Patricia Maureen Grayburn, MBE, DL has a long involvement with the arts in Surrey after moving to become Arts Administrator at University of Surrey in 1983. [1]
She was appointed a Deputy Lieutenant of Surrey in 2002 [2] and was awarded MBE in 2004 [3] for services to the arts. She is responsible for the Lewis Elton Gallery and the breadth of public art across the University of Surrey campus and her roles include Chair of the Guildford Book Festival, Executive Director of the Guildford International Music Festival and Committee member of the Yvonne Arnaud Theatre Trust, Royal Ballet Benevolent Fund and Guildford Arts as well as other local societies. [4]
Grayburn agreed to sit for sculptor Jon Edgar as part of the preparations for The Human Clay exhibition in 2011. [6] During the sitting Edgar, a sculptor of the Frink School learnt that whilst working for London County Council, Grayburn had commissioned the Blind Beggar and his Dog sculpture for Bethnal Green - one of Elisabeth Frink's earliest commissions. [1]
The Cathedral Church of the Holy Spirit, Guildford, commonly known as Guildford Cathedral, is the Anglican cathedral in Guildford, Surrey, England. Earl Onslow donated the first 6 acres (2.4 ha) of land on which the cathedral stands, with Viscount Bennett, a former Prime Minister of Canada, purchasing the remaining land and donating it to the cathedral in 1947. Designed by Edward Maufe and built between 1936 and 1961, it is the seat of the Bishop of Guildford. The cathedral was listed as Grade II* by Historic England in 1981.
Dame Elisabeth Jean Frink was an English sculptor and printmaker. Her Times obituary noted the three essential themes in her work as "the nature of Man; the 'horseness' of horses; and the divine in human form".
Compton is a village and civil parish in the Guildford district of Surrey, England. It is between Godalming and Guildford. It has a medieval church and a close connection to fine art and pottery, being the later life home of artist George Frederic Watts. The parish has considerable woodland and agricultural land, and the undeveloped portions are in the Metropolitan Green Belt. The village is traversed by the North Downs Way and has a large western conservation area. Central to the village are the Watts Gallery, the cemetery chapel commissioned by his wife for him, two inns and the parish church.
Guildford School of Art was formed in 1856 as Guildford Working Men's Institution and was one of several schools of art run by Surrey County Council. After several mergers with tertiary art institutions it became part of the University for the Creative Arts in 2008.
Stephen De Staebler was an American sculptor, printmaker, and educator, he was best recognized for his work in clay and bronze. Totemic and fragmented in form, De Staebler's figurative sculptures call forth the many contingencies of the human condition, such as resiliency and fragility, growth and decay, earthly boundedness and the possibility for spiritual transcendence. An important figure in the California Clay Movement, he is credited with "sustaining the figurative tradition in post-World War II decades when the relevance and even possibility of embracing the human figure seemed problematic at best."
Alan Thornhill was a British artist and sculptor whose long association with clay developed from pottery into sculpture. His output includes pottery, small and large scale sculptures, portrait heads, paintings and drawings. His evolved methods of working enabled the dispensing of the sculptural armature to allow improvisation, whilst his portraiture challenges notions of normality through rigorous observation.
Jon Edgar is a British sculptor of the Frink School. Improvisation is an important part of his reductive working process and developed from the additive working process of Alan Thornhill. Final works are often autobiographical, perhaps referencing anxieties or pre-occupations at the time. His body of work includes many clay portrait sketches of eminent sitters.
Kenneth Ford was a British sculptor, who was a 1955 Prix de Rome winner for sculpture. He studied at the Royal College of Art under Frank Dobson.
Christian Petersen was a Danish-born American sculptor and university teacher. He was the first permanent artist in residence at a U.S. college or university, and he is noted for the large body of sculpture associated with a single place, Iowa State College, now Iowa State University.
Alan Collins was an English-born sculptor noted for his work at Guildford Cathedral. After continuing his career in England, Collins moved to the United States and continued working there as an artist and, for more than 20 years, as a professor of art at Seventh-day Adventist universities.
Dennis Huntley was a British sculptor, furniture designer and author. A Fellow of the Royal British Society of Sculptors, he completed works for cathedrals, individual collectors and other organisations. Among his most notable works are his sculptures for Guildford Cathedral.
Victor Arthur James Willing was a British painter, noted for his original nude studies. He was a friend and colleague of many notable artists, including Elisabeth Frink, Michael Andrews and Francis Bacon. He was married to Portuguese feminist artist Paula Rego.
Mary Wondrausch was an English artist, potter, historian and writer, born in Chelsea. She trained as a potter at Farnham School of Art, latterly West Surrey College of Art and Design.
Richard Jefferies was curator of the Watts Gallery for two decades from 1985–2006. His role led to his becoming an acknowledged expert on the Victorian painter and sculptor G. F. Watts. Jefferies's uncle had been chief assistant to Mary Seton Watts in the last ten years of her life, and Richard was born on a visit by his parents to his aunt and uncle at Compton in 1945. He started as Custodian at the Gallery on 1 February 1969 after an earlier discussion with the then Curator, Wilfrid Blunt. He provides the foreword for Hutchings's book on Watts's sculpture.
The Lewis Elton Gallery was an art gallery at the University of Surrey's Guildford campus, which hosted exhibitions, lectures and events including sculpture, paintings and photographs. The Gallery was also responsible for the maintaining the University Art Collection and a range of special collections including the Lewis and Mary Elton Art Collection and E.H. Shepard archive.
The Compton Triptych comprises three terracotta portrait heads, plinthed together, which celebrates the parish of Compton, Guildford, and the diverse figures who have contributed to this Surrey community. Using local clay from the foundations of the pottery of Mary Wondrausch this was unveiled in November 2011 at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey after sittings with sculptor Jon Edgar in 2010 and 2011. The heads include G. F. Watts expert Richard Jefferies, artist/historian Mary Wondrausch and community stalwart Jane Turner, selected by the artist after a local public appeal for suggestions for the third element of the Triptych. A triptych combines three formal elements more commonly used in painting, and this sculptural grouping was first used by Jon Edgar for the Environment Triptych of 2008, after the combination of three heads seemed to create a composition which added another dimension to the work.
The Environment Triptych, by sculptor Jon Edgar, is a group of three portrait heads of environmental thinkers of the day. First assembled in 2008, it is composed of the terracotta heads of James Lovelock, proposer of the Gaia hypothesis, moral philosopher Mary Midgley, and writer Richard Mabey. Edgar worked with the three in either Cornwall, Newcastle upon Tyne or Norfolk during visits in 2006 and 2007.
Robert Ernest Clatworthy RA was a British sculptor and teacher of art. He was head of the fine art department at the Central School of Art and Design in London from 1971 to 1975, and was elected a fellow of the Royal Academy of Arts in 1973.
Gertrud Bodenwieser, also known as "Gertrude", was a dancer, choreographer, dance teacher and pioneer of expressive dance.
Christine Charlesworth FRSA is an English sculptor. She has undertaken many private and public commissions, some of her works standing in locations in England.