The Conservatorio di Musica Arrigo Boito, better known in English as the Parma Conservatory, is a music conservatory in Parma, Italy. It was originally established as the Regia Scuola di Canto, a school for singing in 1819 by Marie Louise, Duchess of Parma, and expanded into a conservatory of music in 1825. In 1840 instrumental music instruction began, followed by the addition of music composition, conducting, and other musical studies.
Initially a school open only to men, the Parma Conservatory became a co-education institution in 1855 known as the Regia Scuola di Musica. In 1888 the school moved from being a private school to a public institution operated by the Government of Italy. Its name was changed to its present title to honor the composer Arrigo Boito in 1919.
The first school of music in the city of Parma was the Regia Scuola di Canto; a school founded in 1769 with the purpose of training vocalists attached to the Teatro Ducale opera house. [1] It was housed at the Chiesa di Santa Maria del Carmine. [2] The school was operated by Francesco Z. Poncini, the organist of the Sanctuary of Santa Maria della Steccata, [1] until it closed in 1792. [3]
The city was without a music school until the Parma Conservatory was established with the financial backing and political will of Marie Louise, Duchess of Parma, the wife of Napoleon; also under the name Regia Scuola di Canto. [2] [1] The school was originally housed at the Chiesa di San Ludovico and was initially established as another school for singing in 1819 with the purpose of providing trained choristers to sing at the Teatro Ducale and the Chiesa di San Ludovico. [2] In 1825 the school was expanded into a conservatory, but did not provide instruction in instrumental music until 1840. [2] Later additional studies in composition, conducting, and other music topics were added and by 1859 the full offering of the canon of studies in music was established. [2]
The Parma Conservatory was originally only open to men. A separate school of music for women was established in the city in 1833, and in 1855 that school merged with the Parma Conservatory to create a co-education institution known as the Regia Scuola di Musica. [2] Composer and conductor Giovanni Rossi was director of the conservatory from 1864 through 1874. [4] In 1888 the Parma Conservatory became a public institution operated by the Government of Italy; joining the three other state run music conservatories at that time: the Milan Conservatory, the Naples Conservatory and the Palermo Conservatory. [2]
The composer Arrigo Boito succeeded Giovanni Bottesini as director of the Parma Conservatory in 1889; serving in that post until 1897. [5] The conservatory's name was changed to the Conservatorio di Musica Arrigo Boito in honor of the composer in 1919. [2]
The conservatory has housed the Premio Mario Zanfi, an international piano competition also known in English as the Franz Liszt Competition, since 1981. [6]
Opera buffa is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as commedia in musica, commedia per musica, dramma bernesco, dramma comico, divertimento giocoso.
Arrigo Boito was an Italian librettist, composer, poet and critic whose only completed opera was Mefistofele. Among the operas for which he wrote the libretti are Giuseppe Verdi's monumental last two operas Otello and Falstaff as well as Amilcare Ponchielli's La Gioconda.
This is a list of music-related events in 1806.
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Guido Maggiorino Gatti (1892–1973) was an Italian musicologist, editor, administrator, and music critic. In 1920 he founded the journal Il Pianoforte, which later became La Rassegna Musicale in 1928 and Quaderni della Rassegna musicale in 1962. In 1972 he founded the journal Studi musicali. He was music critic for Tempo from 1951-1969, and also as an administrator for various performing arts institutions in Italy.
Virgilio Mortari was an Italian composer and teacher.
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The Conservatorio Luigi Cherubini, better known in English as the Florence Conservatory is a music conservatory in Florence, Italy. It is the only music conservatory in Tuscany, and is a national conservatory of music operated by the government of Italy. The school's premises are located in the Piazzale delle Belle Arti with its main entrance located at the address 2 Via degli Alfani. Originally called the Istituto Musicale when it was founded in 1849, it was later renamed the Istituto Musicale Luigi Cherubini in 1910, and then the Regio Conservatorio di Musica Luigi Cherubini di Firenze in 1923. Its present name was adopted after the dissolution of the Kingdom of Italy in 1946.
Artaserse is an opera in three acts composed by Johann Adolph Hasse to an Italian libretto adapted from that by Metastasio by Giovanni Boldini first shown in Venice on 11 February 1730.
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Gilbert Reaney was an English musicologist who specialized in medieval and Renaissance music, theory and literature. Described as "one of the most prolific and influential musicologists of the past century", Reaney made significant contributions to his fields of expertise, particularly on the life and works of Guillaume de Machaut, as well as medieval music theory.
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The Conservatorio Statale di Musica Giuseppe Verdi, also known as the Conservatorio Giuseppe Verdi or Conservatorio Torino and more commonly known in English as the Turin Conservatory, is a music conservatory in Turin, Italy. It should not be confused with the Milan Conservatory or Como Conservatory; schools which have also been known as the Conservatorio Giuseppe Verdi.
The Conservatorio di Musica Alessandro Scarlatti, better known in English as the Palermo Conservatory, is a music conservatory in Palermo, Italy. One of the oldest music schools in Italy, the organization was originally established as an orphanage for boys known as the Orfanotrofio del Buon Pastore in 1618. Music instruction began at the school in the late 17th century, and for a limited period music was the primary emphasis of the school when it was known as the Conservatorio dei giovanetti dispersi. It evolved into a liberal arts college, known as the Collegio dei giovanetti dispersi, with an emphasis on literature and writing during the first half of the 18th century. In 1747 an emphasis on music resumed, and not long after the school was renamed the Collegio musicale del Buon Pastore. It operated under that name until 1915 when the school's name was changed to the Conservatorio di Musica Vincenzo Bellini. In 2018, the school's name was changed once again in honor of the composer Alessandro Scarlatti.
Federico Mompellio was an Italian musicologist, music editor, music librarian, and music critic. He worked as a music librarian and professor of music history at several conservatories and universities during a lengthy academic career that began in 1933 and extended into the 1980s. As a scholar, he is best remembered for his biographies of the composers Niccolò Paganini and Sigismondo d'India. He also worked extensively as a music editor on the works of Paganini for the music publisher Casa Ricordi, most notably reconstructing Paganini's Violin Concerto No. 5; a work which was unknown until manuscripts were discovered in 1972 long after the composer's death.
Giovanni Rossi was an Italian composer, conductor, organist, and music educator. He was director of the Parma Conservatory from 1864 through 1874. An opera conductor, he was a conductor at the Teatro Regio di Parma before working as director of both the Teatro Carlo Felice and the Liceo Musicale in Genoa from 1874 until his death in 1886.