Pat Graney is an American activist and choreographer, based in Seattle, Washington. [1] She founded the Pat Graney Dance Company in 1991, [2] and continues to serve as its artistic director and executive director. [3]
Born in Chicago, IL, she moved to St. Augustine, FL with her mother and three siblings to be closer to extended family after the passing of her father in an accident. In St. Augustine her mother ran a book shop and antique shop in the ground floor of their house, [4] exposing Graney to a world of literature that would greatly influence her creative work. [5] Graney moved with her mother and siblings as well to Mechanicsville, Virginia and Philadelphia, Pennsylvania due to her mother getting remarried. She left home before completing high school, but was able to graduate through night classes back in St. Augustine, while living alone and supporting both herself and her younger brother. [6] She went on to attend various colleges around the country, including Tallahassee Community College (Tallahassee, Florida) and The Evergreen State College (Olympia, Washington), before finishing at the University of Arizona. In Arizona, she studied extensively with John M. Wilson at the School of Dance, and received a BFA in 1979, at which time she moved to Seattle. [5]
A feminist activist as well as a choreographer, [5] Graney has worked with teens in the Seattle school system who have been identified as having been trafficked. [2]
In 1992, Graney began a non-religious arts-based educational residency program Keeping the Faith – The Prison Project, intended to enrich the lives of incarcerated women and girls. As of 2013, the program works mainly with the Mission Creek Corrections Center for Women in Belfair, Washington, but has made artistic interventions in places as diverse as Japan, Ireland, and Germany. The program introduces writing poetry, collaboratively creating dance pieces, [3] visual arts and sign language. It is one of the nation's longest-running prison arts programs. [5]
The Doris Duke Charitable Foundation describes her work as "featur[ing] a diverse set of movement vocabularies that range from ballet to gymnastics to martial arts; explorations of female identity and power; and rich visuals." [2] Seattle's On the Boards writes that "she often explores female identity and power, taking movement inspiration from ballet to gymnastics to martial arts to slapstick." [7]
Graney's 2004 piece The Vivian Girls was based on the drawings and stories of Henry Darger; [2] her Faith Triptych, consisting of Faith (1991), Sleep (1995), and Tattoo (2001), was presented in 2010 at On the Boards. [2] [7] [8]
House of the Mind explored Alzheimer's through Graney's experience with her mother's loss of memory. [4]
Graney created Girl Gods in 2015 to explore the rage of women and girls in the face of social pressure and mistreatment. [4] It draws from work by Judy Chicago and Ana Mendieta. [9]
Graney has received the Alpert Award in the Arts (2008), a USA Fellowship (2008) a Doris Duke Award (2013). [2]
Doris Batcheller Humphrey was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath and developing techniques still taught today. As many of her works were annotated, Humphrey continues to be taught, studied and performed.
Helen Tamiris was an American choreographer, modern dancer, and teacher.
The Tiptons Sax Quartet, previously known as The Billy Tipton Memorial Saxophone Quartet, is a jazz saxophone quartet from Seattle, Washington. The ensemble consists of five members. The name of the quartet was inspired by Billy Tipton, a jazz pianist and saxophonist, who upon his death was revealed to be anatomically female. Formed in 1988, they have toured frequently in North America and Europe, collaborated with Pat Graney Dance Company, taught workshops on improvisation and composition, and have recorded eight CDs.
Zoe Scofield is a choreographer and dancer best known for her work with Juniper Shuey as co-directors of zoe|juniper, a Seattle-based dance and visual art company. Her work is characterized by multi-media, cross-genre works utilizing stage performance, video installation, photography and complex technical elements.
Leanne Pooley ONZM is a Canadian filmmaker based in Auckland, New Zealand. Pooley was born and raised in Winnipeg, Manitoba, Canada, she immigrated to New Zealand in the mid-1980s and began working in the New Zealand television and film industry before moving to England where she worked for many of the world's top broadcasters. She returned to New Zealand in 1997 and started the production company Spacific Films. Her career spans more than 25 years and she has won numerous international awards. Leanne Pooley was made a New Zealand Arts Laureate in 2011 and an Officer of the New Zealand Order of Merit in the New Year's Honours List 2017. She is a member of The Academy of Motion Picture Arts and Sciences.
Deborah Hay is an experimental choreographer working in the field of postmodern dance. She is one of the founding members of the Judson Dance Theater.
Virginia Tanner was an American dance instructor and founder of the University of Utah Children's Dance Theatre. Born in Salt Lake City, Utah, she began her formal dance training at the University of Utah. She studied with Doris Humphrey in New York City before returning to Salt Lake City in the early 1940s to establish her school for creative dance for children.
Urban Bush Women (UBW), founded in 1984 by Jawole Willa Jo Zollar, is a Brooklyn, New York-based non-profit dance company and the only professional African-American women's dance company. The ensemble performs choreography by Zollar and other choreographers, often with a focus on the experiences of women of African descent.
Eleanor Campbell King (1906–1991) was an American modern dancer, choreographer, and educator. She was a member of the original Humphrey-Weidman company, where she was a principal dancer in the pioneering modern dance movement in New York City, then moving on to choreography and founding her own dance company in Seattle, Washington. She was a professor emerita at the University of Arkansas, where she taught from 1952 to 1971, before retiring to Santa Fe, New Mexico to start a new course of study into classical Japanese and Korean dance. She choreographed over 120 dance works, and wrote extensively for a variety of dance publications. In 1948, she was named Woman of the Year in Seattle, and in 1986 was listed as a "Santa Fe Living Treasure", also receiving the New Mexico Governor's Artist Award. In 2000, her archive was recognized by the White House Millennium Council's "Save America's Treasures" program.
