This section needs to be updated.(February 2021) |
Patty Chang | |
---|---|
Born | San Leandro, California, U.S. | February 3, 1972
Alma mater | University of California, San Diego |
Occupation(s) | Performance artist, film director |
Patty Chang (born February 3, 1972 in San Leandro, California) [1] is an American performance artist and film director living and working in Los Angeles, California. [1] Originally trained as a painter, Chang received her Bachelor of Arts at the University of California, San Diego. It wasn't until she moved to New York that she became involved with the performance art scene. [2]
She has staged solo shows in major cities, including Patty Chang at Jack Tilton Gallery, New York (1999), [1] Ven conmigo, nada contigo. Fuente. Melones. Afeitada. at Museo National de Reina Sofia, Madrid, Spain (2000), [3] Patty Chang: Shangri-La at the Hammer Museum, Los Angeles, Museum of Contemporary Art, Chicago, and the New Museum, New York (2005), [4] Flotsam Jetsam with longtime collaborator David Kelley [5] at the Museum of Modern Art, New York (2014), [6] and her most extensive exhibition to date, Patty Chang: The Wandering Lake, 2009-2017, at the Queens Museum, Queens, NY (2017–18). [7] Her show The Wandering Lake will also show in Los Angeles. Currently, Chang is showing at the Museum of Fine Arts in Boston where she is a part of Read My Lips that will be up until May 2020.
External videos | |
---|---|
"In Love" with Patty Chang, Video by Nicolas Jenkins |
Chang received a Bachelor of Arts at the University of California, San Diego in 1994, [2] and studied abroad at L’Accademia Di Belle Arti in Venice, Italy, in 1993. [2] She has held teaching positions at the Skowhegan School of Painting and Sculpture in Skowhegan, Maine, and her work has been recognized by many cultural organizations, including a 2003 Rockefeller Foundation Award. She was a 2008 finalist for the Hugo Boss Prize and a Guna S. Mundheim Fellow in the Visual Arts at the American Academy in Berlin in Germany for fall 2008. In 2012, she received the Creative Capital Award in Visual Arts, [8] and in 2014, she was a John Simon Guggenheim Memorial Foundation Guggenheim Fellow in Creative Arts—Fine Arts. [9]
Her performative works deal with themes of gender, language and empathy, and she was described as "one of our most consistently exciting young artists" by The New York Times in 2005. [10] Originally trained as a painter, [11] she is primarily known for her short films, videos and performance art. Chang has participated in film as body dubbing which allows studios to remake films with more international casts.[ clarification needed ] She often plays a central role in her own work, often seen as testing the acceptable boundaries of taste and endurance. Some of her work contains scatological elements, while others critique perceptions of female sexual roles. She often denounces the problems that she observes in contemporary society by staging her own body in intensely difficult situations, documenting her actions through video and photography. She began to take a more "behind the scenes" role and became "perhaps the least visible she has ever been in her own work [12] ” in her 2005 exhibition Shangri-La based on a fictional location in the 1933 novel Lost Horizon by James Hilton. Her recent work, especially "Invocation for The Wandering Lake" (2015–16), draws connections between landscape and the body. [13] Many aspects of Chang's work connect back to her Asian culture[ which? ] such as her interest in Shangri-La as well as her criticism of Asian female stereotypes in her work Contortion (2000).
Title | Release Year |
---|---|
Gong Li with the Wind | 1996 |
Paradice | 1996 |
Melons (At a Loss) | 1998 |
Fountain | 1999 |
Contorsion | 2000 |
Losing Ground | 2000 |
Hand to Mouth | 2000 |
Eels | 2001 |
In Love | 2001 |
Shangri-La | 2005 |
Condensation of Birds | 2006 |
Flotsam Jetsam | 2007 |
The Product Love – Die Ware Liebe | 2009 |
Rather to Potentialities | 2009 |
Route 3 | 2011 |
Current | 2012 |
Invocation for a Wandering Lake, Part 1 | 2014 |
Spiritual Myopia | 2015 |
Tina Barney is an American photographer best known for her large-scale, color portraits of her family and close friends in New York and New England. She is a member of the Lehman family.
Amy Sillman is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Layla Al-Attar was an Iraqi artist and painter who became the Director of the Iraqi National Art Museum. Through her art, al-Attar expressed ideals that attempted to recognize the importance of women in all spheres of society.
Jan Groover was an American photographer. She received numerous one-person shows, including at the Museum of Modern Art in New York, which holds some of her work in its permanent collection.
Joan Snyder is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow (1974).
