list of music conservatories in Naples, Italy.
Claudio Casciolini was an Italian composer.
Cataldo Vito Amodei was an Italian composer of the mid-Baroque period who spent his career in Naples. His cantatas were important predecessors to the active cantata production of 18th-century Naples, and he stands with the elder Francesco Provenzale and younger Alessandro Scarlatti as among the principal Italian cantata composers. Other surviving works include a book of motets dedicated to Leopold I, Holy Roman Emperor; a serenata; two pastorales; two psalms; and four oratorios, which were important contributions to their genre.
Salvatore Agnelli (1817–1874) was an Italian composer. He was born at Palermo, studied at the Naples Conservatory, under Furno, Zingarelli, and Donizetti.
Francesco Paolo Frontini was an Italian composer. He studied music with his father, composer Martino Frontini; he also studied the violin with Santi D'Amico, playing a concert with him at the town concert hall at the age of 13. At 15 his first composition, a Qui tollis, was played at the city cathedral, under the direction of Pietro Antonio Coppola. In 1875 Frontini matriculated at the Palermo Conservatory, where he studied with Pietro Platania; from there he passed to the conservatory in Naples, where he received his diploma in composition under the tuition of Lauro Rossi.
Guglielmo Zuelli was an Italian composer, conductor, and music educator. As a composer he achieved fame for his first opera Fata del Nord which premiered in Milan in 1884. Both his first and second opera, Mokanna o Il profeta del Korasan, were published by Casa Ricordi. However, his second opera has never been performed. His other compositions consist of several sacred choral works and a number of symphonic pieces written in a style similar to his contemporaries Giacomo Puccini, Alberto Franchetti, and Pietro Mascagni.
Francisco Ruiz de Castro y de Sandoval-Rojas, was a Spanish nobleman and politician the 8th count of Lemos.
Luciano Sgrizzi was an Italian harpsichordist, organist, pianist and composer.
Giulio Confalonieri was an Italian musician, musicologist, composer and musical critic.
Giovan Gualberto Brunetti was an Italian composer.
Nicola d'Arienzo was an Italian composer, music pedagogue, and writer on music. He spent his entire career in his native Naples where all but one of his nine of his operas were premiered. His other compositions included instrumental music, sacred music and art songs. From 1909 until 1911, d'Arienzo served as the director of the Conservatory of San Pietro a Majella having taught there since 1875. He also wrote several books on the history and theory of music.
Pietro Giuseppe Gaetano Boni was an Italian composer.
Francesco Beretta was an Italian organist, composer and Kapellmeister and a predecessor of Paolo Lorenzani - a pupil of Orazio Benevoli - at the Cappella Giulia of St. Peter.
Attilio Brugnoli was an Italian composer, pianist and musicologist.
Amedeo Bassi was an Italian tenor.
The Conservatorio Statale di Musica Giuseppe Verdi, also known as the Conservatorio Giuseppe Verdi or Conservatorio Torino and more commonly known in English as the Turin Conservatory, is a music conservatory in Turin, Italy. It should not be confused with the Milan Conservatory or Como Conservatory; schools which have also been known as the Conservatorio Giuseppe Verdi.
The Conservatorio di Musica Arrigo Boito, better known in English as the Parma Conservatory, is a music conservatory in Parma, Italy. It was originally established as the Regia Scuola di Canto, a school for singing in 1819 by Marie Louise, Duchess of Parma, and expanded into a conservatory of music in 1825. In 1840 instrumental music instruction began, followed by the addition of music composition, conducting, and other musical studies.
Federico Mompellio was an Italian musicologist, music editor, music librarian, and music critic. He worked as a music librarian and professor of music history at several conservatories and universities during a lengthy academic career that began in 1933 and extended into the 1980s. As a scholar, he is best remembered for his biographies of the composers Niccolò Paganini and Sigismondo d'India. He also worked extensively as a music editor on the works of Paganini for the music publisher Casa Ricordi, most notably reconstructing Paganini's Violin Concerto No. 5; a work which was unknown until manuscripts were discovered in 1972 long after the composer's death.
Francesco Maria Marini was an Italian composer of early Baroque music. Associated with the music of San Marino, only a single work of his survives, the 1637 collection Concerti spirituali concertati a 2–7 et con instrumenti, libro 1.
{{cite web}}
: CS1 maint: unfit URL (link)