Patrick William Kruse | |
---|---|
Born | January 26, 1971 |
Nationality | Native American (Ojibwe) |
Education | Bug-O-Ney-Ge-Shig School |
Occupation(s) | Birchbark and quillwork artist, as well as culture teacher |
Patrick William Kruse, also known as Pat Kruse, (born January 26, 1971) is a Native American culture teacher and artist that specializes in birchbark art and quillwork. He works alongside his son Gage to create birch bark paintings.
Kruse was born on January 26, 1971, in Oakland, California, and was raised in the Mille Lacs Reservation. He is part French and German on his father's side of the family and is a member of The Red Cliff Band of Anashinabe (specifically of Lake Superior Chippewa) and is also a part of the Mille Lacs Band of Objiwe. [1] When he was eight years old he attended the Bug-O-Ney-Ge-Shig "Bug" school, a school intended to satisfy the cultural and academic needs of Native American children. While at the school Kruse became interested in learning more about the traditions of his cultures. [2] He also learned how to make art by watching other members in his tribe such as his mother, Clara Kruse, who was trained in traditional art forms. They taught him that birch bark is sacred, and should not be wasted and his mother urged him to create more traditional, decorative Ojibwe style pieces. [3]
While creating his art Kruse tries to stick to the traditional values of his culture by using the techniques created by his ancestors. He has stated that he feels that his ancestors are communicating with him while he makes his art. [3] In order to harvest the birch bark needed to create his art, Kruse and his son Gage scavenge for bark through the woods throughout the spring, summer, and fall, so that they can spend the winter months creating the art itself. Upon attaining the necessary bark, boiling water is poured over it in order to shape the wood into a canoe, basket, or almost any other form. Kruse's technique in particular does not always utilize the boiling water. Once the shape is formed by bending the birchbark a design can be added utilizing his quillwork skills. [4] Kruse has described the birch bark gathering and artistic process as a great survival tool, as it can be used to make drinking cups, storage containers, trays, and canoes. [5]
Kruse himself primarily creates intricate baskets and paintings, where he creates the compositions while his son sews it together with deer sinew. [1] He dries the bark for a month so the water can evaporate and it dries out. Then, he has to cut and bend the wood into specific shapes, in order to create items such as baskets. [6] Upon cutting the necessary shapes, the artwork is tied together to retain the shape, and it is sewed together to keep its final form. Then, using a sharp tool (called a magoos), Kruse sketches out intricate art on the sides of his baskets and creates his quillwork art to decorate the basket.
In 2018 Kruse won the Mentor Artist Fellowship Award for the art he creates with a small amount of resources. The purpose of this fellowship is to support Native artists and allow them to make more art, have a stable income, and add to their community's culture. [15]
The Ojibwe are an Anishinaabe people whose homeland covers much of the Great Lakes region and the northern plains, extending into the subarctic and throughout the northeastern woodlands. Ojibweg, being Indigenous peoples of the Northeastern Woodlands and of the subarctic, are known by several names, including Ojibway or Chippewa. As a large ethnic group, several distinct nations also understand themselves to be Ojibwe as well, including the Saulteaux, Nipissings, and Oji-Cree.
Quillwork is a form of textile embellishment traditionally practiced by Indigenous peoples of North America that employs the quills of porcupines as an aesthetic element. Quills from bird feathers were also occasionally used in quillwork.
Birch bark or birchbark is the bark of several Eurasian and North American birch trees of the genus Betula.
The Mitchell Museum of the American Indian is a museum in Evanston, Illinois that focuses exclusively on the history, culture and arts of North American native peoples. It is a Core Member of the Chicago Cultural Alliance, a consortium of 25 ethnic museums and cultural centres in Chicago.
A wiigwaasabak is a birch bark scroll, on which the Ojibwa (Anishinaabe) people of North America wrote with a written language composed of complex geometrical patterns and shapes.
The Forest County Potawatomi Community is a federally recognized tribe of Potawatomi people with approximately 1,400 members as of 2010. The community is based on the Forest County Potawatomi Indian Reservation, which consists of numerous non-contiguous plots of land in southern Forest County and northern Oconto County, Wisconsin, United States. The community also administers about 7 acres (28,000 m2) of off-reservation trust land in the city of Milwaukee. According to the U.S. Census Bureau, the reservation and off-reservation trust land together have a total area of 22.72 square miles (58.8 km2). The combined population of Forest County Potawatomi Community and Off-Reservation Trust Land was 594 in the 2020 census. The nation's administrative and cultural center are located about three miles east of Crandon, Wisconsin.
Maude Kegg was an Ojibwa writer, folk artist, and cultural interpreter. She was a member of the Mille Lacs Band of Ojibwe, located in east-central Minnesota.
Birchbark biting is an Indigenous artform made by Anishinaabeg, including Ojibwe people, Potawatomi, and Odawa, as well as Cree and other Algonquian peoples of the Subarctic and Great Lakes regions of Canada and the United States. Artists bite on small pieces of folded birch bark to form intricate designs.
Jim Northrup was an Anishinaabe newspaper columnist, poet, performer, and political commentator from the Fond du Lac Indian Reservation in Minnesota. His Anishinaabe name was "Chibenashi".
Woodlands style, also called the Woodlands school, Legend painting, Medicine painting, and Anishnabe painting, is a genre of painting among First Nations and Native American artists from the Great Lakes area, including northern Ontario and southwestern Manitoba. The majority of the Woodland artists belong to the Anishinaabeg, notably the Ojibwe, Odawa, and Potawatomi, as well as the Oji-Cree and the Cree.
Kelly Jean Church is a black ash basket maker, Woodlands style painter, birchbark biter, and educator.
The Mille Lacs Indian Museum and Trading Post is a museum dedicated to the Mille Lacs Band of Ojibwe's history, culture, and contemporary life. It officially opened to the public on May 18, 1996. Located in Onamia, Minnesota, United States, it is one of the 26 historical sites and museums run by the Minnesota Historical Society.
Jim Denomie was an Ojibwe Native American painter, known for his colorful, at times comical, looks at United States history and Indigenous peoples of the Americas.
A wiigwaasi-makak, meaning "birch-bark box" in the Anishinaabe language, is a box made of panels of birchbark sewn together with watap. The construction of makakoon from birchbark was an essential element in the culture of the Anishinaabe people and other members of the Native Americans and First Nations of the Upper Great Lakes, particularly in the regions surrounding Lake Superior. Birchbark makakoon continue to be crafted to this day as heritage heirlooms and for the tourist trade.
Andrea Carlson is a mixed-media American visual artist currently based in Chicago. She also maintains a studio space and has a strong artistic presence in Minneapolis–Saint Paul, Minnesota.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Yvonne Walker Keshick is an Anishinaabe quillwork artist and basket maker.
David Moses Bridges was a Native American environmentalist and artist known for his traditional birchbark canoes and baskets. He was a member of the Passamaquoddy tribal community on the Passamaquoddy Pleasant Point Reservation. Bridges fought for tribal environmental rights and was a co-founder of Mulankeyutmonen Nkihtakmikon, to preserve the Wabanaki culture.
Cherish Nebeshanze Parrish is a black ash basket maker and birchbark biter. She is a member of the Match-e-be-nash-she-wish Band of Pottawatomi Indians of Michigan and of Odawa descent.
Tomah Joseph, a.k.a.Joseph Tomah and Tomah Josephs, was a Passamaquoddy artist and governor of communities in Maine in the United States. He taught the future US president Franklin Delano Roosevelt how to canoe.
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