Paprika | |
---|---|
Directed by | Carl Boese |
Written by | Oreste Biancoli Bobby E. Lüthge |
Produced by | Ferruccio Biancini Viktor Klein |
Starring | Vittorio De Sica |
Cinematography | Reimar Kuntze |
Edited by | Fernando Tropea |
Music by | Franz Waxman |
Release date |
|
Country | Italy |
Language | Italian |
Paprika is a 1933 Italian "white-telephones" comedy film directed by Carl Boese and starring Vittorio De Sica. A German-language version Paprika and a French version Paprika were also made. [1]
This section needs expansion. You can help by adding to it. (May 2023) |
Vittorio De Sica was an Italian film director and actor, a leading figure in the neorealist movement.
Italian neorealism, also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation.
Bicycle Thieves is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Umberto D. is a 1952 Italian neorealist film directed by Vittorio De Sica. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. His landlady is evicting him and his only true friends, the housemaid and his dog Flike are of no help.
My Voyage to Italy is a personal documentary by acclaimed Italian-American director Martin Scorsese. The film is a voyage through Italian cinema history, marking influential films for Scorsese and particularly covering the Italian neorealism period.
Miracle in Milan is a 1951 Italian fantasy film directed by Vittorio De Sica. The screenplay was co-written by Cesare Zavattini, based on his novel Totò il Buono. The picture stars Francesco Golisano, Emma Gramatica, Paolo Stoppa, and Guglielmo Barnabò.
Blood for Dracula is a 1974 horror film written and directed by Paul Morrissey and starring Udo Kier, Joe Dallesandro, Maxime McKendry, Stefania Casini, Arno Juerging, and Vittorio de Sica. Upon its initial 1974 release in West Germany and the United States, Blood for Dracula was released as Andy Warhol's Dracula.
Terminal Station is a 1953 romantic drama film directed and produced by Vittorio De Sica and starring Jennifer Jones, Montgomery Clift, and Richard Beymer in his debut role. It tells the story of the love affair between a married American woman and an Italian intellectual. The title refers to the Roma Termini railway station in Rome, where the film takes place. The film was entered into the 1953 Cannes Film Festival.
Telefoni Bianchi films, also called deco films, were made by Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.
The Man Who Smiles is a 1936 Italian "white-telephones" comedy film about an Oedipus Complex, directed by Mario Mattoli. The film stars Vittorio De Sica, Umberto Melnati, Enrico Viarisio, Assia Noris and Paola Borboni. It is based on a play by Aldo De Benedetti.
Red Roses is a 1940 Italian "white-telephones" comedy film directed by Vittorio De Sica and Giuseppe Amato and starring De Sica, Renée Saint-Cyr, and Vivi Gioi. It was De Sica's first film as a director. De Sica had previously appeared in a 1936 production of the stage play by Aldo De Benedetti on which it was based. It was shot at the Cinecitta Studios in Rome. The film's sets were designed by the art director Gastone Medin.
Two Happy Hearts is a 1932 Italian "white-telephones" comedy film directed by Baldassarre Negroni and starring Vittorio De Sica. It is known for its modernist set designs.
Amleto Palermi was an Italian film director and screenwriter. He directed more than 70 films between 1914 and 1942. He directed The Old Lady, which starred Vittorio De Sica in his first sound film.
La segretaria per tutti is a 1933 Italian comedy film directed by Amleto Palermi and featuring Vittorio De Sica.
Bad Subject is a 1933 Italian comedy film directed by Carlo Ludovico Bragaglia and starring Vittorio De Sica. It is a remake of The Devil to Pay! (1930).
The Song of the Sun is a 1933 Italian-German comedy film directed by Max Neufeld and starring Vittorio De Sica.
The Lucky Diamond is a 1933 Italian "white-telephones" comedy film directed by Carl Boese and starring Vittorio De Sica.
Amore e chiacchiere, internationally released as Love and Chatter, is a 1958 Italian comedy film directed by Alessandro Blasetti. It is based on a Cesare Zavattini's play with the same title.
Castles in the Air is a 1939 Italian "white-telephones" comedy film directed by Augusto Genina and starring Lilian Harvey, Vittorio De Sica and Otto Treßler. It was made at Cinecittà in Rome, as part of a co-production with Germany. A separate German-language version was also released. It is based on a novel by Franz Karl Franchy.
Eva Magni was an Italian stage and film actress. She was active between 1926 and the late 1970s.