Parapivot | |
---|---|
Artist | Alicja Kwade |
Year | 2019 |
Medium | Sculptures of stone and steel |
Subject | Space |
Location | Metropolitan Museum of Art, New York City |
40°46′43″N73°57′53″W / 40.7787°N 73.9646°W | |
Website | Metmuseum.org - Alicja Kwade - Parapivot |
Parapivot is a commissioned installation by Alicja Kwade at the Iris and B. Gerald Cantor Roof Garden of the Metropolitan Museum of Art. [1] The installation consists of two sculptures, Parapivot I and Parapivot II, each consisting of multiple steel frames which hold polished stone balls. [1] [2] [3]
Across the two pieces, there are nine balls, each made of marble and granite, sourced from nine different countries, including Brazil, Germany, India, Italy, Norway, and Sweden. [4] [5] Each of the balls, one of which weighs 1.6 short tons (1.5 t), is intended to signify one of the nine planets of the Solar System. [4] [6] The balls are held in place by supports in the steel frames. [7] The installation is similar to We Come in Peace , the preceding installation by Huma Bhabha, in that they both relate to outer space. [1]
Alicja Kwade said that the skyscrapers in the landscape behind the installation were representative of capitalism and compared the associated people to gods. She said that the art was intended to "put planets on top of [these people]". [3] She also said that the installation was meant to evoke thinking about the nature of the Earth. [8] According to The New York Times , Kelly Baum said that Kwade was chosen for the commission because her work engaged with science, especially astrophysics and illusionism. [8] Initially, the Met wanted Kwade to produce an item similar to WeltenLinie for the commission. [6]
Taylor Dafoe of Artnet News observed that Kwade's work was informed by "cosmic clarity" and "worldly wonder". Dafoe also noted that the sculptures were reminiscent of kinetic art, despite not having any moving parts. [3] Zachary Small for Hyperallergic wrote that in the installation, Kwade captured "the universe’s unfathomable scope into a few frames" and engaged the tensions between art and science, as they relate to "objective truth". [6] Jason Farago of The New York Times said, "Her sculpture makes use of optical tricks and careful positioning to evoke the instability, and the unknowability, of our place in the world." He also wrote that the two sculptures engage flawlessly with the landscape of New York City and synthesize "sculpture, city and universe". [7]
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
Thomas Patrick Campbell is the director and CEO of the Fine Arts Museums of San Francisco, overseeing the de Young and Legion of Honor museums. He served as the director and CEO of the Metropolitan Museum of Art between 2009 and 2017. On 30 June 2017, Campbell stepped down as director and CEO of the Metropolitan Museum of Art under pressure and accepted the Getty Foundation's Rothschild Fellowship for research and study at both the J. Paul Getty Museum in Los Angeles and at Waddesdon Manor, in the UK.
Diana al-Hadid is a Syrian-born American contemporary artist who creates sculptures, installations, and drawings using various media. She lives and works in Brooklyn, New York.
Big Bambú is a work of installation art by identical twin artists Doug and Mike Starn. Variations on the Big Bambu theme have been constructed at several locations around the world. Combining architecture and sculpture, it examines the tension between chaos and order in nature.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Nicole Eisenman is a French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial. On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."
Julia Christensen is a multidisciplinary artist and writer based in Oberlin, Ohio. She is Associate Professor of Integrated Media and Chair of the Studio Art Department at Oberlin College.
The Met Breuer was a museum of modern and contemporary art at Madison Avenue and East 75th Street in the Upper East Side of Manhattan, New York City. It served as a branch museum of the Metropolitan Museum of Art from 2016 to 2020.
Adrián Villar Rojas is an Argentinian sculptor known for his elaborate fantastical works which explore notions of the Anthropocene and the end of the world. In his dream like installations he uses aspects of drawing, sculpture, video and music to create immersive situations in which the spectator is confronted with ideas and images of their imminent extinction.
Zeitz Museum of Contemporary Art Africa is a public non-profit museum in Cape Town, South Africa. Zeitz MOCAA opened on September 22, 2017 as the largest museum of contemporary art from Africa and its diaspora. The museum is located in the Silo District at the Victoria & Alfred Waterfront in Cape Town. A retail and hospitality property, the Waterfront receives around 24 million local and international visitors per year.
Tom Fruin is a contemporary American sculptor. He currently lives and works in Brooklyn, New York City. Fruin graduated from University of California, Santa Barbara with a BA in 1996.
Alicja Kwade is a Polish-German contemporary visual artist. Her sculptures and installations focus on the subjectivity of time and space. Kwade lives and works in Berlin.
Richard Nonas was an American anthropologist and post-minimalist sculptor. He lived and worked in New York City.
The year 2019 in art involved various significant events.
Lauren Ewing is an American sculptor and installation artist.
We Come in Peace is a sculptural installation created in 2018 by Huma Bhabha, a New York–based Pakistani-American sculptor, originally commissioned for the Iris and B. Gerald Cantor Roof Garden of the Metropolitan Museum of Art. The original installation consisted of two sculptures, named We Come in Peace and Benaam, which means "nameless" in Urdu, and was first displayed from April to October 2018. We Come in Peace is a 12 ft (3.7 m) tall standing figure, while Benaam is a 18 ft (5.5 m) long figure lying prostrate. The standing figure was acquired by the Hirshhorn Museum and Sculpture Garden in Washington, DC.
Karyn Olivier is a Philadelphia-based artist who creates public art, sculptures, installations and photography. Olivier alters familiar objects, spaces, and locations, often reinterpreting the role of monuments. Her work intersects histories and memories with present-day narratives.
The Paris International Contemporary Art Fair is a contemporary art event that occurs in Paris.
The Met Fifth Avenue is the primary museum building for the Metropolitan Museum of Art in New York City. The building is located at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park in Manhattan's Upper East Side.
Before Yesterday We Could Fly: An Afrofuturist Period Room is an art exhibition at the Metropolitan Museum of Art in New York City. The exhibit, which opened on November 5, 2021, uses a period room format of installation to envision the past, present, and future home of someone who lived in Seneca Village, a largely African American settlement which was destroyed to make way for the construction of Central Park in the mid-1800s.