Abby Leigh is an American artist based in New York City. Her work is held in public collections including the Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; the Guggenheim Museum, New York, NY; the Metropolitan Museum of Art, New York, NY; The Hammer Museum, Los Angeles, CA; Houston Museum of Fine Arts, Houston, TX; among others.
Bonnie Devine is a Serpent River Ojibwa installation artist, performance artist, sculptor, curator, and writer from Serpent River First Nation, who lives and works in Toronto, Ontario. She is currently an associate professor at OCAD University and the founding chair of its Indigenous Visual Cultural Program.
Naomi Beckwith is the deputy director and chief curator of the Solomon R. Guggenheim Museum. She joined the museum in June 2021. Previously she had been the senior curator at the Museum of Contemporary Art, Chicago. Beckwith joined the curatorial staff there in May 2011.
Sonia Gechtoff was an American abstract expressionist painter. Her primary medium was painting but she also created drawings and prints.
Zarina Hashmi, known professionally as Zarina, was an Indian American artist and printmaker based in New York City. Her work spans drawing, printmaking, and sculpture. Associated with the minimalist movement, her work utilized abstract and geometric forms in order to evoke a spiritual reaction from the viewer.
Sabina Ott was an American artist known for her broad range of work—from painting to installation to sculpture—and her central role in the art world as teacher, administrator, and recently, as the founder of the exhibition space Terrain, which invites artists to create installations and performances using the exterior of her Oak Park home.
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Maureen Connor is an American artist who creates installations and videos dealing with human resources and social justice. She is known internationally for her work from the 1980s to the present, which focuses on gender and its modes of representation.
Alexandra Munroe is an American curator, Asia scholar, and author focusing on art, culture, and institutional global strategy. She has produced over 40 exhibitions and published pioneering scholarship on modern and contemporary Asian art. She organized the first major North American retrospectives of artists Yayoi Kusama (1989), Daido Moriyama (1999), Yoko Ono (2000), Mu Xin (2001), Cai Guo-Qiang (2008), and Lee Ufan (2011), among others, and has brought such historic avant-garde movements as Gutai, Mono-ha, and Chinese conceptual art, as well as Japanese otaku culture, to international attention. Her project Japanese Art after 1945: Scream Against the Sky (1994) is recognized for initiating the field of postwar Japanese art history in North America. Recently, Munroe was lead curator of the Guggenheim’s exhibition, Art and China after 1989: Theater of the World, which the New York Times named as one of 2017’s top ten exhibitions and ARTnews named as one of the decade’s top 25 most influential shows. Credited for the far-reaching impact of her exhibitions and scholarship bolstering knowledge of postwar Japanese art history in America and Japan, she received the 2017 Japan Foundation Award and the 2018 Commissioner for Cultural Affairs Award, both bestowed by the government of Japan.
Christine Y. Kim is an American curator of contemporary art. She is currently the Britton Family Curator-at-Large at Tate. Prior to this post, Kim held the position of Curator of Contemporary Art at the Los Angeles County Museum of Art. Before her appointment at LACMA in 2009, she was Associate Curator at The Studio Museum in Harlem in New York. She is best known for her exhibitions of and publications on artists of color, diasporic and marginalized discourses, and 21st-century technology and artistic practices.
Jennifer Wynne Reeves was an American painter. She studied at the Vermont Studio School between 1984 and 1985. Her work was the subject of solo shows at the Max Protech (2001), Gorney, Bravin, and Lee, LittleJohn and Ramis Barquet Galleries, among other venues. She was a 2012 recipient of a Guggenheim fellowship. in 2008 the Worcester Art Museum held a solo exhibition of selections from the previous three years of her work. her work is included in the collection of the Seattle Art Museum.
Sharon Core is an American artist and photographer. Core first gained recognition with her Thiebauds series (2003-4) in which she created photographic interpretations of American painter Wayne Thiebaud's renderings of food. Two of her works in the Thiebauds series, Candy Counter 1969 (2004) and Confections (2005) were acquired by the Solomon R. Guggenheim Museum in 2005.
Lucy Dodd is an American painter and installation artist. Dodd synthesizes pigments from various organic and inorganic matter. Her work frequently invokes art historical and mythological symbolism. Dodd has been critically compared to mid-century artists Cy Twombly, Sigmar Polke, Robert Ryman, and Willem de Kooning.
Karole P. B. Vail is an American museum director, curator and writer. Since 2017, she has been the director of the Peggy Guggenheim Collection in Venice and Solomon R. Guggenheim Foundation Director for Italy. Prior to this appointment, she worked on the curatorial staff at the Solomon R. Guggenheim Museum in New York for 20 years.