On the Boards (OtB) is a non-profit contemporary performing arts organization in Seattle, Washington, founded in 1978. Originally located at Washington Hall in the Central District, the organization moved in 1998 to their current location in Uptown. They present more than 40 distinct shows annually, amounting to over 100 performance nights each year in 2 theater spaces.
Camille A. Brown is a dancer, choreographer, director and dance educator. She is the Founder & Artistic Director of Camille A. Brown & Dancers, and has congruently choreographed commissioned pieces for dance companies, Broadway shows, and universities. Brown started her career as a dancer in Ronald K. Brown’s Evidence, A Dance Company, and was a guest artist with Rennie Harris Puremovement, and Alvin Ailey American Dance Theater. Brown has choreographed major Broadway shows such as Choir Boy, Once on This Island and Jesus Christ Superstar Live in Concert! that aired on NBC. Brown also teaches dance and gives lectures to audiences at various universities such as Long Island University, Barnard College and ACDFA, among others.
The Doris Duke Artist Award is undertaken by the Doris Duke Charitable Foundation and designed to "empower, invest in and celebrate artists by offering multi-year, unrestricted funding as a response to financial and funding challenges both unique to the performing arts and to each grantee". Started in 2011, the program supports artists in jazz, theatre, and contemporary dance. The Doris Duke Artist Award offers up to $275,000 of individual support. Two classes of Doris Duke Impact Awards totaling $80,000 were made in 2014 and 2015, but the program was discontinued after that.
Dianne McIntyre is an American dancer, choreographer, and teacher. Her notable works include Their Eyes Were Watching God: A Dance Adventure in Southern Blues , an adaptation of Zora Neal Hurston's novel Their Eyes Were Watching God, as well as productions of why i had to dance,spell #7, and for colored girls who have considered suicide when the rainbow is enuf, with text by Ntozake Shange. She has won numerous honors for her work including an Emmy nomination, three Bessie Awards, and a Helen Hayes Award. She is a member of the Stage Directors and Choreographers Society, the American Society of Composers, Authors and Publishers, and the Dramatists Guild of America.
Pam Tanowitz is an American dancer, choreographer, professor, and founder of the company, Pam Tanowitz Dance. She is a current staff member at Rutgers University's Mason Gross School of the Arts where she teaches dance and choreography. Her work has been performed at notable performance venues such as the Joyce Theater, the Joyce SoHo, and New York Live Arts, Kennedy Center for the Performing Arts.
Michelle Dorrance is an American tap dancer, performer, choreographer, teacher and director. Awarded a MacArthur "Genius Grant", she is the Founder and Artistic Director of Dorrance Dance. Dorrance is known for her creative ensemble choreography, rhythm tap style and ambitious collaborative projects with fellow tap dance choreographers and musicians. She is currently a 2017 Choreographic Fellow at New York City Center and an Artist in Residence at the American Tap Dance Foundation. Dorrance lives in Brooklyn, New York.
Sarah Michelson is a British choreographer and dancer who lives and works in New York City, New York. Her work is characterized by demanding physicality and repetition, rigorous formal structures, and inventive lighting and sound design. She was one of two choreographers whose work was included in the 2012 Whitney Biennial, the first time dance was presented as part of the bi-annual exhibition. Her work has also been staged at The Walker Art Center, Jacob’s Pillow Dance Festival, The Kitchen, and the White Oak Dance Project. She received New York Dance and Performance awards for Group Experience (2002), Shadowmann Parts One and Two (2003), and Dogs (2008). She has served as associate director of The Center for Movement Research and associate curator of dance at The Kitchen. Currently choreographer in residence at Bard's Fisher Center, she is the recipient of their four-year fellowship to develop a commissioned work with Bard students and professional dancers.
Cherdonna Shinatra is the stage name of Jody Kuehner, a Seattle-based, American dancer, drag queen and performance artist. Kuehner won the Stranger Genius Award in Performance in 2015.
Mary Ann Peters (1949) is an American. Her large scale paintings and installations deal with the themes of immigration and the refugee crisis. She is a founder of COCA.
Carla Blank is an American writer, editor, educator, choreographer, and dramaturge. Based in the San Francisco Bay Area, for more than four decades she has been a performer, director, and teacher of dance and theater, particularly involved with youth and community arts projects.
Nancy Louise Spanier is an American dancer, choreographer, artistic director, filmmaker and educator. Her body of choreographic works includes pieces commissioned internationally by museums, universities, dance companies and foundations. She is the founder of the Nancy Spanier Dance Theatre of Colorado, a repertory company known for its highly theatrical and imagistic performances that explore themes through the integration of sculpture, props, and film. Spanning her career, she has incorporated a variety of performance genres and has collaborated, among others, with award-winning playwright Jean-Claude van Itallie, and Anaïs Nin, who documented Spanier's performance in her last diary. Spanier is a professor emerita at the University of Colorado, Boulder where she taught dance from 1969 to 2003.